UPC · Album

The Very Best of Maria Callas

Maria Callas

724357589727
31 tracksReleased 2003-01-01EMI Classics

Last verified:

724357589727 is the Universal Product Code (UPC barcode) for the release The Very Best of Maria Callas by Maria Callas, released 2003-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include GBAYC0202602, GBAYC0700152, GBAYC1105038.

Format

7Number system
24357Manufacturer
58972Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Very Best of Maria Callas
ISRC28 recordings
ISWC1 work

Track List (28)

Gianni Schicchi: “O mio babbino caro”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Orphée et Eurydice : « J’ai perdu mon Eurydice »
Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre
Carmen : « L’amour est un oiseau rebelle » (Habanera)
Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre
Samson et Dalila : Acte I. « Printemps qui commence »
Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre
Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Turandot: Atto I. “Signore, ascolta!”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Samson et Dalila : « Mon cœur s’ouvre à ta voix »
Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre
Manon : « Je ne suis que faiblesse » … « Adieu, notre petite table »
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Madama Butterfly: “Vogliatemi bene, un bene piccolino”
Maria Callas, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
La bohème: “Sì. Mi chiamano Mimì”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
La Wally: Atto I. “Ebben? Ne andrò lontana”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre
Tosca: Atto II. “Vissi d'arte” (Tosca)
Maria Callas, Orchestra del Teatro alla Scala di Milano, Victor de Sabata
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio alta la notte e bruna” (Lucia, Alisa)
Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin
Rigoletto: “Gualtier Maldè! … Caro nome”
Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
La traviata: Atto I. “Ah, fors’è lui”
Maria Callas, Orquestra Sinfónica do Teatro Nacional de São Carlos, Franco Ghione
Aida: “Ritorna vincitor!”
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
Il barbiere di Siviglia: Atto I. “Una voce poco fa”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin

People also ask

What is UPC 724357589727?
UPC 724357589727 is the Universal Product Code (barcode) for "The Very Best of Maria Callas" by Maria Callas, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724357589727?
UPC 724357589727 contains 31 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 724357589727?

724357589727 is a Universal Product Code (UPC) assigned to The Very Best of Maria Callas by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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