UPC · Release
Reflexe - Stationen europäischer Musik Box 3
Various Artists
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724382648024 is the Universal Product Code (UPC barcode) for the release “Reflexe - Stationen europäischer Musik Box 3” by Various Artists, released 2000-11-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I. Che pena è quest' al cor | — | ||
| 2 | I'priego amor | — | ||
| 3 | II. Donna, s'i' t'o fallito | — | ||
| 4 | III. Adiu, adiu dous dame | — | ||
| 5 | IV. Ma' non s'andra | — | ||
| 6 | V. Una colonba candida | — | ||
| 7 | VI. O fanciulla giulía | — | ||
| 8 | VII. Chosi pensoso | — | ||
| 9 | VIII. De! dinmi tu | — | ||
| 10 | IX. Questa fanciull' amor | — | ||
| 11 | Questa fanciull' amor | — | ||
| 12 | X. Non avrà ma'pietà | — | ||
| 13 | Non avrà ma'pietà | — | ||
| 14 | XI. Gram piant'agli ochi | — | ||
| 2-1 | La Pellegrina, primo intermedio: Dalle più alte sfere | — | ||
| 2-2 | La Pellegrina, primo intermedio: Noi che cantando | — | ||
| 2-3 | La Pellegrina, primo intermedio: Sinfonia a 6 No. 1 | — | ||
| 2-4 | La Pellegrina, primo intermedio: Dolcissime sirene | — | ||
| 2-5 | La Pellegrina, primo intermedio: A voi reali amanti | — | ||
| 2-6 | La Pellegrina, primo intermedio: Coppia gentil | — | ||
| 2-7 | La Pellegrina, secondo intermedio: Sinfonia a 5 | — | ||
| 2-8 | La Pellegrina, secondo intermedio: Belle ne fe natura | — | ||
| 2-9 | La Pellegrina, secondo intermedio: Chi dal delfino | — | ||
| 2-10 | La Pellegrina, secondo intermedio: Se nelle voci nostre | — | ||
| 2-11 | La Pellegrina, secondo intermedio: O figle di Piero | — | ||
| 2-12 | La Pellegrina, terzo intermedio: Sinfonia a 6 No. 2 | — | ||
| 2-13 | La Pellegrina, terzo intermedio: Qui di carne si sfama | — | ||
| 2-14 | La Pellegrina, terzo intermedio: O valoroso Dio | — | ||
| 2-15 | La Pellegrina, terzo intermedio: O mille volto | — | ||
| 3-1 | La Pellegrina, quatro intermedio: Io che dal ciel cader | — | ||
| 3-2 | La Pellegrina, quatro intermedio: Sinfonia a 6 No. 3 | — | ||
| 3-3 | La Pellegrina, quatro intermedio: Or che le due grand'alme | — | ||
| 3-4 | La Pellegrina, quatro intermedio: Miseri habitator | — | ||
| 3-5 | La Pellegrina, quinto intermedio: Io che l'onde raffreno | — | ||
| 3-6 | La Pellegrina, quinto intermedio: E noi con questa bella diva | — | ||
| 3-7 | La Pellegrina, quinto intermedio: Sinfonia a 6 No. 4 | — | ||
| 3-8 | La Pellegrina, quinto intermedio: Dunque fra torbid'onde, aria | — | ||
| 3-9 | La Pellegrina, quinto intermedio: Lieti solcando il mare | — | ||
| 3-10 | La Pellegrina, sesto intermedio: Dal vago e bel serono | — | ||
| 3-11 | La Pellegrina, sesto intermedio: O qual rispelnde nube | — | ||
| 3-12 | La Pellegrina, sesto intermedio: Godi turba mortal | — | ||
| 3-13 | La Pellegrina, sesto intermedio: O fortunato giorno | — | ||
| 3-14 | La Pellegrina, sesto intermedio: O che nuovo miracolo | — | ||
| 4-1 | I. Variationen über eine Melodie: a) Viva la Margarita | — | ||
| 4-2 | I. Variationen über eine Melodie: b) Diferencias sobre el 'Canto del Cavallero' | — | ||
| 4-3 | I. Variationen über eine Melodie: c) Cinco diferencias sobre 'Conde Claros' | — | ||
| 4-4 | I. Variationen über eine Melodie: d) Diferencias sobre el canto de 'La Dama le demanda' | — | ||
| 4-5 | II. Tänze mit Variationen: a) Discante sobre la Pavana Italiana | — | ||
| 4-6 | II. Tänze mit Variationen: b) Para quien crié yo cabellos (folía) | — | ||
| 4-7 | II. Tänze mit Variationen: c) Diferencias sobre la Gallarda Milanesa | — | ||
| 4-8 | II. Tänze mit Variationen: d) Cuatro diferencias sobre 'Guárdame las vacas' | — | ||
