UPC · Album
The Most Relaxing Classical Albums In The World... Ever!
Various Artists
724357358224
72 tracksReleased 1999-01-01EMI
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724357358224 is the Universal Product Code (UPC barcode) for the release “The Most Relaxing Classical Albums In The World... Ever!” by Various Artists, released 1999-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC. Tracks include DEA349302147, DEA349502258, DEA349502268.
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UPCThe Most Relaxing Classical Albums In The World... Ever!
ISRC109 recordings
ISWC16 works
IPI6 songwriters
Track List (109)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | DEA349302147 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502258 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502268 |
| Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | DEC628700413 |
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | DEC629300416 |
| Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ117000630 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118701170 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | FRZ201500215 |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | GBAAA9000033 |
| Woodbrook | Mícheál Ó Súilleabháin | GBAAA9200022 |
| Song to the Moon (Rusalka) | Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz | GBAAA9710444 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | GBAAA9710450 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC0400719 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC0802180 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | GBAYC1105281 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC2000143 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC2001066 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | GBAYC2102622 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302039 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC6200050 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300010 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900141 |
| The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900178 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900189 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8000011 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200044 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200240 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | GBAYC8300004 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | GBAYC8300177 |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8300192 |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8300195 |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8301224 |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | GBAYC8400392 |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | GBAYC8400866 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500289 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500496 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500764 |
| The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600620 |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600704 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC8601142 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC8700211 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | GBAYC8700828 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8800875 |
| Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | GBAYC8800878 |
| Liebestraum no. 3 in A-flat | John Ogdon | GBAYC8800881 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC8803402 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8900746 |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | GBAYC8900775 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8901140 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | GBAYC9001091 |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9001093 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003017 |
| La Fille aux cheveux de lin | Dame Moura Lympany | GBAYC9004357 |
| La Fille aux cheveux de lin | Dame Moura Lympany | GBAYC9004537 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | GBAYC9100887 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYC9101134 |
| Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | GBAYC9200517 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | GBAYC9300575 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | GBAYC9500465 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9500783 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | GBAYC9700715 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | GBAYC9701764 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702775 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702891 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC9703129 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703142 |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | GBAYC9704887 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC9902424 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300162 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300383 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | GBAYD8500124 |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | GBAYD8700074 |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | GBAYD8700389 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | GBAYD9000594 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYD9100155 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | GBAYD9300145 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | GBAYD9700078 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | GBAYD9700264 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | GBAYD9800299 |
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Thaïs, Act 2: Méditation
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract)
Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Lakmé : « Dôme épais … » (Flower Duet)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Serenade for Strings in E major, op. 22: I. Moderato
London Chamber Orchestra, Christopher Warren-Green
Woodbrook
Mícheál Ó Súilleabháin
Song to the Moon (Rusalka)
Lucia Popp, Münchner Rundfunkorchester, Stefan Soltesz
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Four Seasons. Concerto no. 1 in E (Spring): III. Allegro
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
The Damnation of Faust: Dance of the Sylphs (Act 2)
Academy of St Martin in the Fields, Sir Neville Marriner
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Clair de lune (from Suite bergamasque)
Dame Moura Lympany
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
Waltz no. 15 in A‐flat major
Adolph Drescher, Dame Moura Lympany
Liebestraum no. 3 in A-flat
John Ogdon
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Serenade for Strings in E major, op. 22: I. Moderato
London Chamber Orchestra, Christopher Warren-Green
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Gymnopédie no. 1
City of Birmingham Symphony Orchestra, Louis Frémaux
Concierto de Aranjuez: II. Adagio (opening)
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
La Fille aux cheveux de lin
Dame Moura Lympany
La Fille aux cheveux de lin
Dame Moura Lympany
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Concerto for Clarinet in A major, K. 622: II. Adagio
Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109
John Ogdon
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
Schindler’s List Theme
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Pie Jesu
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening)
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
My Heart Will Go On (From the Film Titanic)
Shearman Orchestra, David Abel
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Rhapsody of a Theme of Paganini: Variation 18
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Salut d'amour, op. 12
Northern Sinfonia of England, Richard Hickox
Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt)
Stephen Hough, Hallé Orchestra, Bryden Thomson
Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt)
Stephen Hough, Hallé Orchestra, Bryden Thomson
Gymnopédie no. 1
City of Birmingham Symphony Orchestra, Louis Frémaux
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Requiem, op. 48: In Paradisum
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Pavane in F-sharp minor, op. 50
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Requiem, op. 48: In Paradisum
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Time To Say Goodbye (“Con te partiro”)
David Abel
What other identifiers does this connect to?
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Creative Contributors (ISNI)
0000000028122959000000004092505X0000000055129945000000005516761800000000551752980000000063086703000000006308963X000000006309059300000000631038410000000063103868
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00000000724543440000000073672810000000008095666X000000008106277200000000810854640000000081773005000000008188053X0000000083835863000000008403819600000000841181450000000084163122000000010724217400000001078863400000000108606603000000010885462300000001089062430000000109110853000000010912747900000001091441130000000109282073000000010930050X00000001094352280000000109442137000000011006248100000001101365750000000110142625000000011016475200000001103310980000000110332568000000011034017000000001103633560000000110386101000000011055277100000001107126910000000110823228000000011082996100000001108520100000000110880417000000011297410X0000000114397967
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What is UPC 724357358224?
724357358224 is a Universal Product Code (UPC) assigned to The Most Relaxing Classical Albums In The World... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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