UPC · Release
The Classical Chillout Box
Various Artists
724358566727
17 tracksReleased 2003-01-01EMI
Last verified:
724358566727 is the Universal Product Code (UPC barcode) for the release “The Classical Chillout Box” by Various Artists, released 2003-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBAYC0002613, GBAYE0300936, DEA340200001.
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24358Manufacturer
56672Product
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Credit Chain
UPCThe Classical Chillout Box
ISRC14 recordings
ISWC67 works
IPI22 songwriters
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317671333-6 | |
| 4-2 | 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — | |
| 4-3 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 4-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 4-5 | Schindler's List Theme | — | ||
| 4-6 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 4-7 | Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | — | |
| 4-8 | Gymnopédie no. 1 | — | ||
| 4-9 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 | |
| 4-10 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-11 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-12 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-13 | Double Violin Concerto | — | ||
| 4-14 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 | |
| 4-15 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 4-16 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 | |
| 4-17 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — |
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
—
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Schindler's List Theme
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Spiegel Im Spiegel
Tasmin Little, Martin Roscoe
—
Gymnopédie no. 1
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Double Violin Concerto
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Additional database matches (81)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305625671-0 |
| Benedictus (From the Armed Man: A Mass for Peace) | National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer | T-927457223-5 |
| Adiemus | Adiemus | T-010101223-0 |
| Chi mai | Ennio Morricone | T9000218280 |
| An Ending (Ascent) | Brian Eno | T-011460810-4 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — |
| Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T8007902195 |
| Hedwig’s Theme | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.409.578-9 |
| The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073093054-7 |
| You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 |
| Carmina Burana: III. Cours d’amour: In trutina | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Any Other Name | Thomas Newman | T-700232760-0 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion) | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Chanson de matin, op. 15 no. 2 | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031590855-4 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T9001434339 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| The Lord Is My Shepherd | Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| Incidental Music to Peer Gynt, op. 23: IV. Morning | Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 |
| Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | T-914248874-2 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927972087-5 |
| The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T9093402187 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 |
| Aria From the Goldberg Variations | Julia Thornton | T9021286884 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010203179-7 |
| Cinema Paradiso Love Theme | Andrea Morricone | T-005.018.789-7 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 |
| Any Other Name | Thomas Newman | T-071009265-1 |
| Adiemus | Adiemus | T-010101223-0 |
| An Ending (Ascent) | Brian Eno | T-011460810-4 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Any Other Name | Thomas Newman | T7002327600 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T0315908554 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer
Adiemus
Ennio Morricone
Brian Eno
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion)
Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt
—
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Chanson de matin, op. 15 no. 2
London Philharmonic Orchestra, Sir Adrian Boult
—
Academy of St Martin in the Fields, Sir Neville Marriner
Così fan tutte: Atto I, scena 2. “Soave sia il vento”
Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Dame Moura Lympany
Dame Moura Lympany
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
The Lord Is My Shepherd
Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Incidental Music to Peer Gynt, op. 23: IV. Morning
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Shearman Orchestra, David Abel
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Hallé Orchestra, Owain Arwel Hughes
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
—
Hallé Choir, Hallé Orchestra, Maurice Handford
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Vasari Singers, Jeremy Backhouse
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Julia Thornton
Andrea Morricone
Manuel Barrueco, Steve Morse
Thomas Newman
Adiemus
Brian Eno
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
London Symphony Orchestra, Sir Adrian Boult
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Philharmonia Orchestra, Riccardo Muti
Dame Moura Lympany
What other identifiers does this connect to?
Musical Works (ISWC)
T-005.018.789-7T-005002184-5T-005018789-7T-010.101.223-0T-010.115.155-6T-010.115.427-1T-010101223-0T-010115155-6T-010115427-1T-011.221.528-7
+57 more
T-011.460.810-4T-011162631-3T-011221528-7T-011460810-4T-042.107.751-1T-042107751-1T-042107756-6T-070.000.199-5T-070000199-5T-070249713-9T-071.017.492-7T-071.409.578-9T-071017492-7T-071409578-9T-333862845-4T-801.894.990-2T-801894990-2T-900.217.085-6T-900017894-9T-900217085-6T-901134571-4T-902.858.745-3T-902091036-5T-902858745-3T-905.387.081-8T-905387081-8T-909239375-4T-914.248.874-2T-914248874-2T-915711225-9T-924.489.944-3T-924489944-3T0050011976T0102031797T0315908554T0414890611T0710092651T0730930547T3042528434T3056256710T3125425669T3176713336T7002327600T8006397714T8007902195T8024454103T9000167113T9000218280T9001434339T9012225013T9021286884T9093402187T9115340200T9214184573T9274572235T9279720875T9312801857
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000001560595100000000281229590000000055129945000000005514342100000000551752980000000055180417000000005521244X000000005554205100000000592726500000000059284379
+40 more
0000000059512917000000006067118100000000630867030000000063090593000000006311162200000000736677470000000078678621000000008106277200000000810854640000000081584773000000008161053X000000008177300500000000818248100000000081826840000000008187021900000000857012950000000093471725000000010425169X000000010658144900000001085605290000000108591472000000010906429500000001091108530000000109127479000000010930050X00000001093541530000000109435228000000010989851300000001101426250000000110164752000000011020112X000000011023504700000001103310980000000110332568000000011034017000000001103861010000000110701415000000011071269100000001108299610000000110880417
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What is UPC 724358566727?
724358566727 is a Universal Product Code (UPC) assigned to The Classical Chillout Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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