UPC · Release
Classical Music: 50 of the Best
Various Artists
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730099011518 is the Universal Product Code (UPC barcode) for the release “Classical Music: 50 of the Best” by Various Artists, released 2011-09-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include HKI190589604, HKI199275515, HKI199246404.
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Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 5: Adagietto: Sehr langsam | London Symphony Orchestra, James DePreist | — | |
| 2 | Die Zauberflöte (The Magic Flute), K. 620: Akt II: “Der Hölle Rache” (Queen of the Night) | Donna Robin, Vienna Mozart Orchestra, Konrad Leitner | T0715228593 | |
| 3 | Peer Gynt Suite nr. 1, op. 46: IV. I Dovregubbens Hall | BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | T-909597505-6 | |
| 4 | Overture No. 2 in B minor, BWV 1067: VII. Badinerie | Kölner Kammerorchester, Helmut Müller-Brühl | T0116544843 | |
| 5 | Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 6 | Swan Lake: Act II no. 10: Scène: Moderato | Russian State Symphony Orchestra, Dmitry Yablonsky | — | |
| 7 | I. PRELUDIO | Lucy van Dael | — | |
| 8 | CANON | Capella Istropolitana, Richard Edlinger | T-910014330-4 | |
| 9 | Blue Danube, Waltz, op. 314 | Bratislava Radio Symphony Orchestra, Ondrej Lenárd | T3098290569 | |
| 10 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T3159481713 | |
| 11 | Liebesträume, S541/R211: Notturno no. 3 in A-flat major "O lieb, so lang du lieben kannst" | Jenő Jandó | T-306229968-3 | |
| 12 | BAGATELLE IN A MINOR, WOO 59 FÜR ELISE | Balázs Szokolay | T0315908554 | |
| 13 | Concerto no. 3 in G major, BWV 1048: I. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl | T3188492566 | |
| 14 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Jenő Jandó, Concentus Hungaricus, András Ligeti | T9215309505 | |
| 15 | Mandolin Concerto in C major, RV 425: I. Allegro | Paul O'Dette, The Parley of Instruments, Peter Holman | — | |
| 16 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Capella Istropolitana, Barry Wordsworth | T-900029649-1 | |
| 17 | ADAGIO IN G MINOR (ATTRIB. ALBINONI) | Pavel Bogacz, Capella Istropolitana, Richard Edlinger | T0050011976 | |
| 18 | Egmont, op. 84: Overture | Štátna filharmónia Košice, Slovenská filharmónia, Stephen Gunzenhauser | T9011645071 | |
| 19 | Die Walküre: Ride of the Valkyries | Slovak Radio Symphony Orchestra, Uwe Mund | — | |
| 20 | Toccata and Fugue in D minor, BWV 565 | Wolfgang Rübsam | T-909.243.105-5 | |
| 21 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | Capella Istropolitana, Barry Wordsworth | — | |
| 22 | 1812 Overture, op. 49 | National Symphony Orchestra of Ukraine, Theodore Kuchar | — | |
| 23 | NOCTURNE NO. 2 IN E-FLAT MAJOR OP. 9 NO. 2 | İdil Biret | T-321286788-0 | |
| 24 | Requiem in D minor, K. 626: Confutatis maledictis - Lacrimosa dies illa | Immortal Bach Ensemble, Leipziger Kammerorchester, Morten Schuldt-Jensen | — | |
| 25 | The Planets: Jupiter, the Bringer of Jollity | Symfonický orchestr Československého rozhlasu, Adrian Leaper | T0104013786 | |
| 26 | Viola Concerto in G Major, TWV 51:G9: II. Allegro | Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | — | |
| 27 | Music for the Royal Fireworks, HWV 351: IV. La réjouissance | Aradia Ensemble, Kevin Mallon | — | |
| 28 | Mass in B minor, BWV 232: Agnus Dei | Martina Koppelstetter, Slovenský filharmonický zbor, Capella Istropolitana, Christian Brembeck | — | |
| 29 | II. LARGO | Slovak Philharmonic, Stephen Gunzenhauser | — | |
| 30 | Sonata no. 11 in A major, K. 331: III. Alla Turca: Allegretto | Jenő Jandó | T-912655618-1 | |
| 31 | BOLERO | Royal Philharmonic Orchestra, Adrian Leaper | T0030063774 | |
| 32 | Trois Gymnopédies : Gymnopédie no. 1 | Orchestre symphonique et lyrique de Nancy, Jérôme Kaltenbach | T-924598323-7 | |
| 33 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Svenska Kammarorkestern, Petter Sundkvist | T-306395786-4 | |
| 34 | Klaverkonsert i A moll, op. 16: I. Allegro moderato | Håvard Gimse, Royal Scottish National Orchestra, Bjarte Engeset | T9027810500 | |
| 35 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | Aradia Ensemble, Kevin Mallon | T3060369366 | |
| 36 | The Well‐Tempered Clavier, Book 1: Prelude & Fugue no. 1 in C major, BWV 846 | Jenő Jandó | — | |
| 37 | Winter from “The Four Seasons” - Largo | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T9104153664 | |
