UPC · Release
The Best Opera Album in the World... Ever!
Various Artists
724384220327
38 tracksReleased 1999-01-01Virgin
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724384220327 is the Universal Product Code (UPC barcode) for the release “The Best Opera Album in the World... Ever!” by Various Artists, released 1999-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBAYC8000072, GBAYC9200973, GBAYC9500402.
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UPCThe Best Opera Album in the World... Ever!
ISRC38 recordings
ISWC22 works
IPI1 songwriter
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 2 | Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) | Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti | — | |
| 3 | La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | T-915.091.975-8 | |
| 4 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 5 | L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) | Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 6 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 7 | Rigoletto: Atto III. “La donna è mobile” | Roberto Alagna | T-001.455.377-5 | |
| 8 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 9 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | T-901.222.501-3 | |
| 10 | Tosca: Atto I. “Recondita armonia” | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | T-306.482.678-0 | |
| 11 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 12 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | T-910.067.947-8 | |
| 13 | Adriana Lecouvreur: Atto I. “Ecco respiro appena” … “Io son l'umile ancella” (Adriana) | Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung | — | |
| 14 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 15 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 16 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929.689.299-4 | |
| 17 | Mozart: Le nozze di Figaro, K. 492, Act 3: Recitativo. “E Susanna non vien!” - Aria. “Dove sono i bei momenti” (Contessa) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 18 | Martha: Atto III. "M’apparì" (Lionel) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | — | |
| 19 | Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — | |
| 2-1 | Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 2-2 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-3 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 2-4 | Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham | — | |
| 2-5 | Carmen : Acte II. « Votre toast, je peux vous le rendre » (Escamillo, chœur) | Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — | |
| 2-6 | Carmen: La fleur que tu m'avais jetée | Roberto Alagna | T-928.635.311-5 | |
| 2-7 | Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-8 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 2-9 | Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-10 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 2-11 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 2-12 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 2-13 | Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno) | Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 2-14 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 2-15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 2-16 | La Wally: Ebben? Ne andrò Iontana | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2-17 | Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | — | |
| 2-18 | Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 2-19 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs)
Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
—
Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro)
Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti
—
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers
—
L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel)
Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini
Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Plácido Domingo, Philharmonia Orchestra, James Levine
Adriana Lecouvreur: Atto I. “Ecco respiro appena” … “Io son l'umile ancella” (Adriana)
Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung
—
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Ann Murray, Wiener Philharmoniker, Riccardo Muti
Mozart: Le nozze di Figaro, K. 492, Act 3: Recitativo. “E Susanna non vien!” - Aria. “Dove sono i bei momenti” (Contessa)
Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini
—
Martha: Atto III. "M’apparì" (Lionel)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
—
Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde)
Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan
—
Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Samson et Dalila : « Mon cœur s’ouvre à ta voix »
Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre
—
Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)
Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham
—
Carmen : Acte II. « Votre toast, je peux vous le rendre » (Escamillo, chœur)
Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
—
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
La Rondine: Chi il bel sogno di Doretta
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno)
Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
La Wally: Ebben? Ne andrò Iontana
Maria Callas, Philharmonia Orchestra, Tullio Serafin
—
Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Additional database matches (21)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) | Victoria de los Ángeles, French National Radio Chorus, Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-305.625.648-1 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
Victoria de los Ángeles, French National Radio Chorus, Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
—
Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino)
Ann Murray, Wiener Philharmoniker, Riccardo Muti
—
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers
—
Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde)
Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055174463000000006097350X00000000810627720000000081490638000000008155430400000000816924320000000081697153000000008368263300000000841181450000000106617448
+40 more
00000001086066030000000108617353000000010865367X0000000108710312000000010885462300000001090782240000000109127479000000010920127X0000000109223786000000010928207300000001093706710000000109426524000000011013657500000001102081290000000110235047000000011031228400000001103176240000000110633483000000011082942700000001108299610000000110933953000000011390826X000000011436541200000001143979670000000114409403000000011453360700000001145336740000000114550183000000011455313000000001145542480000000114554862000000011470051600000001147122500000000114725481000000011473864500000001165851870000000118842087000000011942211300000001194534030000000119475039
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What is UPC 724384220327?
724384220327 is a Universal Product Code (UPC) assigned to The Best Opera Album in the World... Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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