UPC · Release
Mahler, Kubiak, Kłosińska, Boberska, Rappé, Marciniec, Bentch, Drabowicz, Nowacki, Warsaw Boys Choir, Warsaw Philharmonic Choir, Orchestra, Antoni Wit
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730099000963 is the Universal Product Code (UPC barcode) for the release “Symphony no. 8 "Symphony of a Thousand"” by Mahler, Kubiak, Kłosińska, Boberska, Rappé, Marciniec, Bentch, Drabowicz, Nowacki, Warsaw Boys Choir, Warsaw Philharmonic Choir, Orchestra, Antoni Wit, released 2011-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include HKI190577201, HKI190577202.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | T-306.481.772-3 | |
| 2 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | — | |
| 3 | Symphony no. 8: Part I. Veni, creator spiritus. Infirma nostri corporis | — | ||
| 4 | Symphony no. 8: Part I. Veni, creator spiritus. Tempo I: Allegro, etwas hastig | — | ||
| 5 | Symphony no. 8: Part I. Veni, creator spiritus. Infirma nostri corporis | — | ||
| 6 | Symphony no. 8: Part I. Veni, creator spiritus. Accende lumen sensibus | — | ||
| 7 | Symphony no. 8: Part I. Veni, creator spiritus. Veni, creator spiritus | — | ||
| 8 | Symphony no. 8: Part I. Veni, creator spiritus. Gloria sit Patri Domino | — | ||
| 9 | Symphony no. 8: Part II. Final Scene from Faust. Poco adagio | — | ||
| 10 | Symphony no. 8: Part II. Final Scene from Faust. Piu mosso: Allegro moderato | — | ||
| 11 | Symphony no. 8: Part II. Final Scene from Faust. Waldung, sie schwankt heran | — | ||
| 12 | Symphony no. 8: Part II. Final Scene from Faust. Ewiger Wonnebrand | — | ||
| 13 | Symphony no. 8: Part II. Final Scene from Faust. Wie Felsenabgrund mir zu Fussen | — | ||
| 14 | Symphony no. 8: Part II. Final Scene from Faust. Gerettet ist das edle Glied; Hande verschlinget euch | — | ||
| 15 | Symphony no. 8: Part II. Final Scene from Faust. Jene Rosen, aus den Handen | — | ||
| 16 | Symphony no. 8: Part II. Final Scene from Faust. Uns bleibt ein Erdenrest | — | ||
| 17 | Symphony no. 8: Part II. Final Scene from Faust. Ich spur' soeben nebelnd um Felsenhoh'; Hier ist die Aussicht frei; Freudig empfangen wir | — | ||
| 18 | Symphony no. 8: Part II. Final Scene from Faust. Hochste Herrscherin der Welt! | — | ||
| 19 | Symphony no. 8: Part II. Final Scene from Faust. Dir, der Unberuhrbaren; Du schwebst zu Hohen der ewigen Reiche | — | ||
| 20 | Symphony no. 8: Part II. Final Scene from Faust. Bei der Liebe, die den Fussen | — | ||
| 21 | Symphony no. 8: Part II. Final Scene from Faust. Bei dem Bronn, zu dem schon weiland | — | ||
| 22 | Symphony no. 8: Part II. Final Scene from Faust. Bei dem hochgeweihten Orte | — | ||
| 23 | Symphony no. 8: Part II. Final Scene from Faust. Neige, neige, du Ohnegleiche | — | ||
| 24 | Symphony no. 8: Part II. Final Scene from Faust. Er uberwachst uns schon; Vom edlen Geisterchor umgeben | — | ||
| 25 | Symphony no. 8: Part II. Final Scene from Faust. Komm! Hebe dich zu hohern Spharen!; Blicket auf zum Retterblick, alle reuig Zarten | — | ||
| 26 | Symphony no. 8: Part II. Final Scene from Faust. Alles Vergangliche ist nur ein Gleichnis | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
