UPC · Release
Bertrand Betsch
Last verified:
724384465827 is the Universal Product Code (UPC barcode) for the release “La Soupe à la grimace” by Bertrand Betsch, released 1997-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include FRS949700020, FRS949700030, FRS949700040.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | À l'ouverture des miroirs | Bertrand Betsch | T-004.146.139-5 | |
| 2 | Passer sous le métro | Bertrand Betsch | T-003.109.140-3 | |
| 3 | Colère | Bertrand Betsch | T-004.146.140-8 | |
| 4 | L'Ensilencement | Bertrand Betsch | T-004.146.141-9 | |
| 5 | Un mauvais vivant | Bertrand Betsch | T-004.146.142-0 | |
| 6 | Quand on se frôle | Bertrand Betsch | T-004.146.143-1 | |
| 7 | Les Rendez-vous manqués | Bertrand Betsch | T-004.146.144-2 | |
| 8 | La Revanche du manchot | Bertrand Betsch | T-004.146.145-3 | |
| 9 | La Complainte du psycho-killer | Bertrand Betsch | T-004.146.146-4 | |
| 10 | Le Grand Embarras | Bertrand Betsch | T-004.146.147-5 | |
| 11 | Un mot de trop | Bertrand Betsch | T-004.146.148-6 | |
| 12 | Le Lâche | Bertrand Betsch | T-004.146.149-7 | |
| 13 | Pagaille | Bertrand Betsch | T-004.146.150-0 | |
| 14 | Pour un seul moment d'absence | Bertrand Betsch | T-004.146.151-1 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
724384465827 is a Universal Product Code (UPC) assigned to La Soupe à la grimace by Bertrand Betsch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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