UPC · Release
A’s, B’s and Rarities
Fun Lovin’ Criminals
Last verified:
724359312026 is the Universal Product Code (UPC barcode) for the release “A’s, B’s and Rarities” by Fun Lovin’ Criminals, released 2004-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include GBAYE9500829, GBAYE9600877, GBAYE9600870.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Fun Lovin’ Criminal | Fun Lovin’ Criminals | T-070.249.394-4 | |
| 2 | The Grave and the Constant | Fun Lovin’ Criminals | T-071.001.243-3 | |
| 3 | King of New York | Fun Lovin’ Criminals | T-042.655.453-1 | |
| 4 | Korean Bodega | Fun Lovin’ Criminals | T-071.001.524-9 | |
| 5 | Loco | Fun Lovin’ Criminals | T-071.757.052-9 | |
| 7 | Run Daddy Run | Fun Lovin’ Criminals | T-900.022.866-0 | |
| 9 | I’m Not in Love | Fun Lovin’ Criminals | T-010.175.450-0 | |
| 10 | Love Unlimited | Fun Lovin’ Criminals | T-071.001.523-8 | |
| 11 | Scooby Snacks | Fun Lovin’ Criminals | T-905.774.917-4 | |
| 2-1 | Sleepyhead | Fun Lovin’ Criminals | T-071.944.525-6 | |
| 2-3 | I Can’t Get With That (live at the Forum) | — | ||
| 2-4 | Come Find Yourself (BBC live session) | — | ||
| 2-5 | Blues for Suckers | Fun Lovin’ Criminals | T-700.128.260-8 | |
| 2-10 | King of New York (Jack Dangers mix Complex #1) | Fun Lovin’ Criminals | T-042.655.453-1 | |
| 2-11 | Everything Under the Stars | Fun Lovin’ Criminals | — | |
| 2-13 | Smoke ’em (BBC live session) | — | ||
| 2-15 | The Ballad of Larry Davis | Fun Lovin’ Criminals | T-071.944.526-7 | |
| 3-2 | The Beach | — | ||
| 3-3 | Scooby Snacks (Steve Leroni Instrumental With Movie Samples) | — | ||
| 3-4 | Searching for Clues | — | ||
| 3-8 | The Streets Are Watching (instrumental) | — | ||
| 3-9 | Battle on the Golf Course | — | ||
| 3-10 | Scooby Snacks (20mg Dub) | — | ||
| 3-12 | Loco (album instrumental) | — |
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bump (radio mix) | Fun Lovin’ Criminals | T-071.757.053-0 |
| Big Night Out | Fun Lovin’ Criminals | T-071.092.075-4 |
| The Fun Lovin’ Criminal (Hee Haw version) | Fun Lovin’ Criminals | T-070.249.394-4 |
| Run Daddy Run (MC Large mix) | Fun Lovin’ Criminals | T-900.022.866-0 |
| Loco (Latin Quarter version) | Fun Lovin’ Criminals | T-071.757.052-9 |
| Bump (Mark Berkley’s Bump remix) | Fun Lovin’ Criminals | T-071.757.053-0 |
| Love Unlimited (remix) | Fun Lovin’ Criminals | T-071.001.523-8 |
| Korean Bodega (Aero Mexicana mix) | Fun Lovin’ Criminals | T-071.001.524-9 |
| Up on the Hill (Tar Beach remix) | Fun Lovin’ Criminals | T-071.001.522-7 |
| The Fun Lovin’ Criminal (DJ Bombjack remix) | Fun Lovin’ Criminals | T-070.249.394-4 |
| King of New York (Cooley High remix) | Fun Lovin’ Criminals | T-042.655.453-1 |
| Scooby Snacks | Fun Lovin’ Criminals | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 724359312026?
724359312026 is a Universal Product Code (UPC) assigned to A’s, B’s and Rarities by Fun Lovin’ Criminals. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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