UPC · Release
Ententýci
Maxim Turbulenc
Last verified:
724382148425 is the Universal Product Code (UPC barcode) for the release “Ententýci” by Maxim Turbulenc, released 2002-01-01 on Monitor-EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | Pils, pils, pils (Girls, Girls, Girls) | — | ||
| 3 | Potápí se ryba | — | ||
| 4 | Král s kytarou | — | ||
| 5 | Láďa | — | ||
| 6 | Průša | — | ||
| 7 | Naplno žít | — | ||
| 8 | Zhubnu to (Battle Of New Orleans / Mexico) | — | ||
| 9 | Hlad | — | ||
| 10 | Někdy příště | — | ||
| 11 | Caribic | — | ||
| 12 | Twist (Let's Twist Again) | — | ||
| 13 | Workoholic | — | ||
| 14 | Can't Help Falling In Love | — | ||
| 15 | Bazar | — | ||
| 16 | Něco uvidíš | — | ||
| 17 | Ententýci | — | ||
| 18 | Zavolej mi | — | ||
| 19 | Zdravice | — |
Verified on
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People also ask
What is UPC 724382148425?
724382148425 is a Universal Product Code (UPC) assigned to Ententýci by Maxim Turbulenc. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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