UPC · Release
The Classical Chillout Box
Various Artists
724358547320
93 tracksReleased 2003-09-22
Last verified:
724358547320 is the Universal Product Code (UPC barcode) for the release “The Classical Chillout Box” by Various Artists, released 2003-09-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 93 tracks, each with its own ISRC. Tracks include GBAYC0102551, GBAJC0203704, GBAAA9300015.
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54732Product
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Credit Chain
UPCThe Classical Chillout Box
ISRC63 recordings
ISWC26 works
IPI22 songwriters
Track List (93)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 2 | Gabriel's Oboe | — | ||
| 3 | Hedwig’s Theme | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.409.578-9 | |
| 4 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 5 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 6 | Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion) | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 7 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 8 | You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 | |
| 9 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 10 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 11 | Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-800.790.219-5 | |
| 12 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073.093.054-7 | |
| 13 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 14 | Sull'aria (The Marriage of Figaro) | — | ||
| 15 | Cinema Paradiso Love Theme | Andrea Morricone | T-005.018.789-7 | |
| 16 | Aria From the Goldberg Variations | Julia Thornton | T-902.128.688-4 | |
| 17 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 18 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 19 | Nocturne in C-sharp minor | — | ||
| 20 | An Ending (Ascent) | Brian Eno | T-011.460.810-4 | |
| 21 | Etude | — | ||
| 2-1 | Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | T-914.248.874-2 | |
| 2-2 | Sarabande & Variations (trans. Craig Leon) | — | ||
| 2-3 | Jean de Florette Theme | — | ||
| 2-4 | Adiemus | Adiemus | T-010.101.223-0 | |
| 2-5 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 2-6 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 2-7 | The Ashokan Farewell | — | ||
| 2-8 | Chi mai | Ennio Morricone | T-900.021.828-0 | |
| 2-9 | Barcarolle (Les Contes d'Hoffmann) | — | ||
| 2-10 | Inspector Morse Main Theme | — | ||
| 2-11 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 2-12 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2-13 | Aquarium (Carnaval des Animaux) | — | ||
| 2-14 | Largo (extract) ('New World' Symphony) (arr. Bates) | — | ||
| 2-15 | Incidental Music to Peer Gynt, op. 23: IV. Morning | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-16 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-18 | Canon in D (arr. Seiffert) | — | ||
| 3-1 | Lascia Ch'io Pianga (Rinaldo) | — | ||
| 3-2 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 3-3 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 3-4 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 3-5 | Vision | — | ||
| 3-6 | The Lord Is My Shepherd | Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury | — | |
| 3-7 | Thou knowest, Lord | — | ||
| 3-8 | Brezairola (Songs of the Auvergne) | — | ||
| 3-9 | Ave verum corpus | — | ||
| 3-10 | Carmina Burana: III. Cours d’amour: In trutina | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 3-11 | Veni, creator spiritus | — | ||
| 3-12 | In quelle trine morbide (Manon Lescaut) | — | ||
| 3-13 | The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 | |
| 3-14 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T-900.016.711-3 | |
| 3-15 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 3-16 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 3-17 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 3-18 | Ave Maris Stella | — | ||
| 3-19 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 3-20 | Benedictus (From the Armed Man: A Mass for Peace) | National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer | T-927.457.223-5 | |
| 4-1 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 4-2 | 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — | |
| 4-3 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 4-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 4-5 | Schindler's list theme | — | ||
| 4-6 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 4-7 | Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | — | |
| 4-8 | Gymnopédie No.1 | — | ||
| 4-9 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 4-10 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-11 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-12 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-13 | Double Violin Concerto in D minor, BWV 1043 | — | ||
| 4-14 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 4-15 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 4-16 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 4-17 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 5-1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Largo (Serse) (arr. Byfield) | — | ||
| 5-4 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 5-5 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 5-6 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-900.143.433-9 | |
| 5-7 | Symphony No. 7 in A major, Op. 92: II. Allegretto (extract) | — | ||
| 5-8 | Water Music - Air from Suite No. 1 in F | — | ||
| 5-9 | Fantasia on a Theme by Thomas Tallis (opening) | — | ||
| 5-10 | The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-11 | Chanson de matin, op. 15 no. 2 | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-12 | Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927.972.087-5 | |
| 5-13 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 5-14 | Eddie (Wonderland) | — | ||
| 5-15 | Queen Symphony III: Adagio | — | ||
| 5-16 | Deborah's Theme | — | ||
| 5-17 | Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 |
Gabriel's Oboe
—
Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion)
Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
Sull'aria (The Marriage of Figaro)
—
London Symphony Orchestra, Sir Adrian Boult
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Nocturne in C-sharp minor
—
Etude
—
Sarabande & Variations (trans. Craig Leon)
—
Jean de Florette Theme
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
The Ashokan Farewell
—
Barcarolle (Les Contes d'Hoffmann)
—
Inspector Morse Main Theme
—
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Aquarium (Carnaval des Animaux)
—
Largo (extract) ('New World' Symphony) (arr. Bates)
—
Incidental Music to Peer Gynt, op. 23: IV. Morning
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Canon in D (arr. Seiffert)
—
Lascia Ch'io Pianga (Rinaldo)
—
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Vision
—
The Lord Is My Shepherd
Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury
—
Thou knowest, Lord
—
Brezairola (Songs of the Auvergne)
—
Ave verum corpus
—
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Veni, creator spiritus
—
In quelle trine morbide (Manon Lescaut)
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Ave Maris Stella
—
Così fan tutte: Atto I, scena 2. “Soave sia il vento”
Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink
—
National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
—
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Schindler's list theme
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Spiegel Im Spiegel
Tasmin Little, Martin Roscoe
—
Gymnopédie No.1
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Double Violin Concerto in D minor, BWV 1043
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Largo (Serse) (arr. Byfield)
—
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti
Symphony No. 7 in A major, Op. 92: II. Allegretto (extract)
—
Water Music - Air from Suite No. 1 in F
—
Fantasia on a Theme by Thomas Tallis (opening)
—
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
—
Chanson de matin, op. 15 no. 2
London Philharmonic Orchestra, Sir Adrian Boult
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Eddie (Wonderland)
—
Queen Symphony III: Adagio
—
Deborah's Theme
—
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T-802.445.410-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 |
| Any Other Name | Thomas Newman | T-071.009.265-1 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Thomas Newman
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000001560595100000000281229590000000055129945000000005514342100000000551752980000000055180417000000005521244X000000005554205100000000592726500000000059284379
+40 more
0000000059512917000000006067118100000000630867030000000063090593000000006311162200000000736677470000000078678621000000008106277200000000810854640000000081584773000000008161053X000000008177300500000000818248100000000081826840000000008187021900000000857012950000000093471725000000010425169X000000010658144900000001085605290000000108591472000000010906429500000001091108530000000109127479000000010930050X00000001093541530000000109435228000000010989851300000001101426250000000110164752000000011020112X000000011023504700000001103310980000000110332568000000011034017000000001103861010000000110701415000000011071269100000001108299610000000110880417
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What is UPC 724358547320?
724358547320 is a Universal Product Code (UPC) assigned to The Classical Chillout Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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