UPC · Release
The Nine Symphonies / Job
Vaughan Williams, Royal Liverpool Philharmonic Choir, Orchestra, London Philharmonic Orchestra, Vernon Handley
724357576024
84 tracksReleased 2002-01-01Classics For Pleasure
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724357576024 is the Universal Product Code (UPC barcode) for the release “The Nine Symphonies / Job” by Vaughan Williams, Royal Liverpool Philharmonic Choir, Orchestra, London Philharmonic Orchestra, Vernon Handley, released 2002-01-01 on Classics For Pleasure. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include GBAYD8800371, GBAYD8800372, GBAYD8800373.
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UPCThe Nine Symphonies / Job
ISRC15 recordings
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 2 | Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 3 | Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 4 | Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 5 | Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 6 | Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 7 | Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 8 | Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 9 | Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 10 | Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 11 | Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 12 | Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 13 | Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 14 | Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 15 | Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 2-1 | Symphony No. 2, “A London Symphony”: I. Lento - Allegro risoluto (molto pesante) | — | ||
| 2-2 | Symphony No. 2, “A London Symphony”: II. Lento | — | ||
| 2-3 | Symphony No. 2, “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace | — | ||
| 2-4 | Symphony No. 2, “A London Symphony”: IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) | — | ||
| 2-5 | Symphony No. 8 in D minor: I. Fantasia: Variazioni senza tema | — | ||
| 2-6 | Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia | — | ||
| 2-7 | Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo | — | ||
| 2-8 | Symphony No. 8 in D minor: IV. Toccata: Moderato maestoso | — | ||
| 3-1 | English Folk Song Suite: I. March (Seventeen Come Sunday) | — | ||
| 3-2 | English Folk Song Suite: II. Intermezzo (My Bonny Boy) | — | ||
| 3-3 | English Folk Song Suite: III. March (Folk Songs from Somerset) | — | ||
| 3-4 | Symphony No. 3, “A Pastoral Symphony”: I. Molto moderato | — | ||
| 3-5 | Symphony No. 3, “A Pastoral Symphony”: II. Lento moderato | — | ||
| 3-6 | Symphony No. 3, “A Pastoral Symphony”: III. Moderato pesante | — | ||
| 3-7 | Symphony No. 3, “A Pastoral Symphony”: IV. Lento | — | ||
| 3-8 | Symphony No. 4 in F minor: I. Allegro | — | ||
| 3-9 | Symphony No. 4 in F minor: II. Andante moderato | — | ||
| 3-10 | Symphony No. 4 in F minor: III. Scherzo: Allegro molto | — | ||
| 3-11 | Symphony No. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima) | — | ||
| 4-1 | Flos campi: I. Sicut lilium inter spinas (Lento) | — | ||
| 4-2 | Flos campi: II. Jam enim hiems transiit (Andante con moto) | — | ||
| 4-3 | Flos campi: III. Quaesivi quem diligit anima mea (Lento - Allegro moderato) | — | ||
| 4-4 | Flos campi: IV. En lectulum Salomonis (Moderato alla marcia) | — | ||
| 4-5 | Flos campi: V. Revertere, revertere Sulamitis! (Andante quasi lento) | — | ||
