UPC · Release
1000 Original Hits: 50’s, Volume 2
Various Artists
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724357639125 is the Universal Product Code (UPC barcode) for the release “1000 Original Hits: 50’s, Volume 2” by Various Artists, released 2001-08-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 120 tracks, each with its own ISRC. Tracks include USCA28900173, GBAYE5500002, FRX191602920.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (120)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hummingbird | — | ||
| 2 | Dreamboat | — | ||
| 3 | Unchained Melody | Les Baxter | T-070.193.442-0 | |
| 4 | Under the Bridges of Paris | — | ||
| 5 | The Ballad of Davy Crockett | — | ||
| 6 | Sixteen Tons | — | ||
| 7 | Live Fast, Love Hard, Die Young | — | ||
| 8 | The Man in the Raincoat | — | ||
| 9 | Whatever Lola Wants | — | ||
| 10 | Ain’t That a Shame | — | ||
| 11 | Pickin’ a Chicken | — | ||
| 12 | Softly Softly | Ruby Murray | T-900.901.530-9 | |
| 13 | Charmaine | — | ||
| 14 | Lisbon Antigua | — | ||
| 15 | Cry Me a River | Julie London | T-070.026.448-7 | |
| 16 | Give Me Your Word | — | ||
| 17 | Meet Me on the Corner | — | ||
| 18 | Every Day of My Life | — | ||
| 19 | Arriverderci Darling | — | ||
| 20 | Cherry Pink and Apple Blossom White | — | ||
| 21 | Close Your Eyes | — | ||
| 22 | At My Front Door | The El Dorados | T-070.232.040-8 | |
| 23 | All by Myself | Fats Domino | T-070.231.889-5 | |
| 24 | Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 | |
| 2-1 | Canadian Sunset | — | ||
| 2-2 | Be‐Bop‐A‐Lula | — | ||
| 2-3 | The Great Pretender | — | ||
| 2-4 | Blue Suede Shoes | — | ||
| 2-5 | Young Love | — | ||
| 2-6 | Blueberry Hill | — | ||
| 2-7 | Born to Be With You | — | ||
| 2-8 | I Walk the Line | Johnny Cash, The Tennessee Two | T-070.904.584-0 | |
| 2-9 | Why Do Fools Fall in Love | Frankie Lymon & The Teenagers | T-070.200.014-3 | |
| 2-10 | Robin Hood | Dick James | T-070.126.875-8 | |
| 2-11 | Theme From the Man With the Golden Arm | — | ||
| 2-12 | Happiness Street | — | ||
| 2-13 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 2-14 | No Other Love | — | ||
| 2-15 | Out of Sight, Out of Mind | — | ||
| 2-16 | The Wayward Wind | Gogi Grant | T-070.932.452-6 | |
| 2-17 | I’m in Love Again | Fats Domino | T-070.240.773-5 | |
| 2-18 | Ivory Tower | — | ||
| 2-19 | The Poor People of Paris | — | ||
| 2-20 | On the Street Where You Live | Vic Damone | T-037.659.054-3 | |
| 2-21 | Hot Diggity | — | ||
| 2-22 | Oh Marie | Louis Prima | T-902.878.576-4 | |
| 2-23 | The Rockin’ Ghost | — | ||
| 2-24 | Honky Tonk Merry Go Round | — | ||
| 3-1 | Party Doll | — | ||
| 3-2 | Honeycomb | Jimmie Rodgers | — | |
| 3-3 | Butterfly | — | ||
| 3-4 | I’m Stickin’ With You | — | ||
| 3-5 | Wake Up Little Susie | — | ||
| 3-6 | Rockabilly Party | — | ||
| 3-7 | Teen‐Age Crush | — | ||
| 3-8 | Stood Up | — | ||
| 3-9 | Great Balls of Fire | — | ||
| 3-10 | Gone | Ferlin Husky | T-070.234.286-6 | |
| 3-11 | Raunchy (instrumental) | — | ||
| 3-12 | I’m Walking | Fats Domino | T-070.240.827-2 | |
| 3-13 | Walkin’ After Midnight | — | ||
| 3-14 | Sittin’ in the Balcony | Eddie Cochran | — | |
| 3-15 | Little Bitty Pretty One | — | ||
| 3-16 | Goody Goody | — | ||
| 3-17 | Just Between You and Me | — | ||
| 3-18 | My Special Angel | — | ||
| 3-19 | Look at That Girl | Frankie Vaughan | T-010.457.925-0 | |
| 3-20 | Could This Be Magic | — | ||
| 3-21 | Be My Girl | — | ||
| 3-22 | Cumberland Gap | Lonnie Donegan | — | |
| 3-23 | Kisses Sweeter Than Wine | Jimmie Rodgers | — | |
| 3-24 | Blue Monday | — | ||
| 4-1 | Buona sera | Louis Prima | T-901.289.585-1 | |
| 4-2 | La bamba | Ritchie Valens | T-071.000.650-0 | |
| 4-3 | Summertime Blues | Eddie Cochran | T-070.244.055-8 | |
| 4-4 | I Met Him on a Sunday | — | ||
| 4-5 | Tears on My Pillow | Little Anthony & the Imperials | T-070.178.202-6 | |
| 4-6 | Rock‐In Robin | Bobby Day | T-906.299.619-4 | |
| 4-7 | Beep Beep | — | ||
| 4-8 | Lollipop | The Chordettes | T-070.241.796-6 | |
| 4-9 | The Hawaiian Wedding Song | Andy Williams | T-070.265.007-4 | |
| 4-10 | Donna | Ritchie Valens | T-070.881.210-5 | |
| 4-11 | The Story of My Life | — | ||
| 4-12 | Rumble | Link Wray & His Ray Men | T-904.165.408-4 | |
| 4-13 | Tom Dooley | The Kingston Trio | T-070.247.397-9 | |
| 4-14 | Bird Dog | — | ||
| 4-15 | Poor Little Fool | Ricky Nelson | T-070.242.965-9 | |
| 4-16 | Whole Lotta Lovin’ | Fats Domino | T-070.247.992-2 | |
| 4-17 | Willie and the Hand Jive | The Johnny Otis Show | T-070.248.047-4 | |
| 4-18 | BREATHLESS [JERRY LEE LEWIS] | VARIOUS ARTISTS | T-071.000.591-6 | |
| 4-19 | I Wonder Why | Dion and The Belmonts | — | |
| 4-20 | More Than Ever (Comé Prima) | — | ||
| 4-21 | Mule Train | Tennessee Ernie Ford | T-070.110.445-1 | |
| 4-22 | Oh Oh I’m Falling in Love Again | — | ||
| 4-23 | Big Man | — | ||
| 4-24 | The Hula Hoop Song | — | ||
| 5-1 | Venus | — | ||
| 5-2 | (’Til) I Kissed You | The Everly Brothers | T-070.940.577-5 | |
| 5-3 | Ruby Baby | — | ||
| 5-4 | I Want to Walk You Home | — | ||
| 5-5 | A Teenager in Love | — | ||
| 5-6 | A Woman, a Lover, a Friend | — | ||
| 5-7 | Shake Rattle and Roll | — | ||
| 5-8 | You Got What It Takes | — | ||
| 5-9 | Mack the Knife | — | ||
| 5-10 | Woo‐Hoo (instrumental) | — | ||
| 5-11 | Dedicated to the One I Love | The Shirelles | T-070.881.723-5 | |
| 5-12 | Red River Rock (instrumental) | — | ||
| 5-13 | Tiger | — | ||
| 5-14 | Cherrystone | — | ||
| 5-15 | C’mon Everybody | Eddie Cochran | T-070.880.972-6 | |
| 5-16 | What Do You Want | Adam Faith | T-010.159.250-0 | |
| 5-17 | Only Sixteen | Craig Douglas | T-070.242.765-3 | |
| 5-18 | A Pub With No Beer | — | ||
| 5-19 | Seven Little Girls Sitting in the Back Seat | — | ||
| 5-20 | I’ve Got You Under My Skin | Shirley Bassey | T-070.907.808-9 | |
| 5-21 | Our Love Is Here to Stay | — | ||
| 5-22 | Chicago (That Todlin’ Town) | — | ||
| 5-23 | It Had to Be You | Dinah Shore | T-010.275.498-2 | |
| 5-24 | Side Saddle | — |
Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| What Do You Want? | Adam Faith | T-010.159.250-0 |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Sittin’ in the Balcony | Eddie Cochran | — |
| Cumberland Gap | Lonnie Donegan | — |
| Cumberland Gap | Lonnie Donegan | — |
| Cumberland Gap | Lonnie Donegan | — |
| Cumberland Gap | Lonnie Donegan | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Tom Dooley | The Kingston Trio | T-900.076.742-0 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900.076.742-0 |
| Sittin’ in the Balcony | Eddie Cochran | — |
| I Wonder Why | Dion and The Belmonts | T-070.266.921-3 |
| Honeycomb | Jimmie Rodgers | T-070.074.153-2 |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+80 more
Songwriters/Publishers (IPI)
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Creative Contributors (ISNI)
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People also ask
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What is UPC 724357639125?
724357639125 is a Universal Product Code (UPC) assigned to 1000 Original Hits: 50’s, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 120 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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