UPC · Album
Classical Heartbreakers
Various Artists
724358534528
37 tracksReleased 2014-01-01EMI Records Ltd.
Last verified:
724358534528 is the Universal Product Code (UPC barcode) for the release “Classical Heartbreakers” by Various Artists, released 2014-01-01 on EMI Records Ltd.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include DEA340200001, FRZ110800096, FRZ117206295.
Format
7Number system
24358Manufacturer
53452Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassical Heartbreakers
ISRC44 recordings
ISWC33 works
IPI3 songwriters
Track List (44)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | DEA340200001 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ110800096 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | FRZ117206295 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ118603476 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBAAA9300015 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8200138 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8900746 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8901140 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC8901973 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Étude in E major, op. 10 no. 3 “Tristesse”: Lento ma non troppo | John Ogdon | GBAYC9003508 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | GBAYC9400647 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701412 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701419 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | GBAYC9701764 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Rhapsody in Blue (Performed by Andre Previn) | André Previn, London Symphony Orchestra | GBAYC9803606 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300162 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300383 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | GBAYD8800085 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | GBAYD9800299 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBDVE0400038 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | GBDVE9300041 |
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
Goldberg Variations, BWV 988: Aria
Maria Tipo
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
Goldberg Variations, BWV 988: Aria
Maria Tipo
The Heart Asks Pleasure First / The Promise
Michael Nyman
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen
Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Clair de lune (from Suite bergamasque)
Dame Moura Lympany
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Étude in E major, op. 10 no. 3 “Tristesse”: Lento ma non troppo
John Ogdon
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Schindler’s List Theme
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening)
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
My Heart Will Go On (From the Film Titanic)
Shearman Orchestra, David Abel
Rhapsody in Blue (Performed by Andre Previn)
André Previn, London Symphony Orchestra
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Rhapsody of a Theme of Paganini: Variation 18
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
In Paradisum (Requiem)
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Time To Say Goodbye (“Con te partiro”)
David Abel
The Heart Asks Pleasure First / The Promise
Michael Nyman
The Piano, film score : The heart asks pleasure first
Michael Nyman
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551429120000000055175298000000005521244X0000000060671181000000006308670300000000811255850000000083252246000000008366854000000001086066030000000108854623
+40 more
000000010911085300000001091274790000000109282073000000010930050X00000001094130370000000109435228000000010943724X00000001101365750000000110142625000000011016475200000001102350470000000110326977000000011033109800000001103325680000000110386101000000011071269100000001108299610000000110852010000000011297410X000000011439796700000001144438980000000114533674000000011454207900000001145421750000000114553130000000011455486200000001146304900000000114712250000000011472548100000001147668490000000114767681000000011478598600000001148025040000000114802766000000011488630600000001148937090000000118744110000000011884208700000001193131600000000119456479
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What is UPC 724358534528?
724358534528 is a Universal Product Code (UPC) assigned to Classical Heartbreakers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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