| 4-9 | II. Tänze mit Variationen: e) Cinco diferencias sobre 'Las Vacas' | — | ||
| 4-10 | III. Instrumentalstücke aus 'Las Ensaladas': a) La Justa | — | ||
| 4-11 | III. Instrumentalstücke aus 'Las Ensaladas': b) La Guerra | — | ||
| 4-12 | IV. 'Recercadas' über italianishce 'Tenores': a) Romanesca | — | ||
| 4-13 | IV. 'Recercadas' über italianishce 'Tenores': b) Ruggiero | — | ||
| 4-14 | IV. 'Recercadas' über italianishce 'Tenores': c) Passamezzo moderno | — | ||
| 4-15 | V. Variationen über Cantus Planus: a) Danza alta | — | ||
| 4-16 | V. Variationen über Cantus Planus: b) Recercada II sobre canto llano | — | ||
| 4-17 | V. Variationen über Cantus Planus: c) Recercada VI sobre canto llano | — | ||
| 4-18 | V. Variationen über Cantus Planus: d) Tres sobre el Canto llano de la Alta | — | ||
| 4-19 | V. Variationen über Cantus Planus: e) Himno IX sobre 'Ave maris stella VIII' | — | ||
| 4-20 | VI. Verzierte Chansons: a) Mille regretz (Josquin des Prés) | — | ||
| 4-21 | VI. Verzierte Chansons: b) Doulce mémoire (Pierre Sandrin) | — | ||
| 4-22 | VI. Verzierte Chansons: c) O felici occhi miei (Jacques Arcadelt) | — | ||
| 4-23 | VI. Verzierte Chansons: d) D'ou vient cela | — | ||
| 5-1 | Terpsichore, 1612: Bransle de Villages, XIV. à 5 | — | ||
| 5-2 | Terpsichore, 1612: Philou, XXII. à 4 | — | ||
| 5-3 | Terpsichore, 1612: La Canarie, XXXI. à 4 | — | ||
| 5-4 | Terpsichore, 1612: Passameze, CClXXXIII. à 5 | — | ||
| 5-5 | Terpsichore, 1612: Gaillarde, CClXXXIV. à 5 | — | ||
| 5-6 | Terpsichore, 1612: Branle de la royne | — | ||
| 5-7 | Terpsichore, 1612: Bouree I & II | — | ||
| 5-8 | Terpsichore, 1612: Bransle Simple 1 & 2 - Bransle de Poictou - Bransle de Montirande 1 & 2 | — | ||
| 5-9 | Terpsichore, 1612: Volte, CCXXXIV. à 4 | — | ||
| 5-10 | Terpsichore, 1612: Volte, CCXLII. à 4 | — | ||
| 5-11 | Terpsichore, 1612: Pavane de Spaigne, XXX. à 4 | — | ||
| 5-12 | Terpsichore, 1612: Pavana Hispanica | — | ||
| 5-13 | Terpsichore, 1612: The old Spagnoletta | — | ||
| 5-14 | Terpsichore, 1612: Ballet des Anglois, CCLXXI. à 4 | — | ||
| 5-15 | Terpsichore, 1612: Courante | — | ||
| 5-16 | Terpsichore, 1612: Volte du Tambour | — | ||
| 5-17 | Terpsichore, 1612: Courante, CLXXXIII. à 4 | — | ||
| 5-18 | Terpsichore, 1612: Pavane de Spanje | — | ||
| 5-19 | Terpsichore, 1612: Stil, stil een Reys | — | ||
| 5-20 | Terpsichore, 1612: Gaillarde, CCCVII. à 4 | — | ||
| 5-21 | Terpsichore, 1612: Gaillarde, CCCVII. à 4 Incerti. | — | ||
| 5-22 | Terpsichore, 1612: Ballet | — | ||
| 5-25 | Terpsichore, 1612: Ballet de Monsieur de Nemours, CCLIII. à 5 | — | ||
| 5-26 | Terpsichore, 1612: Volte, CCXLIII. à 4 | — | ||
| 5-27 | Terpsichore, 1612: Volte, CCXXXII. à 4 | — | ||
| 6-1 | Siete canciones de amigo: Ondas do mar de vigo | — | ||
| 6-2 | Siete canciones de amigo: Mandad ei comigo ca ven meu amigo | — | ||
| 6-3 | Siete canciones de amigo: Miña ýrmana fremosa treidos comigo | — | ||
| 6-4 | Siete canciones de amigo: Aý deus se sab ora meu amigo | — | ||
| 6-5 | Siete canciones de amigo: Quantas sabedas amae amigo | — | ||
| 6-6 | Siete canciones de amigo: E no sagrado en vigo | — | ||
| 6-7 | Siete canciones de amigo: Y ondas que eu vin veer | — | ||
| 6-8 | Chansons d'amour: Ab joi mou lo vers e.l momens | — | ||
| 6-9 | Chansons d'amour: Pois preyatz me, senhor | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 724382648024?
724382648024 is a Universal Product Code (UPC) assigned to Reflexe - Stationen europäischer Musik Box 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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