UPC · Album
The Classical Chillout Box
Various Artists
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724358566727 is the Universal Product Code (UPC barcode) for the release “The Classical Chillout Box” by Various Artists, released 2003-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 93 tracks, each with its own ISRC. Tracks include DEA340200001, DEA349000917, DEA349502258.
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Credit Chain
Track List (100)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | DEA340200001 |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | DEA349000917 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502258 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502268 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118701170 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | FRZ201500215 |
| Benedictus (From the Armed Man: A Mass for Peace) | National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer | GBAAA0100476 |
| Adiemus | Adiemus | GBAAA0100791 |
| Chi mai | Ennio Morricone | GBAAA7100034 |
| An Ending (Ascent) | Brian Eno | GBAAA8300069 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBAAA9300015 |
| Adiemus | Adiemus | GBAAA9500006 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | GBAAA9710450 |
| Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0103697 |
| Hedwig’s Theme | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0203704 |
| The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0203705 |
| You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC9700511 |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | GBAYC0002613 |
| Carmina Burana: III. Cours d’amour: In trutina | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101605 |
| Any Other Name | Thomas Newman | GBAYC0102551 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC0400719 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC1105038 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC2001066 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC6000151 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion) | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8200715 |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8300192 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500289 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500496 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500764 |
| Chanson de matin, op. 15 no. 2 | London Philharmonic Orchestra, Sir Adrian Boult | GBAYC8501048 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | GBAYC8602958 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | GBAYC8700828 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC8700999 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | GBAYC8702014 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYC8801306 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC8803402 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9001093 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003017 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYC9101134 |
| Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | GBAYC9300642 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9500783 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| The Lord Is My Shepherd | Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury | GBAYC9700718 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9701116 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | GBAYC9701764 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9702225 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702891 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703142 |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | GBAYC9704887 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9705918 |
| Incidental Music to Peer Gynt, op. 23: IV. Morning | Royal Philharmonic Orchestra, Sir Thomas Beecham | GBAYC9800793 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300162 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300383 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | GBAYD8400149 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | GBAYD8400214 |
| The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | GBAYD8700032 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | GBAYD8800084 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | GBAYD8800085 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYD8800169 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900646 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900809 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYD9100155 |
| Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | GBAYD9300446 |
| The Lamb | Vasari Singers, Jeremy Backhouse | GBAYD9500073 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | GBAYD9700078 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | GBAYD9800299 |
| Aria From the Goldberg Variations | Julia Thornton | GBAYE0300932 |
| 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | GBAYE0300936 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBDVE0400038 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | GBDVE9300041 |
| An Ending (Ascent) | Brian Eno | GBUM71900378 |
| Cinema Paradiso Love Theme | Andrea Morricone | ITDO60100001 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | USAR20101069 |
| Any Other Name | Thomas Newman | USDW10021620 |
| Any Other Name | Thomas Newman | USDW19921012 |
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What is UPC 724358566727?
724358566727 is a Universal Product Code (UPC) assigned to The Classical Chillout Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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