UPC · Album
Relaxing Classics
Various Artists
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724357482721 is the Universal Product Code (UPC barcode) for the release “Relaxing Classics” by Various Artists, released 2001-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include GBAYC7000104, GBAYC9101134, GBAYC9000967.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (54)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | Pavane | — | |
| 2 | Adagio in G minor | — | |
| 3 | Gymnopedie no. 1 | — | |
| 4 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| 5 | Concierto de Aranjuez - II: Adagio (Opening) | — | |
| 6 | Autumn (Violin Concerto in F, op. 8/3): Adagio molto from The Four Seasons | — | |
| 7 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYC9101134 |
| 8 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| 9 | Piano Concerto no. 21 in C, K467: II. Andante | — | |
| 10 | Pie Jesu from Requiem | — | |
| 11 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (Opening) | — | |
| 12 | Fantasia on Greensleeves from Sir John In Love | — | |
| 13 | Danza espanola no .5 "Andaluza" | — | |
| 14 | "Pathetique" Sonata op. 13: II. Adagio cantabile | — | |
| 15 | Water Music - Air from Suite no. 1 in F | — | |
| 16 | La Fille aux Cheveux de Lin (The Girl With Flaxen Hair) from Preludes Book 1 | — | |
| 17 | Air "on the G string" from Suite no. 3 in D, BWV1068 | — | |
| 18 | Incidental Music to Peer Gynt, op. 23: IV. Morning | Royal Philharmonic Orchestra, Sir Thomas Beecham | GBAYC9800793 |
| 2-1 | Adagietto (4th Movement) from Symphony no. 5 | — | |
| 2-2 | Für Elise | — | |
| 2-3 | Meditation from Thais | — | |
| 2-4 | The Carnival of the Animals: Aquarium | — | |
| 2-5 | Agnus Dei from Messa Da Requiem | — | |
| 2-6 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | |
| 2-7 | Intermezzo from Cavalleria Rusticana | — | |
| 2-8 | Dance of the Sylphs from La Damnation de Faust | — | |
| 2-9 | Concerto for Lute and Two Violins RV93: II. Largo | — | |
| 2-10 | Dance of the Blessed Spirits from Orfeo Ed Euridice | — | |
| 2-11 | Gnossienne no. III | — | |
| 2-12 | Intermezzo from "Carmen Act III" | — | |
| 2-13 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003017 |
| 2-14 | Keyboard Concerto no. 5 in F minor, BWV1056: II. Largo | — | |
| 2-15 | Rhapsody on a Theme of Paganini, Variation 18 | — | |
| 2-16 | Minuet from String Quintet in E, no. 5 | — | |
| 2-17 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC8700211 |
| 2-18 | Winter from the Four Seasons | — | |
| 3-1 | Adagio for Strings, op. 11a | — | |
| 3-2 | Nimrod from Enigma Variations, op. 36 | — | |
| 3-3 | Canon in D | — | |
| 3-4 | Symphony no. 9 "From the New World": II. Largo (opening) | — | |
| 3-5 | Ave Maria D839 | — | |
| 3-6 | Clair de lune from Suite bergamasque | — | |
| 3-7 | Zion hort die Wachter singen from Cantata no. 140 (Sleepers, wake!) | — | |
| 3-8 | Clarinet Concerto in A (Adagio opening) | — | |
| 3-9 | Traumerei from Scenes from Childhood | — | |
| 3-10 | In Paradisum from Requiem op. 48 | — | |
| 3-11 | Sevilla | — | |
| 3-12 | Andante (2nd Movement) from Piano Concerto no. 21 in C, K467 | — | |
| 3-13 | The Swan from The Carnival of the Animals | — | |
| 3-14 | Piano Concerto no. 2 in F, op. 102: II. Andante | — | |
| 3-15 | Miserere mei, Deus (extract) | — | |
| 3-16 | Gymnopedie no. 3 (orch. Debussy) | — | |
| 3-17 | On Wings of Song, op. 34 no. 2 | — | |
| 3-18 | Humming Chorus (Act 2) from Madame Butterfly | — |
Additional database matches (7)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702891 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC9703129 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYD9100155 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 724357482721?
724357482721 is a Universal Product Code (UPC) assigned to Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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