UPC · Album

Opera Arias

Mozart

724356909823
37 tracksReleased 1990-01-01Seraphim

Last verified:

724356909823 is the Universal Product Code (UPC barcode) for the release Opera Arias by Mozart, released 1990-01-01 on Seraphim. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include GBAYC1601317, GBAYC2300692, GBAYC2300768.

Format

7Number system
24356Manufacturer
90982Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCOpera Arias
ISRC24 recordings
ISWC5 works

Track List (24)

Die Zauberflöte, K. 620, Act 2: "Pa-pa-gena! Pa-pa-geno!" (Papageno, Papagena)
Walter Berry, Ruth-Margret Pütz, Philharmonia Orchestra, Otto Klemperer
Le nozze di Figaro, K. 492: Atto II, scena I. No. 11 Cavatina “Porgi, amor qualche ristoro” (La Contessa)
Elisabeth Söderström, New Philharmonia Orchestra, Otto Klemperer
Così fan tutte, K. 588: Atto I, scena 3. “Come scoglio immoto resta” (Fiordiligi)
Margaret Price, New Philharmonia Orchestra, Otto Klemperer
Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina)
Lucia Popp, New Philharmonia Orchestra, Otto Klemperer
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer
Don Giovanni: Atto II. Aria “Vedrai, carino” (Zerlina)
Mirella Freni, New Philharmonia Orchestra, Otto Klemperer
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scene V. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
Giuseppe Taddei, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, scena XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini
Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni for Soprano in E‐flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria “Mi tradì quell’alma ingrata” (Donna Elvira)
Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scene V. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
Giuseppe Taddei, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, scena XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini
Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
Le nozze di Figaro, K. 492: Atto II, scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino)
Teresa Berganza, English Chamber Orchestra, Daniel Barenboim
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer
Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina)
Lucia Popp, New Philharmonia Orchestra, Otto Klemperer

People also ask

What is UPC 724356909823?
UPC 724356909823 is the Universal Product Code (barcode) for "Opera Arias" by Mozart, released on Seraphim.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724356909823?
UPC 724356909823 contains 37 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 724356909823?

724356909823 is a Universal Product Code (UPC) assigned to Opera Arias by Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm