UPC · Release
Classical Legends: Mozart
Wolfgang Amadeus Mozart
724358530728
51 tracks
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724358530728 is the Universal Product Code (UPC barcode) for the release “Classical Legends: Mozart” by Wolfgang Amadeus Mozart. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC. Tracks include GBAYD8700529, DEA349000917, GBAYC9003017.
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UPCClassical Legends: Mozart
ISRC42 recordings
ISWC13 works
IPI2 songwriters
Track List (51)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 3 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 5 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 6 | Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Concerto for Piano no. 23 in A major, K. 488: II. Adagio | — | ||
| 8 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 9 | Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio | London Philharmonic Orchestra Wind Ensemble | — | |
| 10 | Horn Quintet: II. Andante | — | ||
| 11 | Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 13 | Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 2-1 | Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-2 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905.466.790-2 | |
| 2-3 | Mozart: Le nozze di Figaro, K. 492, Act II, Scene 3: No. 11, “Voi, che sapete che cosa è amor” (Cherubino) | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Fiorenza Cossotto, Carlo Maria Giulini | — | |
| 2-4 | Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-5 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 2-6 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-8 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-9 | “Finch' han dal vino” (Don Giovanni) | Sir Thomas Allen, Scottish Chamber Orchestra, Sir Richard Armstrong | — | |
| 2-10 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, scena XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-11 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) | — | ||
| 2-12 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio) | — | ||
| 2-13 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-14 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | — | ||
| 2-15 | Mass in C minor, K. 427: II. Gloria: “Laudamus te” | Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard | — | |
| 2-16 | Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno) | Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 2-17 | Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino) | Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-18 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 2-19 | Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | — | ||
| 2-20 | Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-21 | Die Entführung aus dem Serail, K. 284: Act III: "Bassa Selim lebe lange" (Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Josef Krips | — | |
| 3-1 | Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902.359.447-0 | |
| 3-2 | Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 3-5 | Symphony no. 29: I. Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-7 | Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | In an 18th-Century Drawing-Room | — | ||
| 3-9 | Horn Concerto no. 4 in E-flat, K. 495: III. Rondo. Allegro vivace | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | — | |
| 3-10 | Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto | Stockholm Chamber Orchestra, Franz Welser-Möst | — | |
| 3-11 | Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — | |
| 3-12 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-13 | Concerto for Violin no. 2 in D major, K. 211: III. Rondeau. Allegro | — | ||
| 3-14 | Sinfonia Concertante in E-flat, K. 364: III. Presto | Rudolf Barshai, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 3-15 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-16 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto | — | ||
| 3-17 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
Stephen Hough, Hallé Orchestra, Bryden Thomson
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Piano no. 23 in A major, K. 488: II. Adagio
—
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio
London Philharmonic Orchestra Wind Ensemble
—
Horn Quintet: II. Andante
—
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
—
Sabine Meyer, Wiener Streichsextett
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro)
Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink
—
Margaret Price, Wiener Philharmoniker, Riccardo Muti
Mozart: Le nozze di Figaro, K. 492, Act II, Scene 3: No. 11, “Voi, che sapete che cosa è amor” (Cherubino)
Wolfgang Amadeus Mozart, Philharmonia Orchestra, Fiorenza Cossotto, Carlo Maria Giulini
—
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
—
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
—
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
“Finch' han dal vino” (Don Giovanni)
Sir Thomas Allen, Scottish Chamber Orchestra, Sir Richard Armstrong
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, scena XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
—
Mass in C minor, K. 427: II. Gloria: “Laudamus te”
Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard
—
Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno)
Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch
—
Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino)
Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
—
Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!”
Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Entführung aus dem Serail, K. 284: Act III: "Bassa Selim lebe lange" (Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Josef Krips
—
Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Andrei Gavrilov
—
Symphony no. 29: I. Allegro moderato
Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Symphony no. 25, K. 183: I. Allegro con brio (excerpt)
Academy of St Martin in the Fields, Sir Neville Marriner
—
In an 18th-Century Drawing-Room
—
Horn Concerto no. 4 in E-flat, K. 495: III. Rondo. Allegro vivace
Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate
—
Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto
Stockholm Chamber Orchestra, Franz Welser-Möst
—
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Violin no. 2 in D major, K. 211: III. Rondeau. Allegro
—
Sinfonia Concertante in E-flat, K. 364: III. Presto
Rudolf Barshai, Yehudi Menuhin, Bath Festival Orchestra
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto
—
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
Berliner Philharmoniker, Herbert von Karajan
—
Additional database matches (20)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Exsultate, jubilate, K. 165/158a: “Alleluia” | Lucia Popp, English Chamber Orchestra, György Fischer | T-910.009.165-4 |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, scena XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini | T-929.621.873-0 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323.252.117-0 |
| Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
Lucia Popp, English Chamber Orchestra, György Fischer
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
—
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
Berliner Philharmoniker, Herbert von Karajan
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
0000000055129945000000005517902900000000595129170000000072481676000000008096930500000000813862670000000081554304000000008181927X00000001065814490000000107886340
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0000000108559026000000010867510700000001086940840000000109178196000000010920127X000000010937540500000001093804740000000109435228000000010962414100000001098000960000000110062481000000011015406000000001103176240000000110326977000000011038610100000001106334830000000110829961000000011084938000000001108636920000000110928863000000011297410X00000001144062610000000114507628000000011455018300000001145533920000000114598267000000011463386X0000000114686689000000011471225000000001147386450000000114765707000000011476766500000001147861960000000114904594000000011492763000000001149479650000000115069615000000011648976900000001180389530000000118767072
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What is UPC 724358530728?
724358530728 is a Universal Product Code (UPC) assigned to Classical Legends: Mozart by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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