| 4-6 | Flos campi: VI. Pone me ut signaculum (Moderato tranquillo) | — | ||
| 4-7 | Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) | — | ||
| 4-8 | Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) | — | ||
| 4-9 | Oboe Concerto in A minor: III. Finale (Scherzo) (Presto - Lento - Presto) | — | ||
| 4-10 | Symphony No. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I) | — | ||
| 4-11 | Symphony No. 5 in D major: II. Scherzo (Presto misterioso) | — | ||
| 4-12 | Symphony No. 5 in D major: III. Romanza (Lento) | — | ||
| 4-13 | Symphony No. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo Primo -Tempo del Preludio) | — | ||
| 5-1 | Symphony No. 6 in E minor: I. Allegro | — | ||
| 5-2 | Symphony No. 6 in E minor: II. Moderato | — | ||
| 5-3 | Symphony No. 6 in E minor: III. Scherzo (Allegro vivace) | — | ||
| 5-4 | Symphony No. 6 in E minor: IV. Epilogue (Moderato) | — | ||
| 5-5 | Symphony No. 9 in E minor: I. Moderato maestoso | — | ||
| 5-6 | Symphony No. 9 in E minor: II. Andante sostenuto | — | ||
| 5-7 | Symphony No. 9 in E minor: III. Scherzo (Allegro pesante) | — | ||
| 5-8 | Symphony No. 9 in E minor: IV. Andante tranquillo | — | ||
| 5-9 | Fantasia on "Greensleeves" | — | ||
| 6-2 | Partita for double string orchestra: I. Prelude: Andante tranquillo | — | ||
| 6-3 | Partita for double string orchestra: II. Scherzo ostinato: Presto | — | ||
| 6-4 | Partita for double string orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto | — | ||
| 6-5 | Partita for double string orchestra: IV. Fantasia: Allegro | — | ||
| 6-6 | Symphony No. 7, “Sinfonia antartica”: I. Prelude: Andante maestoso | — | ||
| 6-7 | Symphony No. 7, “Sinfonia antartica”: II. Scherzo: Moderato | — | ||
| 6-8 | Symphony No. 7, “Sinfonia antartica”: III. Landscape: Lento | — | ||
| 6-9 | Symphony No. 7, “Sinfonia antartica”: IV. Intermezzo: Andante sostenuto | — | ||
| 6-10 | Symphony No. 7, “Sinfonia antartica”: V. Epilogue: Alla marcia moderato, non troppo allegro | — | ||
| 7-1 | Fantasia on a Theme by Thomas Tallis | — | ||
| 7-2 | Five Variants of Dives and Lazarus: Adagio | — | ||
| 7-3 | Five Variants of Dives and Lazarus: I. ♩ = ♩ | — | ||
| 7-4 | Five Variants of Dives and Lazarus: II. Allegro moderato | — | ||
| 7-5 | Five Variants of Dives and Lazarus: III. ♩ = 150 | — | ||
| 7-6 | Five Variants of Dives and Lazarus: IV. L'istesso tempo | — | ||
| 7-7 | Five Variants of Dives and Lazarus: V. Adagio | — | ||
| 7-8 | Job - A Masque for Dancing: Scene I: Introduction | — | ||
| 7-9 | Job - A Masque for Dancing: Scene I: Saraband of the Sons of God | — | ||
| 7-10 | Job - A Masque for Dancing: Scene II: Satan's Dance of Triumph | — | ||
| 7-11 | Job - A Masque for Dancing: Scene III: Minuet of the Sons of Job and Their Wives | — | ||
| 7-12 | Job - A Masque for Dancing,:Scene IV: Job's Dream | — | ||
| 7-13 | Job - A Masque for Dancing: Scene V: Dance of the Three Messengers | — | ||
| 7-14 | Job - A Masque for Dancing: Scene VI: Dance of Job's Comforters | — | ||
| 7-15 | Job - A Masque for Dancing: Scene VII: Elihu's Dance of Youth and Beauty | — | ||
| 7-16 | Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning | — | ||
| 7-17 | Job - A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning | — | ||
| 7-18 | Job - A Masque for Dancing: Scene VIII: Altar Dance | — | ||
| 7-19 | Job - A Masque for Dancing: Scene IX: Epilogue | — |
Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations!
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul!
