UPC · Release
Johann Sebastian Bach: Composer of the Millennium
Johann Sebastian Bach
724357366328
42 tracksReleased 1999-01-01HMV Classics
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724357366328 is the Universal Product Code (UPC barcode) for the release “Johann Sebastian Bach: Composer of the Millennium” by Johann Sebastian Bach, released 1999-01-01 on HMV Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBAYC8500657, GBAYC7000104, GBAYC8802214.
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36632Product
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Credit Chain
UPCJohann Sebastian Bach: Composer of the Millennium
ISRC42 recordings
ISWC2 works
IPI2 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 2 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 3 | Partita for Solo Violin no. 3 in E major, BWV 1006: I. Preludio | Josef Suk | T-041.917.934-2 | |
| 4 | Air 'On the G String' From Orchestral Suite No 3 in D | Scottish Chamber Orchestra, Paul Tortelier | — | |
| 5 | Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — | |
| 6 | Weihnachtsoratorium, BWV 248: No. 4. "Bereite dich, Zion" | Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger | T-070.024.961-1 | |
| 7 | Liebster Jesu, Wir Sind Hier Chorale Prelude | Peter Hurford | — | |
| 8 | Harpsichord Concerto in F minor | George Malcolm, Menuhin Festival Orchestra | T-801.411.105-9 | |
| 9 | Crucifixus From the Mass in B minor | Chor des Bayerischen Rundfunks, Eugen Jochum | — | |
| 10 | Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo | George Malcolm, Menuhin Festival Orchestra, Yehudi Menuhin | — | |
| 11 | Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68 | Elisabeth Schwarzkopf, Raymond Clark, Geraint Jones, Manoug Parikian, Sidney Sutcliffe | — | |
| 12 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude | Bob van Asperen | T-910.415.372-2 | |
| 13 | The Well-Tempered Clavier Book I: Fugue No 2 in C minor | Bob van Asperen | — | |
| 14 | 'Jig' Fugue in G | Peter Hurford | T-902.771.289-6 | |
| 15 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 16 | Italian Concerto | George Malcolm | T-312.198.890-3 | |
| 17 | Sonate for viola da gamba & harpsichord, BWV 1029: II. Adagio | Jordi Savall, Ton Koopman | T-917.755.866-6 | |
| 18 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Philip Pickett, Celia Nicklin, Kenneth Sillito, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Magnificat, BWV 243: I. Magnificat | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-922.042.217-3 | |
| 2-2 | Concerto for Violin, Strings & Continuo No. 2 in E major, BWV 1042: 3. Allegro Assai | Yehudi Menuhin, Bath Festival Orchestra, Robert Masters Chamber Orchestra | T-312.207.924-3 | |
| 2-3 | Sonata for flute & keyboard in E flat, BWV 1031: II. Siciliano | Michel Debost, Lionel Rogg | T-329.516.968-1 | |
| 2-4 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | 'Goldberg' Variations | Alan Curtis | — | |
| 2-6 | O Jesulein Süss (O Little One Sweet) | Tessa Bonner, Jakob Lindberg | — | |
| 2-7 | Cello Suite No 1 in G: Prelude | Paul Tortelier | T-319.403.106-2 | |
| 2-8 | Cello Suite No 1 in G: Gigue | Paul Tortelier | — | |
| 2-9 | Toccata, Adagio and Fugue in C | Peter Hurford | — | |
| 2-10 | Bist Du Bei Mir | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.201.788-1 | |
| 2-11 | Two-Part Inventions: No 1 in C | Helmut Walcha | — | |
| 2-12 | Two-Part Inventions: No 8 in F | Helmut Walcha | — | |
| 2-13 | Two-Part Inventions: No 13 in A minor | Helmut Walcha | — | |
| 2-14 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-15 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Wachet Auf, Ruft Uns Die Stimme (No 1 of the Schübler Chorales) | Sir David Willcocks | — | |
| 2-18 | Weihnachts-Oratorium, BWV 248: Cantata #2: 1. Sinfonia 'Und es waren Hirten in derselben Gegend' | Academy of St Martin in the Fields, Philip Ledger | T-070.024.961-1 | |
| 2-19 | Erbarme Dich, Mein Gott (Have Mercy Upon Me, o Lord) From the St Matthew Passion | Júlia Hamari | — | |
| 2-20 | In Dulci Jubilo Chorale Prelude | Thomas Trotter | — | |
| 2-21 | Double Concerto in D minor | Léon Goossens, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 2-22 | St Matthew Passion: Passion Chorale | Choir of King’s College, Cambridge, Sir David Willcocks | T-902.520.603-5 | |
| 2-23 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-24 | Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | — |
Academy of St Martin in the Fields, Sir Neville Marriner
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Air 'On the G String' From Orchestral Suite No 3 in D
Scottish Chamber Orchestra, Paul Tortelier
—
Toccata & Fugue in D minor, BWV 565: Toccata
Wayne Marshall
—
Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger
Liebster Jesu, Wir Sind Hier Chorale Prelude
Peter Hurford
—
Crucifixus From the Mass in B minor
Chor des Bayerischen Rundfunks, Eugen Jochum
—
Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo
George Malcolm, Menuhin Festival Orchestra, Yehudi Menuhin
—
Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68
Elisabeth Schwarzkopf, Raymond Clark, Geraint Jones, Manoug Parikian, Sidney Sutcliffe
—
Bob van Asperen
The Well-Tempered Clavier Book I: Fugue No 2 in C minor
Bob van Asperen
—
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Jordi Savall, Ton Koopman
Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Mark Bennett, Philip Pickett, Celia Nicklin, Kenneth Sillito, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Yehudi Menuhin, Bath Festival Orchestra, Robert Masters Chamber Orchestra
Michel Debost, Lionel Rogg
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
'Goldberg' Variations
Alan Curtis
—
O Jesulein Süss (O Little One Sweet)
Tessa Bonner, Jakob Lindberg
—
Cello Suite No 1 in G: Gigue
Paul Tortelier
—
Toccata, Adagio and Fugue in C
Peter Hurford
—
Two-Part Inventions: No 1 in C
Helmut Walcha
—
Two-Part Inventions: No 8 in F
Helmut Walcha
—
Two-Part Inventions: No 13 in A minor
Helmut Walcha
—
Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau
Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Wachet Auf, Ruft Uns Die Stimme (No 1 of the Schübler Chorales)
Sir David Willcocks
—
Academy of St Martin in the Fields, Philip Ledger
Erbarme Dich, Mein Gott (Have Mercy Upon Me, o Lord) From the St Matthew Passion
Júlia Hamari
—
In Dulci Jubilo Chorale Prelude
Thomas Trotter
—
Double Concerto in D minor
Léon Goossens, Yehudi Menuhin, Bath Festival Orchestra
—
Choir of King’s College, Cambridge, Sir David Willcocks
Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu"
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.654.484-3 |
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005921500700000000593213790000000059422161000000006309069X0000000063090702000000007839168X0000000080450909000000008177300500000000818660840000000084111584
+34 more
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What is UPC 724357366328?
724357366328 is a Universal Product Code (UPC) assigned to Johann Sebastian Bach: Composer of the Millennium by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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