UPC · Release
Kansas City Blues 1944-49
Various Artists
Last verified:
724385204722 is the Universal Product Code (UPC barcode) for the release “Kansas City Blues 1944-49” by Various Artists, released 1996-01-01 on Capitol Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (73)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Moten Swing | — | ||
| 2 | Come On Over To My House | — | ||
| 3 | Trouble In Mind | — | ||
| 4 | On The Sunny Side Of The Street | — | ||
| 5 | Confessin' The Blues | — | ||
| 6 | Walkin' Blues (Aka Walking) | — | ||
| 7 | Hard Working Man Blues | — | ||
| 8 | When I've Been Drinking | — | ||
| 9 | Merry-Go-Round Blues | — | ||
| 10 | Bad Tale Boogie | — | ||
| 11 | McShann's Boogie Blues | — | ||
| 12 | Everything Will Be All Right | — | ||
| 13 | Pic's Boogie | — | ||
| 14 | Scotty's | — | ||
| 15 | Cover Up | — | ||
| 16 | (Scotty Can Blow) Kicks | — | ||
| 17 | Tonight's The Night | — | ||
| 18 | My Man Stands Out | — | ||
| 19 | Do You Want It | — | ||
| 20 | It Comes In Like A Lion | — | ||
| 21 | When You Want Chili | — | ||
| 22 | It's Hard To Laugh Or Smile | — | ||
| 23 | You'll Wind Up On Top | — | ||
| 24 | On The Gravy Train | — | ||
| 2-1 | Don't Come Too Soon | — | ||
| 2-2 | Ugly Papa | — | ||
| 2-3 | Don't Save It Too Long (The Money Song) | — | ||
| 2-4 | After Hours Waltz | — | ||
| 2-5 | I Ain't Gonna Give Nobody None Of My Jelly Roll | — | ||
| 2-6 | Sugar Daddy Blues | — | ||
| 2-7 | Gone | — | ||
| 2-8 | Gotta Good Reason For Being Bad | — | ||
| 2-9 | Play The Blues | — | ||
| 2-10 | What Evil Have I Done | — | ||
| 2-11 | Gonna Play With Your Woman | — | ||
| 2-12 | Work Don't Bother Me | — | ||
| 2-13 | Goosed | — | ||
| 2-14 | Jackson County Romp | — | ||
| 2-15 | Mizzou' | — | ||
| 2-16 | Hot Sauce | — | ||
| 2-17 | Inform Me Baby | — | ||
| 2-18 | Lyin' Woman Blues | — | ||
| 2-19 | Supressin' The Blues | — | ||
| 2-20 | Hello And Goodbye | — | ||
| 2-21 | You Ain't Got It No More | — | ||
| 2-22 | When Your Love Has Gone | — | ||
| 2-23 | Oh Chuck It (In A Bucket) | — | ||
| 2-24 | Decent Woman Blues | — | ||
| 2-25 | Dragging My Heart Around | — | ||
| 3-1 | Kickapoo | — | ||
| 3-2 | Tea For Tommy | — | ||
| 3-3 | If You Don't, Why Don't Ya | — | ||
| 3-4 | I Want You To Be My Guy | — | ||
| 3-5 | Dougkes Boogie | — | ||
| 3-6 | The Killion | — | ||
| 3-7 | Leaving Town Blues | — | ||
| 3-8 | Lights Out | — | ||
| 3-9 | Turn It Over | — | ||
| 3-10 | That Did It | — | ||
| 3-11 | Best Frienda Blues | — | ||
| 3-12 | Baby You Messed Up | — | ||
| 3-13 | You Better Leave My Gal Alone | — | ||
| 3-14 | Lou, Cindy Lou | — | ||
| 3-15 | Squabblin' Woman | — | ||
| 3-16 | I'm Gonna Get Married | — | ||
| 3-17 | New Style Baby | — | ||
| 3-18 | Let's Love Awhile | — | ||
| 3-19 | Nasty Attitude | — | ||
| 3-20 | Slow Down Baby | — | ||
| 3-21 | The Lady With The Black Dress On | — | ||
| 3-22 | Sister Flat-Top | — | ||
| 3-23 | It Ain't No Use | — | ||
| 3-24 | Jumpin' Little Woman | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 724385204722?
724385204722 is a Universal Product Code (UPC) assigned to Kansas City Blues 1944-49 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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