UPC · Release
The Lot
Madness
Last verified:
724384807405 is the Universal Product Code (UPC barcode) for the release “The Lot” by Madness, released 1999-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC. Tracks include GBAAA7900004, GBAAA7900005, GBAAA8000010.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | One Step Beyond | Madness | T-010.173.459-1 | |
| 2 | My Girl | Madness | T-010.150.817-1 | |
| 3 | Night Boat to Cairo | Madness | T-010.165.146-0 | |
| 4 | Believe Me | Madness | — | |
| 5 | Land of Hope & Glory | Madness | — | |
| 6 | The Prince | Madness | — | |
| 7 | Tarzan’s Nuts | Madness | — | |
| 8 | In the Middle of the Night | Madness | T-010.183.959-1 | |
| 9 | Bed and Breakfast Man | Madness | — | |
| 10 | Razor Blade Alley | Madness | T-010.155.584-3 | |
| 11 | Swan Lake | Madness | — | |
| 12 | Rockin’ in A♭ | Madness | — | |
| 13 | Mummy’s Boy | Madness | — | |
| 14 | Madness | Madness | T-010.006.054-5 | |
| 15 | Chipmunks Are Go! | Madness | — | |
| 2-1 | Baggy Trousers | Madness | T-010.155.105-6 | |
| 2-2 | Embarrassment | Madness | — | |
| 2-3 | E.R.N.I.E. | Madness | T-010.185.997-5 | |
| 2-4 | Close Escape | Madness | — | |
| 2-5 | Not Home Today | Madness | — | |
| 2-6 | On the Beat Pete | Madness | — | |
| 2-7 | Solid Gone | Madness | T-010.155.583-2 | |
| 2-8 | Take It or Leave It | Madness | T-010.184.368-8 | |
| 2-9 | Shadow of Fear | Madness | — | |
| 2-10 | Disappear | Madness | T-010.011.632-2 | |
| 2-11 | Overdone | Madness | — | |
| 2-12 | In the Rain | Madness | — | |
| 2-13 | You Said | Madness | — | |
| 2-14 | The Return of the Los Palmas 7 | Madness | — | |
| 3-1 | Cardiac Arrest | Madness | — | |
| 3-2 | Shut Up | Madness | — | |
| 3-3 | Sign of the Times | Madness | T-010.159.348-9 | |
| 3-4 | Missing You | Madness | — | |
| 3-5 | Mrs. Hutchinson | Madness | T-010.183.322-0 | |
| 3-6 | Tomorrow’s Dream | Madness | T-010.183.927-3 | |
| 3-7 | Grey Day | Madness | T-010.201.268-9 | |
| 3-8 | Pac‐a‐Mac | Madness | T-010.183.925-1 | |
| 3-9 | Promises Promises | Madness | — | |
| 3-10 | Benny Bullfrog | Madness | — | |
| 3-11 | When Dawn Arrives | Madness | — | |
| 3-12 | The Opium Eaters | Madness | T-010.183.742-6 | |
| 3-13 | Day on the Town | Madness | — | |
| 4-1 | Rise and Fall | Madness | T-010.302.461-8 | |
| 4-2 | Tomorrow’s (Just Another Day) | Madness | — | |
| 4-3 | Blue Skinned Beast | Madness | — | |
| 4-4 | Primrose Hill | Madness | T-010.302.462-9 | |
| 4-5 | Mr Speaker (Gets the Word) | Madness | — | |
| 4-6 | Sunday Morning | Madness | — | |
| 4-7 | Our House | Madness | T-010.053.256-6 | |
| 4-8 | Tiptoes | Madness | — | |
| 4-9 | New Delhi | Madness | — | |
| 4-10 | That Face | Madness | — | |
| 4-11 | Calling Cards | Madness | — | |
| 4-12 | Are You Coming (With Me) | Madness | — | |
| 4-13 | Madness (Is All in the Mind) | Madness | T-010.006.054-5 | |
| 5-1 | Keep Moving | — | ||
| 5-2 | Michael Caine | Madness | T-010.141.476-9 | |
| 5-3 | Turning Blue | — | ||
| 5-4 | One Better Day | Madness | T-011.636.836-5 | |
| 5-5 | March of the Gherkins | — | ||
| 5-6 | Waltz Into Mischief | — | ||
| 5-7 | Brand New Beat | — | ||
| 5-8 | Victoria Gardens | Madness | — | |
| 5-9 | Samantha | — | ||
| 5-10 | Time for Tea | — | ||
| 5-11 | Prospects | Madness | T-010.305.306-0 | |
| 5-12 | Give Me a Reason | — | ||
| 6-1 | I’ll Compete | — | ||
| 6-2 | Yesterday’s Men (single edit) | Madness | T-011.318.957-3 | |
| 6-3 | Uncle Sam | Madness | T-011.318.952-8 | |
| 6-4 | White Heat | Madness | T-011.318.953-9 | |
| 6-5 | Mad Not Mad | — | ||
| 6-6 | Sweetest Girl | — | ||
| 6-7 | Burning the Boats | — | ||
| 6-8 | Tears You Can’t Hide | — | ||
| 6-9 | Time | — | ||
| 6-10 | Coldest Day | — |
Additional database matches (31)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| In the Rain | Madness | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| The Return of the Los Palmas 7 | Madness | — |
| Shut Up | Madness | — |
| Embarrassment | Madness | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| Cardiac Arrest | Madness | — |
| Embarrassment | Madness | — |
| The Return of the Los Palmas 7 | Madness | — |
| The Prince | Madness | — |
| Rise and Fall | Madness | — |
| Prospects | Madness | — |
| Yesterday’s Men (harmonica version) | Madness | T-011.318.957-3 |
| Embarrassment | Madness | — |
| Bed and Breakfast Man | Madness | T-010.183.935-3 |
| Embarrassment | Madness | — |
| Believe Me | Madness | T-010.155.582-1 |
| Land of Hope & Glory | Madness | T-010.182.266-5 |
| The Prince | Madness | — |
| Tarzan’s Nuts | Madness | T-010.181.997-9 |
| Swan Lake | Madness | T-900.113.957-7 |
| Rockin’ in A♭ | Madness | — |
| Mummy’s Boy | Madness | T-010.199.638-6 |
| Chipmunks Are Go! | Madness | — |
| Embarrassment | Madness | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| Cardiac Arrest | Madness | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| Embarrassment | Madness | — |
| Yesterday’s Men (harmonica version) | Madness | T-011.318.957-3 |
| Bed and Breakfast Man | Madness | T-010.183.935-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 724384807405?
724384807405 is a Universal Product Code (UPC) assigned to The Lot by Madness. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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