UPC · Release
The Best of Bach
Johann Sebastian Bach
724357378321
38 tracksReleased 2000-01-01EMI Classics
Last verified:
724357378321 is the Universal Product Code (UPC barcode) for the release “The Best of Bach” by Johann Sebastian Bach, released 2000-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBAYC8400245, GBAYC8400246, GBAYC8901874.
Format
7Number system
24357Manufacturer
37832Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Best of Bach
ISRC13 recordings
ISWC6 works
IPI2 songwriters
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 3 | “Wachet auf, ruft uns die Stimme”, BWV 645 | — | ||
| 4 | Double Concerto in D minor, BWV 1043: I. Vivace | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 5 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 6 | Double Concerto in D minor, BWV 1043: III. Allegro | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 7 | Cantate “Jauchzet Gott in allen Landen”, BWV 51: Aria | — | ||
| 8 | Sonata for flute & keyboard in E flat, BWV 1031: II. Siciliano | Michel Debost, Lionel Rogg | T-329.516.968-1 | |
| 9 | Suite Nº 1 in G major, BWV 1007: Prelude | Paul Tortelier | — | |
| 10 | Concerto pour piano & orchestre en fa mineur, BWV 1055: II. Largo | — | ||
| 11 | Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | Edith Mathis, Sybil Michelow, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 12 | Suite n°2 pour flûte & cordes en si mineur, BWV 1067: VI. Menuet | — | ||
| 13 | Suite n°2 pour flûte & cordes en si mineur, BWV 1067: VII. Badinerie | — | ||
| 14 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 15 | Suite pour luth en mi mineur, BWV 996: V. Bourée | — | ||
| 16 | Toccata & fugue en ré mineur, BWV 565 | — | ||
| 17 | Variations Goldberg, BWV 988: Aria | — | ||
| 18 | Passion selon Saint-Jean, BWV 245: Chœur final “Ruht wohl, ihr heiligen Gebeine” | — | ||
| 2-1 | Weihnachts-Oratorium, BWV 248: Cantata #1: 1. Chorus, 'Jauchzet, frohlocket' | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Philip Ledger | T-070.024.961-1 | |
| 2-2 | Concerto brandebourgeois n°5 en ré majeur, BWV 1050: II. Affectuoso | — | ||
| 2-3 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Aria: "Schafe können sicher weiden" | Barbara Hendricks, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier | — | |
| 2-4 | Concerto pour violin & hautbois en ré mineur, BWV 1060: II. Adagio | — | ||
| 2-5 | Parita n°1 en si bémol majeur, BWV 825: I. Prélude | — | ||
| 2-6 | Parita n°1 en si bémol majeur, BWV 825: VI. Gigue | — | ||
| 2-7 | Concerto brandebourgeois n°2 en fa majeur, BWV 1047: I. Allegro | — | ||
| 2-8 | Concerto brandebourgeois n°2 en fa majeur, BWV 1047: II. Andante | — | ||
| 2-9 | Concerto brandebourgeois n°2 en fa majeur, BWV 1047: III. Allegro assai | — | ||
| 2-10 | Passion seion Saint-Jean, BWV 245: Aria “Es ist vollbracht” | — | ||
| 2-11 | Parita pour violin seul n°3 en mi majeur, BWV 1006: I. Preludio | — | ||
| 2-12 | Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: I. Allegro | — | ||
| 2-13 | Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: II. Largo | — | ||
| 2-14 | Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: III. Allegro | — | ||
| 2-15 | Magnificat, BWV 243: V. Quia fecit mihi magna | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | Magnificat, BWV 243: VIII. Deposuit potentes | Uwe Heilmann, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Choral “Nun komm’ der Heiden Helland” (Viens, sauveur des paiens), BWV 599 | — | ||
| 2-18 | Prélude pour luth en ut mineur, BWV 999 | — | ||
| 2-19 | Aria “Bist du bei mir”, BWV 508 | — | ||
| 2-20 | Passion seion Saint-Matthieu, BWV 244: Choral “O Mensch, bewein’ dein’ Sünde groß” | — |
Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
“Wachet auf, ruft uns die Stimme”, BWV 645
—
Double Concerto in D minor, BWV 1043: I. Vivace
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Double Concerto in D minor, BWV 1043: III. Allegro
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Cantate “Jauchzet Gott in allen Landen”, BWV 51: Aria
—
Michel Debost, Lionel Rogg
Suite Nº 1 in G major, BWV 1007: Prelude
Paul Tortelier
—
Concerto pour piano & orchestre en fa mineur, BWV 1055: II. Largo
—
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten"
Edith Mathis, Sybil Michelow, Consortium Musicum, Wolfgang Gönnenwein
—
Suite n°2 pour flûte & cordes en si mineur, BWV 1067: VI. Menuet
—
Suite n°2 pour flûte & cordes en si mineur, BWV 1067: VII. Badinerie
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Suite pour luth en mi mineur, BWV 996: V. Bourée
—
Toccata & fugue en ré mineur, BWV 565
—
Variations Goldberg, BWV 988: Aria
—
Passion selon Saint-Jean, BWV 245: Chœur final “Ruht wohl, ihr heiligen Gebeine”
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Philip Ledger
Concerto brandebourgeois n°5 en ré majeur, BWV 1050: II. Affectuoso
—
Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Aria: "Schafe können sicher weiden"
Barbara Hendricks, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
—
Concerto pour violin & hautbois en ré mineur, BWV 1060: II. Adagio
—
Parita n°1 en si bémol majeur, BWV 825: I. Prélude
—
Parita n°1 en si bémol majeur, BWV 825: VI. Gigue
—
Concerto brandebourgeois n°2 en fa majeur, BWV 1047: I. Allegro
—
Concerto brandebourgeois n°2 en fa majeur, BWV 1047: II. Andante
—
Concerto brandebourgeois n°2 en fa majeur, BWV 1047: III. Allegro assai
—
Passion seion Saint-Jean, BWV 245: Aria “Es ist vollbracht”
—
Parita pour violin seul n°3 en mi majeur, BWV 1006: I. Preludio
—
Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: I. Allegro
—
Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: II. Largo
—
Concerto pour 4 clavecins & cordes en la mineur, d’aprés Vivaldi, BWV 1065: III. Allegro
—
Magnificat, BWV 243: V. Quia fecit mihi magna
Academy of St Martin in the Fields, Sir Neville Marriner
—
Magnificat, BWV 243: VIII. Deposuit potentes
Uwe Heilmann, Academy of St Martin in the Fields, Sir Neville Marriner
—
Choral “Nun komm’ der Heiden Helland” (Viens, sauveur des paiens), BWV 599
—
Prélude pour luth en ut mineur, BWV 999
—
Aria “Bist du bei mir”, BWV 508
—
Passion seion Saint-Matthieu, BWV 244: Choral “O Mensch, bewein’ dein’ Sünde groß”
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000295667540000000031256851000000005514673700000000551484170000000059321379000000006304194300000000630905930000000063090702000000007217537X0000000078397555
+36 more
0000000081773005000000008181553500000000832522460000000083599135000000008398109400000000841115840000000096193716000000010133537X00000001036584470000000107758410000000010782948500000001087540750000000108770067000000010943151800000001094352280000000109898345000000011033256800000001108034030000000110829961000000011442027400000001145427570000000114802424000000011490456X000000011511660200000001166806350000000118866951000000011938871X000000011945647900000001195461750000000120342735000000012117459300000001212082710000000121260336000000012141933500000001216150370000000357164842
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What is UPC 724357378321?
724357378321 is a Universal Product Code (UPC) assigned to The Best of Bach by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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