UPC · Release
The Most Relaxing Classical Albums In The World... Ever!
Various Artists
724357358224
18 tracksReleased 1999-01-01EMI
Last verified:
724357358224 is the Universal Product Code (UPC barcode) for the release “The Most Relaxing Classical Albums In The World... Ever!” by Various Artists, released 1999-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC2302039, GBAYC8200044, GBAYC2302025.
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UPCThe Most Relaxing Classical Albums In The World... Ever!
ISRC18 recordings
ISWC16 works
IPI6 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 | |
| 3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 | |
| 5 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 6 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 7 | Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T3169017583 | |
| 8 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 9 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 | |
| 10 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 11 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 12 | Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — | |
| 13 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 | |
| 14 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 15 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 16 | Song to the Moon (Rusalka) | Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz | — | |
| 17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 | |
| 18 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T9093402187 |
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt)
Stephen Hough, Hallé Orchestra, Bryden Thomson
—
Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
—
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
London Symphony Orchestra, Sir Adrian Boult
Song to the Moon (Rusalka)
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Additional database matches (81)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T0502420101 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | — |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T9023004651 |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 |
| Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316578060-5 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 |
| The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T3062299263 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Woodbrook | Mícheál Ó Súilleabháin | T-030025260-1 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 |
| The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | T0614093650 |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — |
| The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — |
| Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T0100658794 |
| Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | T9000352283 |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| Liebestraum no. 3 in A-flat | John Ogdon | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305625671-0 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T3176713336 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | T-306036936-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | T3239841119 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T0049767169 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802445410-3 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Concerto for Clarinet in A major, K. 622: II. Adagio
Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Philharmonia Orchestra, Riccardo Muti
Serenade for Strings in E major, op. 22: I. Moderato
London Chamber Orchestra, Christopher Warren-Green
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
The Philadelphia Orchestra, Eugene Ormandy
Orchestre national de France, Seiji Ozawa
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
The Damnation of Faust: Dance of the Sylphs (Act 2)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
—
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Adolph Drescher, Dame Moura Lympany
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Mícheál Ó Súilleabháin
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Northern Sinfonia of England, Richard Hickox
La Fille aux cheveux de lin
Dame Moura Lympany
—
Liebestraum no. 3 in A-flat
John Ogdon
—
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Shearman Orchestra, David Abel
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Jacqueline du Pré, Osian Ellis
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
London Chamber Orchestra, Christopher Warren-Green
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
La Fille aux cheveux de lin
Dame Moura Lympany
—
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
—
Jacqueline du Pré, Osian Ellis
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Philharmonia Orchestra, Riccardo Muti
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000004092505X0000000055129945000000005516761800000000551752980000000063086703000000006308963X000000006309059300000000631038410000000063103868
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00000000724543440000000073672810000000008095666X000000008106277200000000810854640000000081773005000000008188053X0000000083835863000000008403819600000000841181450000000084163122000000010724217400000001078863400000000108606603000000010885462300000001089062430000000109110853000000010912747900000001091441130000000109282073000000010930050X00000001094352280000000109442137000000011006248100000001101365750000000110142625000000011016475200000001103310980000000110332568000000011034017000000001103633560000000110386101000000011055277100000001107126910000000110823228000000011082996100000001108520100000000110880417000000011297410X0000000114397967
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What is UPC 724357358224?
724357358224 is a Universal Product Code (UPC) assigned to The Most Relaxing Classical Albums In The World... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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