UPC · Album
The Best of Classic FM
Various Artists
724357507226
42 tracksReleased 2001-01-01EMI Classics
Last verified:
724357507226 is the Universal Product Code (UPC barcode) for the release “The Best of Classic FM” by Various Artists, released 2001-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEA348900083, DEA349000917, FRZ110200604.
Format
7Number system
24357Manufacturer
50722Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCThe Best of Classic FM
ISRC57 recordings
ISWC4 works
IPI5 songwriters
Track List (57)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | DEA348900083 |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | DEA349000917 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ110200604 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118703008 |
| Orphée et Eurydice, Wq. 41 : Acte 2. Ballet des ombres heureuses, 1. Lent, très doux – Même mouvement – Tempo primo | Orchestre de l’Opéra de Lyon, John Eliot Gardiner | FRZ118901170 |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | GBAYC0002613 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Spartacus: Adagio of Spartacus and Phrygia | London Symphony Orchestra, Aram Khachaturian | GBAYC0702110 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC0802180 |
| Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | GBAYC1401444 |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | GBAYC1600615 |
| Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302020 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8000011 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC8000169 |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | GBAYC8300121 |
| Symphonie No. 5: Allegro con brio | [unknown] | GBAYC8500117 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC8501082 |
| Symphony no. 5 in C-sharp minor: IV. Adagietto | London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8600032 |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | GBAYC8600596 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601453 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8602069 |
| Danse macabre, op. 40 | Orchestre National de France, Georges Prêtre | GBAYC8700040 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| L'Amico Fritz: "O amore, o bella luce del core" | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | GBAYC8700880 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | GBAYC8700951 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC8700997 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8701297 |
| Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | GBAYC8800578 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | GBAYC8801650 |
| Bagatelle in A minor, WoO 59 “Für Elise” | Alexis Weissenberg | GBAYC8802757 |
| Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8802772 |
| Spartacus: Adagio of Spartacus and Phrygia | London Symphony Orchestra, Aram Khachaturian | GBAYC8804810 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8900657 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro | Bath Festival Orchestra, Yehudi Menuhin | GBAYC8902743 |
| Peer Gynt, op. 23: Morning Mood | Berliner Philharmoniker, Jeffrey Tate | GBAYC9000068 |
| Concierto de Aranjuez: II. Adagio | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9001101 |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | GBAYC9004009 |
| Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | GBAYC9101082 |
| Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | GBAYC9202904 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Les Pêcheurs de perles | Plácido Domingo, Thomas Hampson | GBAYC9500633 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | GBAYC9600040 |
| Carmina Burana: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | GBAYC9700982 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC9703282 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC9704930 |
| Thais: Meditation | Nigel Kennedy, English Chamber Orchestra | GBAYC9800377 |
| Cantique de Jean Racine, op. 11 | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Louis Frémaux | GBAYD7700054 |
| Die Zauberflöte: Der Vogelfänger bin ich ja | Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong | GBAYD8400228 |
| Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | GBAYD8900145 |
| Thais: Meditation | Nigel Kennedy, English Chamber Orchestra | GBAYD9800377 |
| Stabat Mater for soprano, contralto, strings and continuo: I. Stabat mater dolorosa (soprano & contralto) | Anna Caterina Antonacci, Barbara Frittoli, Francesco Catena, I solisti dell’orchestra filarmonica della Scala, Riccardo Muti | ITDOO9600034 |
Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante
Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Orphée et Eurydice, Wq. 41 : Acte 2. Ballet des ombres heureuses, 1. Lent, très doux – Même mouvement – Tempo primo
Orchestre de l’Opéra de Lyon, John Eliot Gardiner
Le Carnaval des animaux: XIII. "Le cygne"
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Spartacus: Adagio of Spartacus and Phrygia
London Symphony Orchestra, Aram Khachaturian
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro
Berliner Philharmoniker, Herbert von Karajan
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
Adagio in G minor
Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia)
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Symphonie No. 5: Allegro con brio
[unknown]
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
Symphony no. 5 in C-sharp minor: IV. Adagietto
London Philharmonic Orchestra, Klaus Tennstedt
Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour »
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio in G minor
Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
Danse macabre, op. 40
Orchestre National de France, Georges Prêtre
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
L'Amico Fritz: "O amore, o bella luce del core"
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro
Berliner Philharmoniker, Herbert von Karajan
Orchestral Suite no. 3 in D major, BWV 1068: II. Air
English Chamber Orchestra, Philip Ledger
Bagatelle in A minor, WoO 59 “Für Elise”
Alexis Weissenberg
Der Ring des Nibelungen: Walkürenritt
Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
Spartacus: Adagio of Spartacus and Phrygia
London Symphony Orchestra, Aram Khachaturian
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
Bath Festival Orchestra, Yehudi Menuhin
Peer Gynt, op. 23: Morning Mood
Berliner Philharmoniker, Jeffrey Tate
Concierto de Aranjuez: II. Adagio
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves)
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Casse-Noisette : Valse des fleurs
London Symphony Orchestra, André Previn
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Les Pêcheurs de perles
Plácido Domingo, Thomas Hampson
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse
The Philadelphia Orchestra, Mariss Jansons
Carmina Burana: O Fortuna
Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
Thais: Meditation
Nigel Kennedy, English Chamber Orchestra
Cantique de Jean Racine, op. 11
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Louis Frémaux
Die Zauberflöte: Der Vogelfänger bin ich ja
Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong
Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro
Nigel Kennedy, English Chamber Orchestra
Thais: Meditation
Nigel Kennedy, English Chamber Orchestra
Stabat Mater for soprano, contralto, strings and continuo: I. Stabat mater dolorosa (soprano & contralto)
Anna Caterina Antonacci, Barbara Frittoli, Francesco Catena, I solisti dell’orchestra filarmonica della Scala, Riccardo Muti
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551467370000000055174463000000005518041700000000551978410000000059512917000000006097350X0000000063041943000000006311162200000000809203250000000081465539
+40 more
000000008155430400000000816924320000000081697153000000008365519200000000841181450000000106617448000000010867510700000001091108530000000109144113000000010930050X000000010942652400000001094352280000000110142625000000011015406000000001101647520000000110235047000000011031228400000001103269770000000110633483000000011073661800000001108299610000000110928863000000011297410X00000001143979670000000114476163000000011450767900000001145421750000000114551258000000011455313000000001145542480000000114686689000000011472548100000001147671980000000114789151000000011493479300000001163169130000000116349467000000011658518700000001188420870000000119313160
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What is UPC 724357507226?
724357507226 is a Universal Product Code (UPC) assigned to The Best of Classic FM by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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