UPC · Release
The Most Relaxing Classical Album in the World… Ever!
Various Artists
724384489021
36 tracksReleased 1997-01-01Virgin
Last verified:
724384489021 is the Universal Product Code (UPC barcode) for the release “The Most Relaxing Classical Album in the World… Ever!” by Various Artists, released 1997-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBAYC2302039, GBAYC8200044, GBAYC2302025.
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24384Manufacturer
48902Product
1Check digit
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Credit Chain
UPCThe Most Relaxing Classical Album in the World… Ever!
ISRC35 recordings
ISWC34 works
IPI2 songwriters
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 5 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 6 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 7 | Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 8 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 9 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 10 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 11 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 12 | Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — | |
| 13 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 14 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 15 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 16 | Blow The Wind / Pie Jesu | Melanie Pappenheim, Jocelyn Pook | — | |
| 17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 18 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 2-1 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-2 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 2-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-7 | Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-8 | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: Andante | — | ||
| 2-9 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-10 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 2-11 | Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | — | |
| 2-12 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-13 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 2-14 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-15 | Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-17 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-18 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 |
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt)
Stephen Hough, Hallé Orchestra, Bryden Thomson
—
Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
—
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
London Symphony Orchestra, Sir Adrian Boult
Blow The Wind / Pie Jesu
Melanie Pappenheim, Jocelyn Pook
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: Andante
—
Concerto for Clarinet in A major, K. 622: II. Adagio
Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Serenade for Strings in E major, op. 22: I. Moderato
London Chamber Orchestra, Christopher Warren-Green
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Additional database matches (28)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-317.671.333-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Serenade for Strings in E major, op. 22: I. Moderato | London Chamber Orchestra, Christopher Warren-Green | T-323.984.111-9 |
| Les Contes d’Hoffmann : Acte III. Barcarolle | Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-004.976.716-9 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802.445.410-3 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Jacqueline du Pré, Osian Ellis
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Quartet for Strings No. 2 in D major: III. Andante “Nocturne”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
London Chamber Orchestra, Christopher Warren-Green
Les Contes d’Hoffmann : Acte III. Barcarolle
Jeannine Collard, Elisabeth Schwarzkopf, René Duclos Chorus, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
The Carnival of the Animals: The Swan
Jacqueline du Pré, Osian Ellis
—
Jacqueline du Pré, Osian Ellis
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Academy of St Martin in the Fields, Sir Neville Marriner
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.010.186-0T-003.010.186-0T-010.115.427-1T-010.115.427-1T-070.000.199-5T-070.000.199-5T-901.134.571-4T-902.858.745-3T-902.858.745-3T-905.387.081-8
+24 more
T-905.387.081-8T-914.248.874-2T-914.248.874-2T-915.711.225-9T-924.489.944-3T-924.489.944-3T-004.976.716-9T-005.001.197-6T-041.489.061-1T-050.242.010-1T-061.409.365-0T-071.422.062-8T-071.541.764-3T-304.252.843-4T-305.625.671-0T-316.901.758-3T-317.671.333-6T-323.984.111-9T-802.445.410-3T-901.222.501-3T-902.300.465-1T-909.340.218-7T-911.534.020-0T-921.418.457-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000004092505X000000005512994500000000592726500000000063086703000000006308963X00000000630905930000000063103868000000007365312600000000810627720000000081085464
+40 more
00000000815700990000000081773005000000008188053X0000000083835863000000008416312200000001072421740000000107886340000000010860660300000001088546230000000108906243000000010911085300000001091274790000000109282073000000010930050X0000000110062481000000011013657500000001101426250000000110164752000000011038610100000001105527710000000110823228000000011082996100000001143979670000000114406261000000011450792700000001145336740000000114630490000000011463386X000000011463785200000001147254810000000114789151000000011480689800000001149347930000000115588298000000011945647900000001194750390000000119532697000000011954617500000001195504570000000119550553
Identifier Graph
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What is UPC 724384489021?
724384489021 is a Universal Product Code (UPC) assigned to The Most Relaxing Classical Album in the World… Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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