UPC · Release
Classical Heartbreakers
Various Artists
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724358534528 is the Universal Product Code (UPC barcode) for the release “Classical Heartbreakers” by Various Artists, released 2014-01-01 on EMI Records Ltd.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC9400647, GBAYC8701817, GBAYD8400086.
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- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 2 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 | |
| 3 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 | |
| 4 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 | |
| 5 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 6 | Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 7 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 | |
| 8 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 | |
| 9 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 10 | Ebben? Ne andro lontana | — | ||
| 11 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 12 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 | |
| 13 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 14 | Nocturne in C-sharp minor | — | ||
| 15 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 16 | Cello Concerto in E minor, op. 85 | — | ||
| 17 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 18 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
Additional database matches (26)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902128688-4 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T9286354889 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321286864-5 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Étude in E major, op. 10 no. 3 “Tristesse”: Lento ma non troppo | John Ogdon | T0391902321 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T9001458760 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Rhapsody in Blue (Performed by Andre Previn) | André Previn, London Symphony Orchestra | T-010.244.926-2 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010203179-7 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902128688-4 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
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What is UPC 724358534528?
724358534528 is a Universal Product Code (UPC) assigned to Classical Heartbreakers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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