UPC · Release
Interview With A Killa
Ganksta NIP
Last verified:
724384596729 is the Universal Product Code (UPC barcode) for the release “Interview With A Killa” by Ganksta NIP, released 1998-01-01 on Rap-A-Lot Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | Psycho Club | — | ||
| 3 | Move Something | — | ||
| 4 | I Don't Know Why | — | ||
| 5 | Why the Psych. Can't Do It | — | ||
| 6 | Erotic | — | ||
| 7 | Murda Rush | — | ||
| 8 | Video Games | — | ||
| 9 | 2 Minutes to Kill | — | ||
| 10 | Psycho on the Loose | — | ||
| 11 | What Makes This Boy Tick | — | ||
| 12 | Psych Zone | — | ||
| 13 | Psycho Funk | — | ||
| 14 | Sic | — | ||
| 15 | 1st Nigga From South Park | — | ||
| 16 | Acid Heads | — | ||
| 17 | Texas Chain Saw | — | ||
| 18 | Outtro | — |
Credits Graph
People also ask
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What is UPC 724384596729?
724384596729 is a Universal Product Code (UPC) assigned to Interview With A Killa by Ganksta NIP. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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