UPC · Release
Harry Partch
Last verified:
The UPC for “Enclosure Two” by Harry Partch is 726708640125. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Innova Recordings. This release contains 86 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Am Harry Partch | — | ||
| 2 | By The Rivers Of Babylon (137th Psalm) | — | ||
| 3 | Texts And Music: A Wagnerian Wrestling Match | — | ||
| 4 | A Dream | — | ||
| 5 | An Encounter In The Field | — | ||
| 6 | On Hearing The Flute | — | ||
| 7 | The Intruder | — | ||
| 8 | I Am A Peach Tree | — | ||
| 9 | With A Man Of Leisure | — | ||
| 10 | A Midnight Farewell | — | ||
| 11 | Before The Cask Of Wine | — | ||
| 12 | On The Ship Of Spicewood | — | ||
| 13 | By The Great Wall | — | ||
| 14 | The Use Of English In Serious Music | — | ||
| 15 | Barstow — Eight Hitch-hikers' Inscriptions From A Highway Railing At Barstow, California | — | ||
| 16 | San Francisco — Newsboys Cries | — | ||
| 17 | Life Is Too Precious To Spend It With Important People | — | ||
| 18 | U.S. Highball — A Musical Account Of Slim's Transcontinental Hobo Trip | — | ||
| 19 | While My Heart Keeps Beating Time | — | ||
| 20 | San Francisco II | — | ||
| 2-1 | I'm Going To Start Right Off By Giving You Some Sounds… | — | ||
| 2-2 | Isobel | — | ||
| 2-3 | Annah The Allmaziful | — | ||
| 2-4 | Dark Brother | — | ||
| 2-5 | Prelude To Talk | — | ||
| 2-6 | Introduction To Examples Of Intonation | — | ||
| 2-7 | Scale Of Olympos (Pentatonic) | — | ||
| 2-8 | Enharmonic Scale Of Archytas; Separated By 3/2's; Triads | — | ||
| 2-9 | Scale Of Pythagoras; Separated By 3/2's; Triads | — | ||
| 2-10 | Ptolemaic Intense Diatonic; Separated By 3/2's; Triads | — | ||
| 2-11 | Ptolemy's Equable Diatonic; Separated By 3/2's | — | ||
| 2-12 | Terpander's Hexatonic | — | ||
| 2-13 | Close Degrees | — | ||
| 2-14 | True And Tempered Triads | — | ||
| 2-15 | Resolutions From P. 186 Of Genesis Of A Music; Resolution P. 187; "Familiar" Resolution | — | ||
| 2-16 | Fox-Strangeways Resolutions | — | ||
| 2-17 | Tonal Flux From Genesis, P. 188; Tonal Flux From The Letter And Third Chorus Of Oedipus; Another From P. 188; Tonal Flux From Antiphony Of Oedipus, "O Crowding Woods…" | — | ||
| 2-18 | Multiple Tonal Senses From Antiphony Of Oedipus, "O Crowding Woods…" | — | ||
| 2-19 | Multiple Tonal Senses From Dark Brother, "And We Who Were Lost Are Found Again…"; "Until Our Hearts Are Corrupted, Out Talent Wasted, And Our Hope Gone."; "Have We Not Known Triumph, Joy, And Glory On This Earth?" | — | ||
| 2-20 | Melodic Subtleties From The Street, "Down Maxwell Street, Where The Prostitutes Stand In The Gloom…", U.S. Highball, "Back To The Freights For You, Boy." | — | ||
| 2-21 | Melodic Subtleties From The Bewitched | — | ||
| 2-22 | Instrumental Tunings: Harmonic Canon I As Iin Revelation; Petals; Chromelodeon Two Sets Of Reeds; Revelation | — | ||
| 2-23 | Dissonances And Consonance: Coda To Oedipus; Coda To Revelation | — | ||
| 3-1 | June 11, 1935 — Santa Rosa, California | — | ||
| 3-2 | June 12 — Federal Shelter, Stockton | — | ||
| 3-3 | June 13 | — | ||
| 3-4 | June 14 | — | ||
| 3-5 | June 16 — Harrington Ranch, San Joaquin Delta | — | ||
