UPC · Album

The Classical Chillout Box

Various Artists

724358566727
93 tracksReleased 2003-01-01EMI

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724358566727 is the Universal Product Code (UPC barcode) for the release The Classical Chillout Box by Various Artists, released 2003-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 93 tracks, each with its own ISRC. Tracks include DEA340200001, DEA349000917, DEA349502258.

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7Number system
24358Manufacturer
56672Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Classical Chillout Box
ISRC100 recordings
ISWC67 works
IPI22 songwriters

Track List (100)

Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Lakmé : « Dôme épais … » (Flower Duet)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Benedictus (From the Armed Man: A Mass for Peace)
National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer
Adiemus
Adiemus
Chi mai
Ennio Morricone
An Ending (Ascent)
Brian Eno
The Heart Asks Pleasure First / The Promise
Michael Nyman
Adiemus
Adiemus
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
Gladiator Suite (Gladiator)
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
Hedwig’s Theme
The City of Prague Philharmonic Orchestra, Nic Raine
The Fellowship of the Ring-Lord of the Rings
The City of Prague Philharmonic Orchestra, Nic Raine
You Only Live Twice
The City of Prague Philharmonic Orchestra, Nic Raine
Le Carnaval des animaux: XIII. "Le cygne"
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Carmina Burana: III. Cours d’amour: In trutina
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Any Other Name
Thomas Newman
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion)
Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Chanson de matin, op. 15 no. 2
London Philharmonic Orchestra, Sir Adrian Boult
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Così fan tutte: Atto I, scena 2. “Soave sia il vento”
Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Clair de lune (from Suite bergamasque)
Dame Moura Lympany
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Concierto de Aranjuez: II. Adagio (opening)
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo
Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
The Lord Is My Shepherd
Choir of King’s College, Cambridge, Christopher Hooker, City of London Sinfonia, Stephen Cleobury
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening)
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Incidental Music to Peer Gynt, op. 23: IV. Morning
Royal Philharmonic Orchestra, Sir Thomas Beecham
My Heart Will Go On (From the Film Titanic)
Shearman Orchestra, David Abel
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Rhapsody of a Theme of Paganini: Variation 18
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Air from Suite No.3 in D BWV 1068
Hallé Orchestra, Owain Arwel Hughes
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto in A minor, op. 16: II. Adagio
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
Panis Angelicus
Hallé Choir, Hallé Orchestra, Maurice Handford
In Paradisum (Requiem)
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Spiegel Im Spiegel
Tasmin Little, Martin Roscoe
The Lamb
Vasari Singers, Jeremy Backhouse
Pavane in F-sharp minor, op. 50
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Time To Say Goodbye (“Con te partiro”)
David Abel
Aria From the Goldberg Variations
Julia Thornton
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
The Heart Asks Pleasure First / The Promise
Michael Nyman
The Piano, film score : The heart asks pleasure first
Michael Nyman
An Ending (Ascent)
Brian Eno
Cinema Paradiso Love Theme
Andrea Morricone
Cavatina (From the Film Deerhunter)
Manuel Barrueco, Steve Morse
Any Other Name
Thomas Newman
Any Other Name
Thomas Newman

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People also ask

What is UPC 724358566727?
UPC 724358566727 is the Universal Product Code (barcode) for "The Classical Chillout Box" by Various Artists, released on EMI.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724358566727?
UPC 724358566727 contains 93 tracks, each with its own ISRC.
SourcesMusicBrainzNotesDiscogs3 sources

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What is UPC 724358566727?

724358566727 is a Universal Product Code (UPC) assigned to The Classical Chillout Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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