UPC · Album
Now That’s What I Call Music! 1992
Various Artists
Last verified:
724382708629 is the Universal Product Code (UPC barcode) for the release “Now That’s What I Call Music! 1992” by Various Artists, released 1993-01-01 on Virgin EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEA819200002, DEA819200287, DEC229200600.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (87)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Rhythm Is a Dancer | Snap! | DEA819200002 |
| It’s My Life | Dr. Alban | DEA819200287 |
| Rhythm Is a Dancer | Snap! | DEC229200600 |
| Rhythm Is a Dancer | Snap! | DEC229200607 |
| It’s My Life | Dr. Alban | DED419200001 |
| Rhythm Is a Dancer | Snap! | DET189200900 |
| Be My Baby | Vanessa Paradis | FRT229290004 |
| It Must Be Love | Madness | GB7GZ0900018 |
| It Must Be Love | Madness | GBAAA8100020 |
| I Can’t Dance | Genesis | GBAAA9100049 |
| Something Good | Utah Saints | GBAAP0000564 |
| Stay | Shakespears Sister | GBAAP0000697 |
| Stay | Shakespears Sister | GBAAP1200068 |
| Stay | Shakespears Sister | GBAAP1900052 |
| For Your Babies | Simply Red | GBAHS0700621 |
| For Your Babies | Simply Red | GBAHS1300541 |
| For Your Babies | Simply Red | GBAHS9104073 |
| Baker Street | Undercover | GBAHT1000111 |
| Stay | Shakespears Sister | GBANR9100038 |
| Don’t Let the Sun Go Down on Me | George Michael, Elton John | GBARL0601617 |
| Could It Be Magic (Rapino radio mix) | Take That | GBARL9200018 |
| Sleeping Satellite | Tasmin Archer | GBAYE9200025 |
| Sleeping Satellite | Tasmin Archer | GBAYE9200052 |
| Don’t Let the Sun Go Down on Me | George Michael, Elton John | GBBBM9100001 |
| Don’t Let the Sun Go Down on Me | George Michael, Elton John | GBBBM9102004 |
| Deeply Dippy | Right Said Fred | GBBRL0280061 |
| Ebeneezer Goode (beat edit) | The Shamen | GBBTF9200004 |
| Justified & Ancient (Stand by the JAMS) | The KLF, Tammy Wynette | GBCEL2000619 |
| Rhythm Is a Dancer | Snap! | GBCEN0801023 |
| Deeply Dippy | Right Said Fred | GBCKK0966705 |
| It Must Be Love | Madness | GBCZR0000007 |
| It Must Be Love | Madness | GBCZR8100017 |
| Barcelona | Freddie Mercury, Montserrat Caballé | GBDTW8700001 |
| Goodnight Girl | Wet Wet Wet | GBF089190051 |
| Goodnight Girl | Wet Wet Wet | GBF089290245 |
| Shake Your Head | Was (Not Was), Kim Basinger, Ozzy Osbourne | GBF089290351 |
| It Must Be Love | Madness | GBHVK0900449 |
| Don’t Let the Sun Go Down on Me | George Michael, Elton John | GBUM70708321 |
| Barcelona | Freddie Mercury, Montserrat Caballé | GBUM71030609 |
| Barcelona | Freddie Mercury, Montserrat Caballé | GBUM71103754 |
| Barcelona | Freddie Mercury, Montserrat Caballé | GBUM71602657 |
| To Be With You | Mr. Big | HKG292100094 |
| Rhythm Is a Dancer | Snap! | NLD141100028 |
| Baker Street | Undercover | NLML69200101 |
| My Girl | The Temptations | NOISR8366569 |
| Justified & Ancient (Stand by the JAMS) | The KLF, Tammy Wynette | UKL8E9100052 |
| Finally (7″ Choice mix) | CeCe Peniston | USAM10400339 |
| I Wonder Why | Curtis Stigers | USAR19100004 |
| I Wonder Why | Curtis Stigers | USAR19100185 |
| To Be With You | Mr. Big | USAT20001841 |
| To Be With You | Mr. Big | USAT20302609 |
| To Be With You | Mr. Big | USAT20804280 |
| To Be With You | Mr. Big | USAT20900841 |
| To Be With You | Mr. Big | USAT20901225 |
| To Be With You | Mr. Big | USAT21205896 |
| To Be With You | Mr. Big | USAT21300053 |
| To Be With You | Mr. Big | USAT29100048 |
| Barcelona | Freddie Mercury, Montserrat Caballé | USBC19702066 |
| It Must Be Love | Madness | USBC19901478 |
| Weather With You | Crowded House | USCA20300191 |
| Weather With You | Crowded House | USCA29100164 |
| Would I Lie to You? | Charles & Eddie | USCA29200183 |
| Would I Lie to You | Charles & Eddie | USCA29200250 |
| Weather With You | Crowded House | USCA29200511 |
| Weather With You | Crowded House | USCA29200515 |
| People Everyday (Metamorphosis mix) | Arrested Development | USCA29201591 |
| People Everyday | Arrested Development | USCH39200007 |
| It Must Be Love | Madness | USIR10000913 |
| Don’t Let the Sun Go Down on Me | George Michael, Elton John | USMC19341744 |
| My Girl | The Temptations | USMO10000341 |
| My Girl | The Temptations | USMO10111043 |
| My Girl | The Temptations | USMO10201002 |
| My Girl | The Temptations | USMO10400288 |
| My Girl | The Temptations | USMO10500061 |
| My Girl | The Temptations | USMO16400263 |
| My Girl | The Temptations | USMO16490001 |
| Achy Breaky Heart | Billy Ray Cyrus | USPG19290113 |
| I Can’t Dance | Genesis | USRHD0900187 |
| Just Another Day | Jon Secada | USSB29200105 |
| Piece of My Heart | Erma Franklin | USSM11100157 |
| Piece of My Heart | Erma Franklin | USSM16701410 |
| Piece of My Heart | Erma Franklin | USSM16701752 |
| Justified & Ancient (Stand by the JAMS) | The KLF, Tammy Wynette | USSM19100323 |
| Jump | Kris Kross | USSM19200533 |
| Jump | Kris Kross | USSM19200696 |
| Jump | Kris Kross | USSM19201187 |
| Jump | Kris Kross | USSM19201465 |
What other identifiers does this connect to?
Musical Works (ISWC)
+63 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+34 more
People also ask
Verified on
What is UPC 724382708629?
724382708629 is a Universal Product Code (UPC) assigned to Now That’s What I Call Music! 1992 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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