UPC · Release
Various Artists
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The UPC for “The Most Relaxing Classical Albums In The World... Ever!” by Various Artists is 724357358224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: EMI. This release contains 72 tracks, each with its own ISRC. Tracks include GBAYC2302039, GBAYC8200044, GBAYC2302025.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 5 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 6 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 7 | Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 8 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 9 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 10 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 11 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 12 | Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — | |
| 13 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 14 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 15 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 16 | Song to the Moon (Rusalka) | Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz | — | |
| 17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 18 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 2-1 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-2 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 2-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-7 | Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-8 | Prayer From “Coppelia” | — | ||
| 2-9 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-10 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 2-11 | Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | — | |
| 2-12 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-13 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 2-14 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-15 | Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-17 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-18 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 3-1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 3-4 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 3-5 | Miserere mei, Deus (extract) | — | ||
| 3-6 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 3-7 | Träumerei | — | ||
| 3-8 | The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 3-10 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 3-11 | Jean de Florette: Theme | — | ||
| 3-12 | Concerto for Lute and Two Violins, RV 93: II. Largo | — | ||
| 3-13 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 3-14 | Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T-306.229.926-3 | |
| 3-15 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 3-16 | Pavane | — | ||
| 3-17 | Woodbrook | Mícheál Ó Súilleabháin | T-030.025.260-1 | |
| 3-18 | Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 | |
| 4-1 | The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | T-061.409.365-0 | |
| 4-2 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-3 | Double Violin Concerto in D minor, BWV 1042: II. Largo ma non tanto (opening) | — | ||
| 4-4 | Prelude no. 7 in A major, op. 28 no. 7 | — | ||
| 4-5 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 4-6 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-7 | Pathétique Sonata, op. 13: II. Adagio cantabile | — | ||
| 4-8 | Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T-010.065.879-4 | |
| 4-9 | Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | T-900.035.228-3 | |
| 4-10 | La Fille aux cheveux de lin | Dame Moura Lympany | T-336.722.879-9 | |
| 4-11 | The Coventry Carol | — | ||
| 4-12 | Pavane for a Dead Princess | — | ||
| 4-13 | Liebestraum no. 3 in A-flat | John Ogdon | — | |
| 4-14 | Panis Angelicus | — | ||
| 4-15 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 4-16 | Agnus Dei | — | ||
| 4-17 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-18 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-317.671.333-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | T-306.036.936-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | T-323.984.111-9 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-004.976.716-9 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T-802.445.410-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
724357358224 is a Universal Product Code (UPC) assigned to The Most Relaxing Classical Albums In The World... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Most Relaxing Classical Albums In The World... Ever!” by Various Artists is 724357358224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: EMI. This release contains 72 tracks, each with its own ISRC. Tracks include GBAYC2302039, GBAYC8200044, GBAYC2302025.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 5 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 6 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 7 | Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 8 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 9 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 10 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 11 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 12 | Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — | |
| 13 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 14 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 15 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 16 | Song to the Moon (Rusalka) | Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz | — | |
| 17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 18 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 2-1 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-2 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 2-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-7 | Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-8 | Prayer From “Coppelia” | — | ||
| 2-9 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-10 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 2-11 | Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | — | |
| 2-12 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-13 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 2-14 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-15 | Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-17 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-18 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 3-1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 3-4 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 3-5 | Miserere mei, Deus (extract) | — | ||
| 3-6 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 3-7 | Träumerei | — | ||
| 3-8 | The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 3-10 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 3-11 | Jean de Florette: Theme | — | ||
| 3-12 | Concerto for Lute and Two Violins, RV 93: II. Largo | — | ||
| 3-13 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 3-14 | Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T-306.229.926-3 | |
| 3-15 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 3-16 | Pavane | — | ||
| 3-17 | Woodbrook | Mícheál Ó Súilleabháin | T-030.025.260-1 | |
| 3-18 | Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 | |
| 4-1 | The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | T-061.409.365-0 | |
| 4-2 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-3 | Double Violin Concerto in D minor, BWV 1042: II. Largo ma non tanto (opening) | — | ||
| 4-4 | Prelude no. 7 in A major, op. 28 no. 7 | — | ||
| 4-5 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 4-6 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-7 | Pathétique Sonata, op. 13: II. Adagio cantabile | — | ||
| 4-8 | Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T-010.065.879-4 | |
| 4-9 | Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | T-900.035.228-3 | |
| 4-10 | La Fille aux cheveux de lin | Dame Moura Lympany | T-336.722.879-9 | |
| 4-11 | The Coventry Carol | — | ||
| 4-12 | Pavane for a Dead Princess | — | ||
| 4-13 | Liebestraum no. 3 in A-flat | John Ogdon | — | |
| 4-14 | Panis Angelicus | — | ||
| 4-15 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 4-16 | Agnus Dei | — | ||
| 4-17 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-18 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-317.671.333-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | T-306.036.936-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | T-323.984.111-9 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-004.976.716-9 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T-802.445.410-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