730099000963 is a Universal Product Code (UPC) assigned to Symphony no. 8 "Symphony of a Thousand" by Mahler, Kubiak, Kłosińska, Boberska, Rappé, Marciniec, Bentch, Drabowicz, Nowacki, Warsaw Boys Choir, Warsaw Philharmonic Choir, Orchestra, Antoni Wit. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
730099000963 is the Universal Product Code (UPC barcode) for the release “Symphony no. 8 "Symphony of a Thousand"” by Mahler, Kubiak, Kłosińska, Boberska, Rappé, Marciniec, Bentch, Drabowicz, Nowacki, Warsaw Boys Choir, Warsaw Philharmonic Choir, Orchestra, Antoni Wit, released 2011-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include HKI190577201, HKI190577202.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | T-306.481.772-3 | |
| 2 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | — | |
| 3 | Symphony no. 8: Part I. Veni, creator spiritus. Infirma nostri corporis | — | ||
| 4 | Symphony no. 8: Part I. Veni, creator spiritus. Tempo I: Allegro, etwas hastig | — | ||
| 5 | Symphony no. 8: Part I. Veni, creator spiritus. Infirma nostri corporis | — | ||
| 6 | Symphony no. 8: Part I. Veni, creator spiritus. Accende lumen sensibus | — | ||
| 7 | Symphony no. 8: Part I. Veni, creator spiritus. Veni, creator spiritus | — | ||
| 8 | Symphony no. 8: Part I. Veni, creator spiritus. Gloria sit Patri Domino | — | ||
| 9 | Symphony no. 8: Part II. Final Scene from Faust. Poco adagio | — | ||
| 10 | Symphony no. 8: Part II. Final Scene from Faust. Piu mosso: Allegro moderato | — | ||
| 11 | Symphony no. 8: Part II. Final Scene from Faust. Waldung, sie schwankt heran | — | ||
| 12 | Symphony no. 8: Part II. Final Scene from Faust. Ewiger Wonnebrand | — | ||
| 13 | Symphony no. 8: Part II. Final Scene from Faust. Wie Felsenabgrund mir zu Fussen | — | ||
| 14 | Symphony no. 8: Part II. Final Scene from Faust. Gerettet ist das edle Glied; Hande verschlinget euch | — | ||
| 15 | Symphony no. 8: Part II. Final Scene from Faust. Jene Rosen, aus den Handen | — | ||
| 16 | Symphony no. 8: Part II. Final Scene from Faust. Uns bleibt ein Erdenrest | — | ||
| 17 | Symphony no. 8: Part II. Final Scene from Faust. Ich spur' soeben nebelnd um Felsenhoh'; Hier ist die Aussicht frei; Freudig empfangen wir | — | ||
| 18 | Symphony no. 8: Part II. Final Scene from Faust. Hochste Herrscherin der Welt! | — | ||
| 19 | Symphony no. 8: Part II. Final Scene from Faust. Dir, der Unberuhrbaren; Du schwebst zu Hohen der ewigen Reiche | — | ||
| 20 | Symphony no. 8: Part II. Final Scene from Faust. Bei der Liebe, die den Fussen | — | ||
| 21 | Symphony no. 8: Part II. Final Scene from Faust. Bei dem Bronn, zu dem schon weiland | — | ||
| 22 | Symphony no. 8: Part II. Final Scene from Faust. Bei dem hochgeweihten Orte | — | ||
| 23 | Symphony no. 8: Part II. Final Scene from Faust. Neige, neige, du Ohnegleiche | — | ||
| 24 | Symphony no. 8: Part II. Final Scene from Faust. Er uberwachst uns schon; Vom edlen Geisterchor umgeben | — | ||
| 25 | Symphony no. 8: Part II. Final Scene from Faust. Komm! Hebe dich zu hohern Spharen!; Blicket auf zum Retterblick, alle reuig Zarten | — | ||
| 26 | Symphony no. 8: Part II. Final Scene from Faust. Alles Vergangliche ist nur ein Gleichnis | — |
