UPC · Album
The Best Opera Album in the World... Ever!
Various Artists
724384220327
38 tracksReleased 1999-01-01Virgin
Last verified:
724384220327 is the Universal Product Code (UPC barcode) for the release “The Best Opera Album in the World... Ever!” by Various Artists, released 1999-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include DEC628600562, FRZ110000085, FRZ110200604.
Format
7Number system
24384Manufacturer
22032Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Best Opera Album in the World... Ever!
ISRC61 recordings
ISWC22 works
IPI1 songwriter
Track List (61)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno) | Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | DEC628600562 |
| Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham | FRZ110000085 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ110200604 |
| Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) | Victoria de los Ángeles, French National Radio Chorus, Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | FRZ110601867 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118703008 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC0201550 |
| La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0801962 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC2001218 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC7000189 |
| La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | GBAYC8000072 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC8000169 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100061 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100103 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100313 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200350 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200607 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | GBAYC8500160 |
| Carmen : Acte II. « Votre toast, je peux vous le rendre » (Escamillo, chœur) | Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC8500363 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC8501082 |
| Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | GBAYC8600262 |
| La Wally: Ebben? Ne andrò Iontana | Maria Callas, Philharmonia Orchestra, Tullio Serafin | GBAYC8600264 |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | GBAYC8600643 |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | GBAYC8600648 |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | GBAYC8600852 |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | GBAYC8600854 |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC8602668 |
| Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | GBAYC8700346 |
| L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) | Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | GBAYC8700866 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | GBAYC8700951 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8701297 |
| Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8701762 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8800962 |
| Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | GBAYC8804784 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8900657 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8900746 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Mozart: Le nozze di Figaro, K. 492, Act 3: Recitativo. “E Susanna non vien!” - Aria. “Dove sono i bei momenti” (Contessa) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8900841 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC8901140 |
| Adriana Lecouvreur: Atto I. “Ecco respiro appena” … “Io son l'umile ancella” (Adriana) | Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung | GBAYC8901593 |
| Tosca: Atto I. “Recondita armonia” | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | GBAYC8901596 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC8901973 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8904517 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC9002476 |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | GBAYC9100800 |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | GBAYC9103775 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | GBAYC9200418 |
| Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) | Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti | GBAYC9200973 |
| Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | GBAYC9400588 |
| Rigoletto: Atto III. “La donna è mobile” | Roberto Alagna | GBAYC9500376 |
| Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | GBAYC9500381 |
| Martha: Atto III. "M’apparì" (Lionel) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | GBAYC9500394 |
| La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | GBAYC9500402 |
| Carmen: La fleur que tu m'avais jetée | Roberto Alagna | GBAYC9500722 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC9500834 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9503441 |
| Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | GBAYC9701161 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701412 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | GBAYC9704930 |
Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno)
Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch
Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)
Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera)
Victoria de los Ángeles, French National Radio Chorus, Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
La Rondine: Chi il bel sogno di Doretta
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs)
Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti
Carmen : Acte II. « Votre toast, je peux vous le rendre » (Escamillo, chœur)
Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
La Wally: Ebben? Ne andrò Iontana
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino)
Ann Murray, Wiener Philharmoniker, Riccardo Muti
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino)
Ann Murray, Wiener Philharmoniker, Riccardo Muti
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Samson et Dalila : « Mon cœur s’ouvre à ta voix »
Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre
L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel)
Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Turandot: Signore, ascolta!
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde)
Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Mozart: Le nozze di Figaro, K. 492, Act 3: Recitativo. “E Susanna non vien!” - Aria. “Dove sono i bei momenti” (Contessa)
Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Adriana Lecouvreur: Atto I. “Ecco respiro appena” … “Io son l'umile ancella” (Adriana)
Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung
Tosca: Atto I. “Recondita armonia”
Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Nessun Dorma from 'Turandot'
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini
Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro)
Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti
Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde)
Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan
Rigoletto: Atto III. “La donna è mobile”
Roberto Alagna
Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
Martha: Atto III. "M’apparì" (Lionel)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
La Bohème: Atto I. "Che gelida manina!" (Rodolfo)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
Carmen: La fleur que tu m'avais jetée
Roberto Alagna
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055174463000000006097350X00000000810627720000000081490638000000008155430400000000816924320000000081697153000000008368263300000000841181450000000106617448
+40 more
00000001086066030000000108617353000000010865367X0000000108710312000000010885462300000001090782240000000109127479000000010920127X0000000109223786000000010928207300000001093706710000000109426524000000011013657500000001102081290000000110235047000000011031228400000001103176240000000110633483000000011082942700000001108299610000000110933953000000011390826X000000011436541200000001143979670000000114409403000000011453360700000001145336740000000114550183000000011455313000000001145542480000000114554862000000011470051600000001147122500000000114725481000000011473864500000001165851870000000118842087000000011942211300000001194534030000000119475039
Identifier Graph
People also ask
SourcesMLCMusicBrainzDiscogs3 sources
Verified on
What is UPC 724384220327?
724384220327 is a Universal Product Code (UPC) assigned to The Best Opera Album in the World... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm