UPC · Release
Various Artists
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724356941120 is the Universal Product Code (UPC barcode) for the release “Classic Opera Experience” by Various Artists, released 1996-01-01 on EMI Premier. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBAYC9201500, GBAYC8900820, GBAYC0202607.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La traviata: Act I. Brindisi "Libiamo ne'lieti calici" | Coro del Teatro dell’Opera di Roma, Carlo del Monte, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | — | |
| 2 | The Marriage of Figaro: Non più andrai | — | ||
| 3 | Mozart: Le nozze di Figaro, K. 492, Act II, Scene 3: No. 11, “Voi, che sapete che cosa è amor” (Cherubino) | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Fiorenza Cossotto, Carlo Maria Giulini | — | |
| 4 | The Barber of Seville: Largo al factotum | — | ||
| 5 | Don Giovanni: Serenade | — | ||
| 6 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 7 | Carmen: Toreador's Song | — | ||
| 8 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 9 | The Tales of Hoffman: Barcarolle | — | ||
| 10 | Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 11 | Gianni Schicchi: O mio babbino caro | — | ||
| 12 | Martha: Akt III. „Ach so fromm“ | Fritz Wunderlich, Berliner Symphoniker, Berislav Klobučar | — | |
| 13 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 14 | Don Giovanni, K. 527: Atto II, Scena II. Aria "Il mio tesoro" (Don Ottavio) | Luigi Alva, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 15 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905.466.790-2 | |
| 16 | La Bohème: Che gelida manina | — | ||
| 17 | La Bohème: Mi chiamano Mimi | — | ||
| 18 | Madam Butterfly: Humming Chorus | — | ||
| 19 | Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 20 | Turandot: Atto III. “Nessun dorma” | — | ||
| 2-1 | Die Zauberflöte: Der Vogelfänger bin ich ja | Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong | — | |
| 2-2 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 2-3 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 2-4 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-5 | Aida: Celeste Aida | — | ||
| 2-6 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 2-7 | Rusalka: Song to the Moon | — | ||
| 2-8 | Andrea Chénier: La mamma morta | — | ||
| 2-9 | Pagliacci: Vesti la giubba | — | ||
| 2-10 | Madame Butterfly: One Fine Day | — | ||
| 2-11 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-12 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 2-13 | Tosca: Recondita armonia | — | ||
| 2-14 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 2-15 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 2-16 | The Coronation of Poppaea: Pur ti miro | — | ||
| 2-17 | La Rondine: Chi il bel sogno di Doretta | — | ||
| 2-18 | Cavalleria rusticana: Easter Hymn “Regina coeli...Ineggiamo” | Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
724356941120 is a Universal Product Code (UPC) assigned to Classic Opera Experience by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
724356941120 is the Universal Product Code (UPC barcode) for the release “Classic Opera Experience” by Various Artists, released 1996-01-01 on EMI Premier. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBAYC9201500, GBAYC8900820, GBAYC0202607.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La traviata: Act I. Brindisi "Libiamo ne'lieti calici" | Coro del Teatro dell’Opera di Roma, Carlo del Monte, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | — | |
| 2 | The Marriage of Figaro: Non più andrai | — | ||
| 3 | Mozart: Le nozze di Figaro, K. 492, Act II, Scene 3: No. 11, “Voi, che sapete che cosa è amor” (Cherubino) | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Fiorenza Cossotto, Carlo Maria Giulini | — | |
| 4 | The Barber of Seville: Largo al factotum | — | ||
| 5 | Don Giovanni: Serenade | — | ||
| 6 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 7 | Carmen: Toreador's Song | — | ||
| 8 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 9 | The Tales of Hoffman: Barcarolle | — | ||
| 10 | Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 11 | Gianni Schicchi: O mio babbino caro | — | ||
| 12 | Martha: Akt III. „Ach so fromm“ | Fritz Wunderlich, Berliner Symphoniker, Berislav Klobučar | — | |
| 13 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 14 | Don Giovanni, K. 527: Atto II, Scena II. Aria "Il mio tesoro" (Don Ottavio) | Luigi Alva, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 15 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905.466.790-2 | |
| 16 | La Bohème: Che gelida manina | — | ||
| 17 | La Bohème: Mi chiamano Mimi | — | ||
| 18 | Madam Butterfly: Humming Chorus | — | ||
| 19 | Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 20 | Turandot: Atto III. “Nessun dorma” | — | ||
| 2-1 | Die Zauberflöte: Der Vogelfänger bin ich ja | Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong | — | |
| 2-2 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 2-3 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 2-4 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-5 | Aida: Celeste Aida | — | ||
| 2-6 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 2-7 | Rusalka: Song to the Moon | — | ||
| 2-8 | Andrea Chénier: La mamma morta | — | ||
| 2-9 | Pagliacci: Vesti la giubba | — | ||
| 2-10 | Madame Butterfly: One Fine Day | — | ||
| 2-11 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-12 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 2-13 | Tosca: Recondita armonia | — | ||
| 2-14 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 2-15 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 2-16 | The Coronation of Poppaea: Pur ti miro | — | ||
| 2-17 | La Rondine: Chi il bel sogno di Doretta | — | ||
| 2-18 | Cavalleria rusticana: Easter Hymn “Regina coeli...Ineggiamo” | Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