| 3-6 | June 17 | — | ||
| 3-7 | July 4 | — | ||
| 3-8 | July 14 | — | ||
| 3-9 | July 16 | — | ||
| 3-10 | July 19 | — | ||
| 3-11 | July 20 — Heading North, Between Sacramento And Redding | — | ||
| 3-12 | July 24 — Federal Shelter, Portland | — | ||
| 3-13 | July 25 — Blue Ox Lodge, Seattle, Washington | — | ||
| 3-14 | July 27 | — | ||
| 3-15 | July 29 | — | ||
| 3-16 | July 30 | — | ||
| 3-17 | August 7 — Between Grants Pass And Klamath Falls, Oregon | — | ||
| 3-18 | August 15 | — | ||
| 3-19 | October 22 — Nearing Monterey | — | ||
| 3-20 | October 24 — Leaving Big Sur | — | ||
| 3-21 | October 25 — Near Slate's Hot Springs | — | ||
| 3-22 | October 26 | — | ||
| 3-23 | October 27 | — | ||
| 3-24 | October 28 | — | ||
| 3-25 | October 29 | — | ||
| 3-26 | October 30 — Big Creek | — | ||
| 3-27 | November 12 — Santa Barbara | — | ||
| 3-28 | November 14 | — | ||
| 3-29 | November 15 — Leaving Santa Barbara | — | ||
| 3-30 | November 16 — Ojai | — | ||
| 3-31 | November 17 | — | ||
| 3-32 | November 23 — Los Angeles | — | ||
| 3-33 | November 28 | — | ||
| 3-34 | December 4 | — | ||
| 3-35 | December, 1935 | — | ||
| 3-36 | February 1, 1936 — San Bernardino | — | ||
| 4-1 | Yankee Doodle Birds | — | ||
| 4-2 | Y.D. Fantasy — On The Words Of An Early American Tune | — | ||
| 4-3 | O Frabjous Day! | — | ||
| 4-4 | You Are Charged With Being Guilty. Are You Drunk Or Not? | — | ||
| 4-5 | Ring Around The Moon — A Dance Fantasm For Here And Now | — | ||
| 4-6 | Bless This Home | — | ||
| 4-7 | Harry's Wake | — |
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726708640125 is a Universal Product Code (UPC) assigned to Enclosure Two by Harry Partch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Enclosure Two” by Harry Partch is 726708640125. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Innova Recordings. This release contains 86 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Am Harry Partch | — | ||
| 2 | By The Rivers Of Babylon (137th Psalm) | — | ||
| 3 | Texts And Music: A Wagnerian Wrestling Match | — | ||
| 4 | A Dream | — | ||
| 5 | An Encounter In The Field | — | ||
| 6 | On Hearing The Flute | — | ||
| 7 | The Intruder | — | ||
| 8 | I Am A Peach Tree | — | ||
| 9 | With A Man Of Leisure | — | ||
| 10 | A Midnight Farewell | — | ||
| 11 | Before The Cask Of Wine | — | ||
| 12 | On The Ship Of Spicewood | — | ||
| 13 | By The Great Wall | — | ||
| 14 | The Use Of English In Serious Music | — | ||
| 15 | Barstow — Eight Hitch-hikers' Inscriptions From A Highway Railing At Barstow, California | — | ||
| 16 | San Francisco — Newsboys Cries | — | ||
| 17 | Life Is Too Precious To Spend It With Important People | — | ||
| 18 | U.S. Highball — A Musical Account Of Slim's Transcontinental Hobo Trip | — | ||
| 19 | While My Heart Keeps Beating Time | — | ||
| 20 | San Francisco II | — | ||
| 2-1 | I'm Going To Start Right Off By Giving You Some Sounds… | — | ||
| 2-2 | Isobel | — | ||
| 2-3 | Annah The Allmaziful | — | ||
| 2-4 | Dark Brother | — | ||
| 2-5 | Prelude To Talk | — | ||
| 2-6 | Introduction To Examples Of Intonation | — | ||
| 2-7 | Scale Of Olympos (Pentatonic) | — | ||
| 2-8 | Enharmonic Scale Of Archytas; Separated By 3/2's; Triads | — | ||
