UPC · Release
Various Artists
Last verified:
The UPC for “The Best Classical Album in the World ...Ever!” by Various Artists is 724386489821. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Virgin. This release contains 72 tracks, each with its own ISRC. Tracks include GBAYC2302025, GBAYD8400149, GBAYC7300004.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | T-914.248.874-2 | |
| 3 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 5 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 6 | Weather Storm | Craig Armstrong | T-010.042.344-6 | |
| 7 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 10 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 11 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 12 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 13 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 14 | Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T-321.302.283-0 | |
| 15 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 16 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 17 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 2-1 | Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-800.790.219-5 | |
| 2-2 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 2-3 | Balcony Scene | The London Session Orchestra, Craig Armstrong | T-914.983.545-0 | |
| 2-4 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073.093.054-7 | |
| 2-5 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 2-6 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 2-7 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 2-8 | On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 | |
| 2-10 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 2-11 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 2-12 | Fawkes the Phoenix | The City of Prague Philharmonic Orchestra, Nic Raine | T-072.911.600-0 | |
| 2-13 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 2-14 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 2-15 | Cinema Paradiso Love Theme | Ennio Morricone, his Orchestra | T-901.132.693-5 | |
| 2-16 | Jean de Florette Theme | Jean-Claude Petit | T-003.052.626-1 | |
| 2-17 | Gabriel's Oboe | — | ||
| 2-18 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-19 | Étude | Mike Oldfield | T-900.227.192-3 | |
| 2-20 | An Ending (Ascent) | Brian Eno | T-011.460.810-4 | |
| 3-1 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-2 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 3-3 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 3-4 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 3-5 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 3-6 | Ave Maria, CG 89a | Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson | T-009.147.667-3 | |
| 3-7 | Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T-900.120.937-6 | |
| 3-8 | Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 3-9 | Voca Me | — | ||
| 3-10 | Pie Jesu - Requiem | — | ||
| 3-11 | The Lamb | Choir of King’s College, Cambridge, Stephen Cleobury | T-900.217.085-6 | |
| 3-12 | Lachrimae Antiquae (Flow My Teares) | — | ||
| 3-13 | Lascia ch'io pianga - Rinaldo | — | ||
| 3-14 | Ave Verum Corpus | — | ||
| 3-15 | Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — | |
| 3-16 | Jerusalem | — | ||
| 3-17 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 3-18 | Standing Stone | — | ||
| 4-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 4-2 | Toccata and Fugue in D minor | Vanessa-Mae, Royal Philharmonic Orchestra | — | |
| 4-3 | Adiemus | Adiemus | T-010.101.223-0 | |
| 4-4 | Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | T-919.442.911-3 | |
| 4-5 | Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro moderato | — | ||
| 4-6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 4-7 | Concerto no. 4 in E-flat major for Horn, K. 495: III. Rondo. Allegro vivace | Dennis Brain, Philharmonia Orchestra, Herbert von Karajan | — | |
| 4-8 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 4-9 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 4-11 | The Planets, Op. 32: Jupiter, the Bringer of Jollity (conclusion) | — | ||
| 4-12 | Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | — | |
| 4-13 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 4-14 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 4-15 | Boléro (conclusion) | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 4-16 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-917.603.184-8 | |
| 4-17 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 4-18 | 1812 Overture (conclusion) | Oslo Philharmonic Orchestra, Mariss Jansons | — |
Identifier Graph
724386489821 is a Universal Product Code (UPC) assigned to The Best Classical Album in the World ...Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T-035.024.359-2 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Concerto no. 4 in E-flat major for Horn, K. 495: III. Rondo. Allegro vivace | Dennis Brain, Philharmonia Orchestra, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802.445.410-3 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 |
| Any Other Name | Thomas Newman | T-071.009.265-1 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Best Classical Album in the World ...Ever!” by Various Artists is 724386489821. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Virgin. This release contains 72 tracks, each with its own ISRC. Tracks include GBAYC2302025, GBAYD8400149, GBAYC7300004.
