UPC · Release
Girls2k
Various Artists
Last verified:
724384929725 is the Universal Product Code (UPC barcode) for the release “Girls2k” by Various Artists, released 2000-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBAAA0000038, USRC19900032, USJI19910451.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Never Be the Same Again | Melanie C | T-905.381.525-1 | |
| 2 | Genie in a Bottle | Christina Aguilera | T-070.895.664-2 | |
| 3 | (You Drive Me) Crazy | Britney Spears | T-000.096.602-8 | |
| 5 | Bag It Up | Geri Halliwell | T-011.534.440-5 | |
| 6 | You’re My Number One | — | ||
| 7 | Love’s Got a Hold on My Heart | Steps | T-010.894.531-8 | |
| 8 | Spice Up Your Life | Spice Girls | T-010.365.514-6 | |
| 9 | Shalala Lala | Vengaboys | T-000.357.953-0 | |
| 10 | See Ya | — | ||
| 11 | Jesse Hold On | B*Witched | T-900.264.731-6 | |
| 12 | Ooh Stick You | Daphne & Celeste | T-010.264.308-2 | |
| 13 | The Best Is Yet to Come | — | ||
| 14 | In Your Arms (Rescue Me) | Nu Generation | T-070.243.141-1 | |
| 15 | Don’t Call Me Baby | Madison Avenue | T-060.437.423-3 | |
| 16 | Back in My Life | Alice DeeJay | T-901.071.344-7 | |
| 17 | Feel It | — | ||
| 18 | Stop Playing With My Mind | Barbara Tucker, Darryl D’Bonneau | — | |
| 19 | In These Shoes? | — | ||
| 20 | Lady Marmalade | — | ||
| 21 | Rewind | — | ||
| 22 | Sister | — | ||
| 2-1 | Sunshine (radio edit) | Gabrielle | T-011.538.661-2 | |
| 2-2 | Money | Jamelia, Beenie Man | T-011.541.527-4 | |
| 2-3 | Caught Out There | — | ||
| 2-5 | Bug a Boo | — | ||
| 2-6 | Sweet Love 2K | — | ||
| 2-7 | Straight From the Heart | — | ||
| 2-8 | Movin’ Too Fast | Artful Dodger, Romina Johnson | T-005.057.762-2 | |
| 2-9 | Right Before My Eyes | — | ||
| 2-10 | Buddy X | — | ||
| 2-11 | What I Am | Tin Tin Out, Emma Bunton | T-070.281.163-9 | |
| 2-13 | Drinking in L.A. | — | ||
| 2-14 | Torn | Natalie Imbruglia | T-070.279.113-6 | |
| 2-15 | Northern Star | — | ||
| 2-16 | I Quit | Hepburn | T-010.361.260-7 | |
| 2-17 | Friends Forever | — | ||
| 2-18 | Don’t You Worry | — | ||
| 2-19 | I Want You Back (radio edit) | Melanie B, Missy “Misdemeanor” Elliott | T-070.943.045-4 | |
| 2-20 | What’cha Gonna Do (Beatmaster’s vocal 7″) | Eternal | — | |
| 2-21 | Perfect Moment | Martine McCutcheon | T-010.366.603-0 |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Time Is Now (Can 7 Soulfood edit) | Moloko | T-010.391.239-5 |
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
| Back in My Life | Alice DeeJay | — |
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+52 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+29 more
Identifier Graph
People also ask
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What is UPC 724384929725?
724384929725 is a Universal Product Code (UPC) assigned to Girls2k by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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