| 2-9 | Scale Of Pythagoras; Separated By 3/2's; Triads | — | ||
| 2-10 | Ptolemaic Intense Diatonic; Separated By 3/2's; Triads | — | ||
| 2-11 | Ptolemy's Equable Diatonic; Separated By 3/2's | — | ||
| 2-12 | Terpander's Hexatonic | — | ||
| 2-13 | Close Degrees | — | ||
| 2-14 | True And Tempered Triads | — | ||
| 2-15 | Resolutions From P. 186 Of Genesis Of A Music; Resolution P. 187; "Familiar" Resolution | — | ||
| 2-16 | Fox-Strangeways Resolutions | — | ||
| 2-17 | Tonal Flux From Genesis, P. 188; Tonal Flux From The Letter And Third Chorus Of Oedipus; Another From P. 188; Tonal Flux From Antiphony Of Oedipus, "O Crowding Woods…" | — | ||
| 2-18 | Multiple Tonal Senses From Antiphony Of Oedipus, "O Crowding Woods…" | — | ||
| 2-19 | Multiple Tonal Senses From Dark Brother, "And We Who Were Lost Are Found Again…"; "Until Our Hearts Are Corrupted, Out Talent Wasted, And Our Hope Gone."; "Have We Not Known Triumph, Joy, And Glory On This Earth?" | — | ||
| 2-20 | Melodic Subtleties From The Street, "Down Maxwell Street, Where The Prostitutes Stand In The Gloom…", U.S. Highball, "Back To The Freights For You, Boy." | — | ||
| 2-21 | Melodic Subtleties From The Bewitched | — | ||
| 2-22 | Instrumental Tunings: Harmonic Canon I As Iin Revelation; Petals; Chromelodeon Two Sets Of Reeds; Revelation | — | ||
| 2-23 | Dissonances And Consonance: Coda To Oedipus; Coda To Revelation | — | ||
| 3-1 | June 11, 1935 — Santa Rosa, California | — | ||
| 3-2 | June 12 — Federal Shelter, Stockton | — | ||
| 3-3 | June 13 | — | ||
| 3-4 | June 14 | — | ||
| 3-5 | June 16 — Harrington Ranch, San Joaquin Delta | — | ||
| 3-6 | June 17 | — | ||
| 3-7 | July 4 | — | ||
| 3-8 | July 14 | — | ||
| 3-9 | July 16 | — | ||
| 3-10 | July 19 | — | ||
| 3-11 | July 20 — Heading North, Between Sacramento And Redding | — | ||
| 3-12 | July 24 — Federal Shelter, Portland | — | ||
| 3-13 | July 25 — Blue Ox Lodge, Seattle, Washington | — | ||
| 3-14 | July 27 | — | ||
| 3-15 | July 29 | — | ||
| 3-16 | July 30 | — | ||
| 3-17 | August 7 — Between Grants Pass And Klamath Falls, Oregon | — | ||
| 3-18 | August 15 | — | ||
| 3-19 | October 22 — Nearing Monterey | — | ||
| 3-20 | October 24 — Leaving Big Sur | — | ||
| 3-21 | October 25 — Near Slate's Hot Springs | — | ||
| 3-22 | October 26 | — | ||
| 3-23 | October 27 | — | ||
| 3-24 | October 28 | — | ||
| 3-25 | October 29 | — | ||
| 3-26 | October 30 — Big Creek | — | ||
| 3-27 | November 12 — Santa Barbara | — | ||
| 3-28 | November 14 | — | ||
| 3-29 | November 15 — Leaving Santa Barbara | — | ||
| 3-30 | November 16 — Ojai | — | ||
| 3-31 | November 17 | — | ||
| 3-32 | November 23 — Los Angeles | — | ||
| 3-33 | November 28 | — | ||
| 3-34 | December 4 | — | ||
| 3-35 | December, 1935 | — | ||
| 3-36 | February 1, 1936 — San Bernardino | — | ||
| 4-1 | Yankee Doodle Birds | — | ||
| 4-2 | Y.D. Fantasy — On The Words Of An Early American Tune | — | ||
| 4-3 | O Frabjous Day! | — | ||
| 4-4 | You Are Charged With Being Guilty. Are You Drunk Or Not? | — | ||
| 4-5 | Ring Around The Moon — A Dance Fantasm For Here And Now | — | ||
| 4-6 | Bless This Home | — | ||
| 4-7 | Harry's Wake | — |
