UPC · Release
The Best of Classic FM
Various Artists
724357507226
42 tracksReleased 2001-01-01EMI Classics
Last verified:
724357507226 is the Universal Product Code (UPC barcode) for the release “The Best of Classic FM” by Various Artists, released 2001-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBAYD8900145, GBAYC9700982, DEA349000917.
Format
7Number system
24357Manufacturer
50722Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Best of Classic FM
ISRC39 recordings
ISWC4 works
IPI5 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | T-919.442.911-3 | |
| 2 | Carmina Burana: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 3 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4 | Peer Gynt, op. 23: Morning Mood | Berliner Philharmoniker, Jeffrey Tate | — | |
| 5 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 6 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 7 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 8 | Cantique de Jean Racine, op. 11 | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Louis Frémaux | T-300.950.284-1 | |
| 9 | Les Pêcheurs de perles | Plácido Domingo, Thomas Hampson | T-900.153.271-4 | |
| 10 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 12 | Bagatelle in A minor, WoO 59 “Für Elise” | Alexis Weissenberg | — | |
| 13 | Die Zauberflöte: Der Vogelfänger bin ich ja | Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong | — | |
| 14 | Spartacus: Adagio of Spartacus and Phrygia | London Symphony Orchestra, Aram Khachaturian | — | |
| 15 | Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-1 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-2 | Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-010.194.871-3 | |
| 2-3 | Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-4 | Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 2-5 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 2-6 | Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 2-8 | Symphony no. 5 in C-sharp minor: IV. Adagietto | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 2-9 | Requiem: Pie Jesu | — | ||
| 2-10 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 2-11 | Norma: Casta Diva | — | ||
| 2-12 | Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro | Bath Festival Orchestra, Yehudi Menuhin | — | |
| 2-13 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 3-1 | Symphonie No. 5: Allegro con brio | [unknown] | T-905.312.587-4 | |
| 3-2 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 3-3 | Overture "Il Barbiere di Siviglia" | — | ||
| 3-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-5 | Orphée et Eurydice, Wq. 41 : Acte 2. Ballet des ombres heureuses, 1. Lent, très doux – Même mouvement – Tempo primo | Orchestre de l’Opéra de Lyon, John Eliot Gardiner | — | |
| 3-6 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 3-7 | Thais: Meditation | Nigel Kennedy, English Chamber Orchestra | — | |
| 3-8 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | T-910.067.947-8 | |
| 3-9 | Concierto de Aranjuez: II. Adagio | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 3-10 | Stabat Mater for soprano, contralto, strings and continuo: I. Stabat mater dolorosa (soprano & contralto) | Anna Caterina Antonacci, Barbara Frittoli, Francesco Catena, I solisti dell’orchestra filarmonica della Scala, Riccardo Muti | — | |
| 3-11 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-12 | L'Amico Fritz: "O amore, o bella luce del core" | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-13 | Danse macabre, op. 40 | Orchestre National de France, Georges Prêtre | T-003.008.160-7 | |
| 3-14 | Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-902.574.141-7 |
Nigel Kennedy, English Chamber Orchestra
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Peer Gynt, op. 23: Morning Mood
Berliner Philharmoniker, Jeffrey Tate
—
English Chamber Orchestra, Philip Ledger
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
—
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Louis Frémaux
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Bagatelle in A minor, WoO 59 “Für Elise”
Alexis Weissenberg
—
Die Zauberflöte: Der Vogelfänger bin ich ja
Sir Thomas Allen, Scottish Chamber Orchestra, Richard Armstrong
—
Spartacus: Adagio of Spartacus and Phrygia
London Symphony Orchestra, Aram Khachaturian
—
Der Ring des Nibelungen: Walkürenritt
Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
—
Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse
The Philadelphia Orchestra, Mariss Jansons
—
Symphony no. 5 in C-sharp minor: IV. Adagietto
London Philharmonic Orchestra, Klaus Tennstedt
—
Requiem: Pie Jesu
—
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Norma: Casta Diva
—
Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
Bath Festival Orchestra, Yehudi Menuhin
—
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Overture "Il Barbiere di Siviglia"
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
—
Orphée et Eurydice, Wq. 41 : Acte 2. Ballet des ombres heureuses, 1. Lent, très doux – Même mouvement – Tempo primo
Orchestre de l’Opéra de Lyon, John Eliot Gardiner
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Thais: Meditation
Nigel Kennedy, English Chamber Orchestra
—
Plácido Domingo, Philharmonia Orchestra, James Levine
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Stabat Mater for soprano, contralto, strings and continuo: I. Stabat mater dolorosa (soprano & contralto)
Anna Caterina Antonacci, Barbara Frittoli, Francesco Catena, I solisti dell’orchestra filarmonica della Scala, Riccardo Muti
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
L'Amico Fritz: "O amore, o bella luce del core"
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
—
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Spartacus: Adagio of Spartacus and Phrygia | London Symphony Orchestra, Aram Khachaturian | — |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — |
| Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | T-011.792.441-0 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Thais: Meditation | Nigel Kennedy, English Chamber Orchestra | T-306.705.438-6 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
Academy of St Martin in the Fields, Sir Neville Marriner
Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Serenade Nr. 13 für Streicher G-dur, KV 525 “Eine kleine Nachtmusik”: I. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Spartacus: Adagio of Spartacus and Phrygia
London Symphony Orchestra, Aram Khachaturian
—
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
—
London Symphony Orchestra, André Previn
Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
Nigel Kennedy, English Chamber Orchestra
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551467370000000055174463000000005518041700000000551978410000000059512917000000006097350X0000000063041943000000006311162200000000809203250000000081465539
+40 more
000000008155430400000000816924320000000081697153000000008365519200000000841181450000000106617448000000010867510700000001091108530000000109144113000000010930050X000000010942652400000001094352280000000110142625000000011015406000000001101647520000000110235047000000011031228400000001103269770000000110633483000000011073661800000001108299610000000110928863000000011297410X00000001143979670000000114476163000000011450767900000001145421750000000114551258000000011455313000000001145542480000000114686689000000011472548100000001147671980000000114789151000000011493479300000001163169130000000116349467000000011658518700000001188420870000000119313160
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What is UPC 724357507226?
724357507226 is a Universal Product Code (UPC) assigned to The Best of Classic FM by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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