UPC · Album
Classic Opera Experience
Various Artists
Last verified:
724356941120 is the Universal Product Code (UPC barcode) for the release “Classic Opera Experience” by Various Artists, released 1996-01-01 on EMI Premier. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include DEC628600517, FRZ110200604, FRZ116001280.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (28)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Martha: Akt III. „Ach so fromm“ | Fritz Wunderlich, Berliner Symphoniker, Berislav Klobučar | DEC628600517 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ110200604 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118703008 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202607 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100061 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100103 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100313 |
| La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | GBAYC8400258 |
| Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | GBAYC8600645 |
| Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | GBAYC8700346 |
| Don Giovanni, K. 527: Atto II, Scena II. Aria "Il mio tesoro" (Don Ottavio) | Luigi Alva, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8700509 |
| Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8701762 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8800962 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Mozart: Le nozze di Figaro, K. 492, Act II, Scene 3: No. 11, “Voi, che sapete che cosa è amor” (Cherubino) | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Fiorenza Cossotto, Carlo Maria Giulini | GBAYC8900820 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC8901973 |
| Cavalleria rusticana: Easter Hymn “Regina coeli...Ineggiamo” | Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8902319 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8904517 |
| La traviata: Act I. Brindisi "Libiamo ne'lieti calici" | Coro del Teatro dell’Opera di Roma, Carlo del Monte, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | GBAYC9201500 |
| Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | GBAYC9602461 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701412 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701419 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC9701432 |
| Die Zauberflöte: Der Vogelfänger bin ich ja | Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong | GBAYD8400228 |
| Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | GBAYD9100645 |
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What is UPC 724356941120?
724356941120 is a Universal Product Code (UPC) assigned to Classic Opera Experience by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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