UPC · Release
Harry Partch
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The UPC for “Enclosure 5” by Harry Partch is 726708640521. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Innova Recordings. This release contains 45 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ulysses Departs From the Edge of the World | — | ||
| 2 | Revelation in the Courthouse Park - Chorus One | — | ||
| 3 | Chorus Three, in Part | — | ||
| 4 | From Scene One: Hymn to Dionysus: Holy Joy and Get Religion | — | ||
| 5 | From Scene Two: Hymn to Dionysus: What the Majority Believes | — | ||
| 6 | From Scene Two: Hymn to Dionysus: Glory to the Male Womb | — | ||
| 7 | End of Scene Three and All of Chorus Four | — | ||
| 8 | End of Scene Four and Coda | — | ||
| 9 | Introduction to King Oedipus | — | ||
| 10 | King Oedipus: Introduction | — | ||
| 11 | King Oedipus: Opening Scene | — | ||
| 12 | King Oedipus: First Chorus | — | ||
| 13 | King Oedipus: Tiresias Scene (Beginning) | — | ||
| 2-1 | King Oedipus: Tiresias Scene (Continued) | — | ||
| 2-2 | King Oedipus: Second Chorus | — | ||
| 2-3 | King Oedipus: Creon Scene | — | ||
| 2-4 | King Oedipus: Jocasta Scene | — | ||
| 2-5 | King Oedipus: Incidental Music | — | ||
| 2-6 | King Oedipus: Third Chorus | — | ||
| 2-7 | King Oedipus: Messenger Scene | — | ||
| 2-8 | King Oedipus: Fourth Chorus | — | ||
| 2-9 | King Oedipus: Herdsman Scene | — | ||
| 2-10 | King Oedipus: Oedipus Scene | — | ||
| 2-11 | King Oedipus: Fifth Chorus | — | ||
| 2-12 | King Oedipus: Instrumental Commentary | — | ||
| 2-13 | King Oedipus: Antiphony | — | ||
| 2-14 | King Oedipus: Exit Oedipus - Dance-Pantomime | — | ||
| 2-15 | King Oedipus: Final Chorus | — | ||
| 2-16 | Johann Krieger: Menuet From Partita in G | — | ||
| 2-17 | Douglas Moore: Come Away, Death | — | ||
| 2-18 | Come Away, Death From December, 1942 | — | ||
| 2-19 | By the Rivers of Babylon (137th Psalm) | — | ||
| 2-20 | Introduction to the Bewitched | — | ||
| 3-1 | The Bewitched: Prologue | — | ||
| 3-2 | Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall | — | ||
| 3-3 | Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint | — | ||
| 3-4 | Scene 3: Background for the Inspired Romancing of a Pathological Liar | — | ||
| 3-5 | Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music | — | ||
| 3-6 | Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room | — | ||
| 3-7 | Scene 6: Background for the Euphoria on a Sausalito Stairway | — | ||
| 3-8 | Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit | — | ||
| 3-9 | Scene 8: Background for the Apotheosis of a Court in Its Own Contempt | — | ||
| 3-10 | Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise | — | ||
| 3-11 | Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails | — | ||
| 3-12 | The Bewitched: Epilogue | — |
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726708640521 is a Universal Product Code (UPC) assigned to Enclosure 5 by Harry Partch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Enclosure 5” by Harry Partch is 726708640521. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Innova Recordings. This release contains 45 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ulysses Departs From the Edge of the World | — | ||
| 2 | Revelation in the Courthouse Park - Chorus One | — | ||
| 3 | Chorus Three, in Part | — | ||
| 4 | From Scene One: Hymn to Dionysus: Holy Joy and Get Religion | — | ||
| 5 | From Scene Two: Hymn to Dionysus: What the Majority Believes | — | ||
| 6 | From Scene Two: Hymn to Dionysus: Glory to the Male Womb | — | ||
| 7 | End of Scene Three and All of Chorus Four | — | ||
| 8 | End of Scene Four and Coda | — | ||
| 9 | Introduction to King Oedipus | — | ||
| 10 | King Oedipus: Introduction | — | ||
| 11 | King Oedipus: Opening Scene | — | ||
| 12 | King Oedipus: First Chorus | — | ||
| 13 | King Oedipus: Tiresias Scene (Beginning) | — | ||
| 2-1 | King Oedipus: Tiresias Scene (Continued) | — | ||
| 2-2 | King Oedipus: Second Chorus | — | ||
| 2-3 | King Oedipus: Creon Scene | — | ||
| 2-4 | King Oedipus: Jocasta Scene | — | ||
| 2-5 | King Oedipus: Incidental Music | — | ||
| 2-6 | King Oedipus: Third Chorus | — | ||
| 2-7 | King Oedipus: Messenger Scene | — | ||
| 2-8 | King Oedipus: Fourth Chorus | — | ||
| 2-9 | King Oedipus: Herdsman Scene | — | ||
| 2-10 | King Oedipus: Oedipus Scene | — | ||
| 2-11 | King Oedipus: Fifth Chorus | — | ||
| 2-12 | King Oedipus: Instrumental Commentary | — | ||
| 2-13 | King Oedipus: Antiphony | — | ||
| 2-14 | King Oedipus: Exit Oedipus - Dance-Pantomime | — | ||
| 2-15 | King Oedipus: Final Chorus | — | ||
| 2-16 | Johann Krieger: Menuet From Partita in G | — | ||
| 2-17 | Douglas Moore: Come Away, Death | — | ||
| 2-18 | Come Away, Death From December, 1942 | — | ||
| 2-19 | By the Rivers of Babylon (137th Psalm) | — | ||
| 2-20 | Introduction to the Bewitched | — | ||
| 3-1 | The Bewitched: Prologue | — | ||
| 3-2 | Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall | — | ||
| 3-3 | Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint | — | ||
| 3-4 | Scene 3: Background for the Inspired Romancing of a Pathological Liar | — | ||
| 3-5 | Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music | — | ||
| 3-6 | Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room | — | ||
| 3-7 | Scene 6: Background for the Euphoria on a Sausalito Stairway | — | ||
| 3-8 | Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit | — | ||
| 3-9 | Scene 8: Background for the Apotheosis of a Court in Its Own Contempt | — | ||
| 3-10 | Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise | — | ||
| 3-11 | Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails | — | ||
| 3-12 | The Bewitched: Epilogue | — |
