UPC · Release
Jean Sablon
Last verified:
724383951321 is the Universal Product Code (UPC barcode) for the release “Les Étoiles de la chanson : Jean SABLON” by Jean Sablon, released 1994-01-01 on Music Memoria. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include FRZ113307222, FRZ116003120.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vous, qui passez sans me voir | — | ||
| 2 | Ma mie | — | ||
| 3 | Mon village au clair de lune | — | ||
| 4 | Je suis sex‐appeal | — | ||
| 5 | Rendez‐vous sous la pluie | — | ||
| 6 | Miss Otis Regrets | — | ||
| 7 | La Chanson des rues | — | ||
| 8 | Le Doux Caboulot | — | ||
| 9 | Ces petites choses | — | ||
| 10 | J’attendrai | — | ||
| 11 | Seul | — | ||
| 12 | Il ne faut pas briser un rêve | — | ||
| 13 | Un seul couvert, please, James | — | ||
| 14 | Depuis que je suis à Paris | Jean Sablon | — | |
| 15 | Je n’en connais pas la fin | — | ||
| 16 | J’suis pas millionnaire | — | ||
| 17 | Sérénade sans espoir | — | ||
| 18 | Allez lui dire que je l’aime | — | ||
| 19 | La Valse au village | — | ||
| 20 | Paris, tu n’as pas changé | — | ||
| 21 | Sérénade portugaise | — | ||
| 22 | Je tire ma révérence | Jean Sablon | T-003.011.128-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
724383951321 is a Universal Product Code (UPC) assigned to Les Étoiles de la chanson : Jean SABLON by Jean Sablon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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