Royal Liverpool Philharmonic Orchestra, Vernon Handley
—
Symphony No. 2, “A London Symphony”: I. Lento - Allegro risoluto (molto pesante)
—
Symphony No. 2, “A London Symphony”: II. Lento
—
Symphony No. 2, “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace
—
Symphony No. 2, “A London Symphony”: IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)
—
Symphony No. 8 in D minor: I. Fantasia: Variazioni senza tema
—
Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia
—
Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo
—
Symphony No. 8 in D minor: IV. Toccata: Moderato maestoso
—
English Folk Song Suite: I. March (Seventeen Come Sunday)
—
English Folk Song Suite: II. Intermezzo (My Bonny Boy)
—
English Folk Song Suite: III. March (Folk Songs from Somerset)
—
Symphony No. 3, “A Pastoral Symphony”: I. Molto moderato
—
Symphony No. 3, “A Pastoral Symphony”: II. Lento moderato
—
Symphony No. 3, “A Pastoral Symphony”: III. Moderato pesante
—
Symphony No. 3, “A Pastoral Symphony”: IV. Lento
—
Symphony No. 4 in F minor: I. Allegro
—
Symphony No. 4 in F minor: II. Andante moderato
—
Symphony No. 4 in F minor: III. Scherzo: Allegro molto
—
Symphony No. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima)
—
Flos campi: I. Sicut lilium inter spinas (Lento)
—
Flos campi: II. Jam enim hiems transiit (Andante con moto)
—
Flos campi: III. Quaesivi quem diligit anima mea (Lento - Allegro moderato)
—
Flos campi: IV. En lectulum Salomonis (Moderato alla marcia)
—
Flos campi: V. Revertere, revertere Sulamitis! (Andante quasi lento)
—
Flos campi: VI. Pone me ut signaculum (Moderato tranquillo)
—
Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato)
—
Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato)
—
Oboe Concerto in A minor: III. Finale (Scherzo) (Presto - Lento - Presto)
—
Symphony No. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I)
—
Symphony No. 5 in D major: II. Scherzo (Presto misterioso)
—
Symphony No. 5 in D major: III. Romanza (Lento)
—
Symphony No. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo Primo -Tempo del Preludio)
—
Symphony No. 6 in E minor: I. Allegro
—
Symphony No. 6 in E minor: II. Moderato
—
Symphony No. 6 in E minor: III. Scherzo (Allegro vivace)
—
Symphony No. 6 in E minor: IV. Epilogue (Moderato)
—
Symphony No. 9 in E minor: I. Moderato maestoso
—
Symphony No. 9 in E minor: II. Andante sostenuto
—
Symphony No. 9 in E minor: III. Scherzo (Allegro pesante)
—
Symphony No. 9 in E minor: IV. Andante tranquillo
—
Fantasia on "Greensleeves"
—
Partita for double string orchestra: I. Prelude: Andante tranquillo
—
Partita for double string orchestra: II. Scherzo ostinato: Presto
—
Partita for double string orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto
—
Partita for double string orchestra: IV. Fantasia: Allegro
—
Symphony No. 7, “Sinfonia antartica”: I. Prelude: Andante maestoso
—
Symphony No. 7, “Sinfonia antartica”: II. Scherzo: Moderato
—
Symphony No. 7, “Sinfonia antartica”: III. Landscape: Lento
—
Symphony No. 7, “Sinfonia antartica”: IV. Intermezzo: Andante sostenuto
—
Symphony No. 7, “Sinfonia antartica”: V. Epilogue: Alla marcia moderato, non troppo allegro
—
Fantasia on a Theme by Thomas Tallis
—
Five Variants of Dives and Lazarus: Adagio
—
Five Variants of Dives and Lazarus: I. ♩ = ♩
—
Five Variants of Dives and Lazarus: II. Allegro moderato
—
Five Variants of Dives and Lazarus: III. ♩ = 150
—
Five Variants of Dives and Lazarus: IV. L'istesso tempo
—
Five Variants of Dives and Lazarus: V. Adagio
—
Job - A Masque for Dancing: Scene I: Introduction
—
Job - A Masque for Dancing: Scene I: Saraband of the Sons of God
—
Job - A Masque for Dancing: Scene II: Satan's Dance of Triumph
—
Job - A Masque for Dancing: Scene III: Minuet of the Sons of Job and Their Wives
—
Job - A Masque for Dancing,:Scene IV: Job's Dream
—
Job - A Masque for Dancing: Scene V: Dance of the Three Messengers
—
Job - A Masque for Dancing: Scene VI: Dance of Job's Comforters
—
Job - A Masque for Dancing: Scene VII: Elihu's Dance of Youth and Beauty
—
Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning
—
Job - A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning
—
Job - A Masque for Dancing: Scene VIII: Altar Dance
—
Job - A Masque for Dancing: Scene IX: Epilogue
—
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What is UPC 724357576024?
724357576024 is a Universal Product Code (UPC) assigned to The Nine Symphonies / Job by Vaughan Williams, Royal Liverpool Philharmonic Choir, Orchestra, London Philharmonic Orchestra, Vernon Handley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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