UPC · Release
Great Recordings of the Century: A Celebration of Defining Moments in Recording History
Various Artists
724358574623
37 tracksReleased 2004-01-01EMI Classics
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724358574623 is the Universal Product Code (UPC barcode) for the release “Great Recordings of the Century: A Celebration of Defining Moments in Recording History” by Various Artists, released 2004-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include GBAYC8200120, GBAYC8700496, GBAYC1500729.
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7Number system
24358Manufacturer
57462Product
3Check digit
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Credit Chain
UPCGreat Recordings of the Century: A Celebration of Defining Moments in Recording History
ISRC18 recordings
ISWC6 works
IPI1 songwriter
Track List (37)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sinfonietta, op. 60: I. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 2 | El combat del somni | — | ||
| 3 | Piano Concerto | — | ||
| 4 | Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5 | Symphony No. 3 'Eroica' | — | ||
| 6 | Gymnopédies | — | ||
| 7 | Don Carlo | — | ||
| 8 | Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | — | |
| 9 | Liederkreis Op. 39 | — | ||
| 10 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 11 | Alborada del gracioso | — | ||
| 12 | Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo) | London Symphony Orchestra, André Previn | — | |
| 13 | Das Lied von der Erde: V. Der Trunkene im Frühling | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | — | |
| 14 | Violin Concerto no. 1 in D, op. 19: II. Scherzo. Vivacissimo | David Oistrakh, London Symphony Orchestra, Lovro von Matačić | — | |
| 15 | Boris Godunov | — | ||
| 16 | Piano Concerto No. 22 | — | ||
| 17 | La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì, Marcello) | Jussi Björling, Robert Merrill, Victoria de los Ángeles, RCA Victor Orchestra, Thomas Beecham | — | |
| 18 | Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 2-1 | Bachianas Brasileiras no. 2 for orchestra, IV. Toccata (o trenzinho do caipira) | Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos | T-910.258.234-3 | |
| 2-2 | Die Zauberflöte: Act II. "O Isis und Osiris" (Sarastro, Priests) | Erich Majkut, Harald Pröglhöf, Ludwig Weber, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Préludes II | — | ||
| 2-4 | Symphonie fantastique | — | ||
| 2-5 | Il trovatore: Atto IV, scena 1. “Misere… Quel suon, quelle preci” (Coro, Leonora, Manrico) | Maria Callas, Coro del Teatro alla Scala di Milano, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-6 | String Quartet in F major: IV. Vif et agité | Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz | T-003.014.983-7 | |
| 2-7 | Wesendonck-Lieder | — | ||
| 2-8 | Concerto no. 3 in E-flat major for Horn, K. 447: III. Allegro | Dennis Brain, Philharmonia Orchestra, Herbert von Karajan | — | |
| 2-9 | Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar" | Gottlob Frick, Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 2-10 | Piano Concerto in G | — | ||
| 2-11 | Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!” | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 2-12 | Dialogues des carmélites | — | ||
| 2-13 | Violin Concerto | — | ||
| 2-14 | Salome | — | ||
| 2-15 | Cello Concerto "Tout un monde lointain": III. Houles (Large et ample) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 2-16 | Il barbiere di Siviglia | — | ||
| 2-17 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 2-18 | Die lustige Witwe | — | ||
| 2-19 | Symphony No. 9 'Choral' | — |
El combat del somni
—
Piano Concerto
—
Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
Symphony No. 3 'Eroica'
—
Gymnopédies
—
Don Carlo
—
Caprices for Solo Violin, op. 1: No. 24 in A minor
Itzhak Perlman
—
Liederkreis Op. 39
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Alborada del gracioso
—
Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo)
London Symphony Orchestra, André Previn
—
Das Lied von der Erde: V. Der Trunkene im Frühling
Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer
—
Violin Concerto no. 1 in D, op. 19: II. Scherzo. Vivacissimo
David Oistrakh, London Symphony Orchestra, Lovro von Matačić
—
Boris Godunov
—
Piano Concerto No. 22
—
La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì, Marcello)
Jussi Björling, Robert Merrill, Victoria de los Ángeles, RCA Victor Orchestra, Thomas Beecham
—
Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen
Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer
—
Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos
Die Zauberflöte: Act II. "O Isis und Osiris" (Sarastro, Priests)
Erich Majkut, Harald Pröglhöf, Ludwig Weber, Wiener Philharmoniker, Herbert von Karajan
—
Préludes II
—
Symphonie fantastique
—
Il trovatore: Atto IV, scena 1. “Misere… Quel suon, quelle preci” (Coro, Leonora, Manrico)
Maria Callas, Coro del Teatro alla Scala di Milano, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
—
Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz
Wesendonck-Lieder
—
Concerto no. 3 in E-flat major for Horn, K. 447: III. Allegro
Dennis Brain, Philharmonia Orchestra, Herbert von Karajan
—
Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar"
Gottlob Frick, Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer
—
Piano Concerto in G
—
Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!”
Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter
—
Dialogues des carmélites
—
Violin Concerto
—
Salome
—
Cello Concerto "Tout un monde lointain": III. Houles (Large et ample)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
—
Il barbiere di Siviglia
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Die lustige Witwe
—
Symphony No. 9 'Choral'
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | T-928.892.679-4 |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen
Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer
—
Das Lied von der Erde: V. Der Trunkene im Frühling
Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Das Lied von der Erde: V. Der Trunkene im Frühling
Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen
Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551321240000000073637732000000007735648700000000799019010000000081038107000000008106277200000000810854640000000081242239000000008125570X0000000081465467
+40 more
0000000083491431000000008388943100000001066174480000000107882534000000010861735300000001086174410000000108631470000000010863356400000001087164230000000108743333000000010885462300000001089644000000000109127479000000010922760500000001092820730000000109287288000000010930050X000000010937067100000001093723350000000109375405000000010942652400000001094421370000000109519034000000011020984200000001102863110000000110326977000000011062494X0000000110677320000000011079145700000001108496200000000110883183000000011286999100000001145539310000000114758216000000011476570700000001148002930000000115072857000000011876707200000001188049370000000119546175
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What is UPC 724358574623?
724358574623 is a Universal Product Code (UPC) assigned to Great Recordings of the Century: A Celebration of Defining Moments in Recording History by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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