UPC · Release
The Greatest Hits of The Musicals
Various Artists
Last verified:
724383828524 is the Universal Product Code (UPC barcode) for the release “The Greatest Hits of The Musicals” by Various Artists, released 1996-01-01 on EMI TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC. Tracks include USSM10410901, GBBBN6700003, USMC16346509.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tonight | Marni Nixon, Jimmy Bryant | T-901.072.962-1 | |
| 2 | Music of the Night | — | ||
| 3 | I Could Have Danced All Night | — | ||
| 4 | Singin' in the Rain | — | ||
| 5 | Bless Your Beautiful Hide | — | ||
| 6 | Luck, Be a Lady | — | ||
| 7 | If I Were a Rich Man | Topol | T-072.911.566-5 | |
| 8 | Happy Talk | — | ||
| 9 | Hello Dolly | Louis Armstrong | T-070.075.267-5 | |
| 10 | Cabaret | — | ||
| 11 | For Me and My Gal | — | ||
| 12 | Almost Like Being in Love | Gene Kelly | T-070.000.922-8 | |
| 13 | Secret Love | Doris Day | T-070.134.575-6 | |
| 14 | On a Clear Day You Can See Forever | Shirley Bassey | T-070.160.415-0 | |
| 15 | I've Grown Accustomed to Her Face | — | ||
| 16 | Camelot | — | ||
| 17 | Tell Me It's Not True | — | ||
| 18 | Big Spender | — | ||
| 19 | Oh, What a Beautiful Mornin' | — | ||
| 20 | Anything You Can Do | — | ||
| 21 | Food Glorious Food | — | ||
| 22 | That's Entertainment | — | ||
| 2-1 | Don’t Cry for Me Argentina | Julie Covington | T-010.464.976-4 | |
| 2-2 | Memory | Elaine Paige | T-010.976.460-4 | |
| 2-3 | Summertime | Sarah Vaughan | T-800.364.991-1 | |
| 2-4 | Some Enchanted Evening (from "South Pacific") | — | ||
| 2-5 | Day by Day (from "Godspell") | — | ||
| 2-6 | Losing My Mind (from "Follies") | — | ||
| 2-7 | 76 Trombones (from "The Music Man") | — | ||
| 2-8 | If I Ruled the World (from "Pickwick") | — | ||
| 2-9 | ’s Wonderful | Gene Kelly, Georges Guétary | T-802.704.407-2 | |
| 2-10 | Make Believe (from "Showboat") | — | ||
| 2-11 | Too Darn Hot (from "Kiss Me, Kate") | — | ||
| 2-12 | I Don’t Know How to Love Him | Yvonne Elliman | T-011.626.258-8 | |
| 2-13 | A Couple of Swells (from "Easter Parade") | — | ||
| 2-14 | How Long Has This Been Going On? (from "Funny Face") | — | ||
| 2-15 | One (Finale) (from "A Chorus Line") | — | ||
| 2-16 | Send In the Clowns (from ''A Little Night Music'') | — | ||
| 2-17 | New York, New York (from "On the Town") | — | ||
| 2-18 | The Trolley Song | Judy Garland, MGM Studio Chorus | T-070.181.251-2 | |
| 2-19 | The Impossible Dream (from "Man of La Mancha") | — | ||
| 2-20 | I Know Him So Well | Elaine Paige, Barbara Dickson | T-900.104.781-0 | |
| 2-21 | Any Dream Will Do (from "Joseph and the Amazing Technicolor Dreamcoat") | — | ||
| 2-22 | Over the Rainbow | Judy Garland | T-070.159.949-6 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Don't Know How to Love Him | Andrew Lloyd Webber | T-011.626.258-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+54 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+22 more
Credits Graph
People also ask
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What is UPC 724383828524?
724383828524 is a Universal Product Code (UPC) assigned to The Greatest Hits of The Musicals by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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