UPC · Release
Passage to Paradise: 33 Highlights From Great Sacred Music
Various Artists
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724356924123 is the Universal Product Code (UPC barcode) for the release “Passage to Paradise: 33 Highlights From Great Sacred Music” by Various Artists, released 1996-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include DEA348902087, GBAYC8700997, GBAYC8600288.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te Deum, H.146: Prélude | — | ||
| 2 | Te Deum, H.146: Te Deum laudamus | — | ||
| 3 | Magnificat, H.074: Gloria | — | ||
| 4 | Gloria, RV 589: Domine Deus, Agnus Dei | — | ||
| 5 | Magnificat, RV 611: Et misericordia | — | ||
| 6 | Stabat Mater, RV 621: O quam tristis | — | ||
| 7 | Stabat Mater, RV 621: Sinfonia "Al San Sepolcro" | — | ||
| 8 | Dettinger Te Deum: Nimm uns auf in deiner Heil'gen Zahl | — | ||
| 9 | Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 10 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 11 | Schöpfungsmesse, Hob. XXII/13: Agnus Dei | — | ||
| 12 | Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — | |
| 13 | Missa brevis, K.275: Kyrie | — | ||
| 14 | Mass, K.427: Et incarnatus est | — | ||
| 15 | Coronation Mass: O salutaris Hostia | — | ||
| 16 | Missa Solemnis, op. 123: Kyrie | — | ||
| 17 | Coronation Mass: Marche religieuse | — | ||
| 2-1 | Requiem, K.626: Confutatis maledictis | — | ||
| 2-2 | Solemn Mass: Agnus Dei | — | ||
| 2-3 | Freischütz Messe: Credo | — | ||
| 2-4 | Requiem: Graduale | — | ||
| 2-5 | Mass, D.452: Benedictus I | — | ||
| 2-6 | Deutsche Messe: Das Gebet des Herrn | — | ||
| 2-7 | Requiem, op. 148: Sanctus | — | ||
| 2-8 | Stabat Mater, D.175 | — | ||
| 2-9 | Stabat Mater: Quando corpus morietur | — | ||
| 2-10 | Petite messe solennelle: Sanctus | — | ||
| 2-11 | Messe solennelle de Sainte-Cécile: Benedictus | — | ||
| 2-12 | Ein deutsches Requiem: I. Selig sind, die da Leid tragen | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-13 | Mass no. 3 "Great": Sanctus | — | ||
| 2-14 | Requiem: Lux aeterna | — | ||
| 2-15 | Requiem, op. 48: VII. In Paradisum | Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer-Dieskau, Orchestre de Paris, Daniel Barenboim | T-924.489.944-3 | |
| 2-16 | Messe solennelle de Sainte Cécile : 4. Offertorium | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
What other identifiers does this connect to?
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What is UPC 724356924123?
724356924123 is a Universal Product Code (UPC) assigned to Passage to Paradise: 33 Highlights From Great Sacred Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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