| 38 | Rinaldo: Lascia ch'io pianga | Susanne Rydén, London Baroque, Charles Medlam | T3093125709 | |
| 39 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 40 | Suite bergamasque, L. 75: III. Clair de lune | Deutsche Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | — | |
| 41 | The Nutcracker, op. 71, TH 14: Danse de la fée dragée | Slovak Philharmonic, Michael Halász | — | |
| 42 | Also sprach Zarathustra, op. 30: Introduction | Slovak Philharmonic, Zdeněk Košler | T9147768454 | |
| 43 | Goldberg Variations in G major, BWV 988: I. Aria | Jenő Jandó | T3219042652 | |
| 44 | Panis angelicus | Hungarian State Opera Chorus, József Mukk, Camerata Budapest, László Kovács | T9011025017 | |
| 45 | Gianni Schicchi: “O mio babbino caro” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | T9012225013 | |
| 46 | Serse (Xerxes), HWV 40, Act I: Ombra mai fu: Largo (Serse) | József Mukk, Camerata Budapest, László Kovács | T0617914881 | |
| 47 | Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T9000217505 | |
| 48 | Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | T9001603163 | |
| 49 | Le nozze di Figaro, K. 492, Act I: Overture | Nicolaus Esterházy Sinfonia, Michael Halász | T-010010868-6 | |
| 50 | Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | T3135981914 |
Additional database matches (53)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Canon & Gigue in D major, P. 37: Canon | Capella Istropolitana, Richard Edlinger | T-900021469-7 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T9258812189 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T0711252275 |
| Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | — |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T9032863028 |
| Adagio in G minor | Pavel Bogacz, Capella Istropolitana, Richard Edlinger | T0050011976 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Die Walküre: Ride of the Valkyries | Slovak Radio Symphony Orchestra, Uwe Mund | — |
| Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | Capella Istropolitana, Barry Wordsworth | — |
| ANDANTE | Capella Istropolitana, Barry Wordsworth | — |
| Mass in B minor, BWV 232: Agnus Dei | Martina Koppelstetter, Slovenský filharmonický zbor, Capella Istropolitana, Christian Brembeck | — |
| Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Capella Istropolitana, Barry Wordsworth | T9027810500 |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T0315908554 |
| Viola Concerto in G Major, TWV 51:G9: II. Allegro | Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | — |
| Adagio in G minor (attrib. to Albinoni) | [unknown] | T0050011976 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T0090379900 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T9025741417 |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T0614831310 |
| Die Walküre: Ride of the Valkyries | Slovak Radio Symphony Orchestra, Uwe Mund | T-304287194-9 |
| Die Walküre: Ride of the Valkyries | Slovak Radio Symphony Orchestra, Uwe Mund | T1015925569 |
| Messiah, HWV 56: Hallelujah! | Scholars Baroque Ensemble | T3015117809 |
| Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | Capella Istropolitana, Barry Wordsworth | — |
| 1812 Overture, op. 49 | National Symphony Orchestra of Ukraine, Theodore Kuchar | — |
| Nocturne in E-flat major, op. 9 no. 2 | İdil Biret | T3212867880 |
| PRELUDE A L APRES-MIDI D UN FAUNE | Jan Van Reeth, BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | — |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Wolfgang Rübsam | T9001252728 |
| Peer Gynt Suite nr. 1, op. 46: IV. I Dovregubbens Hall | BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | T0117781255 |
| Blue Danube, Waltz, op. 314 | Bratislava Radio Symphony Orchestra, Ondrej Lenárd | T-902100912-1 |
| The Well‐Tempered Clavier, Book 1: Prelude & Fugue no. 1 in C major, BWV 846 | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | Capella Istropolitana, Barry Wordsworth | T-000768311-5 |
| Trois Gymnopédies : Gymnopédie no. 1 | Orchestre symphonique et lyrique de Nancy, Jérôme Kaltenbach | — |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T9215309436 |
| Goldberg Variations in G major, BWV 988: I. Aria | Jenő Jandó | T9027611398 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Svenska Kammarorkestern, Petter Sundkvist | — |
| 1812 Overture, op. 49 | National Symphony Orchestra of Ukraine, Theodore Kuchar | — |
| The Nutcracker, op. 71, TH 14: Danse de la fée dragée | Slovak Philharmonic, Michael Halász | — |
| Liebesträume, S541/R211: Notturno no. 3 in A-flat major "O lieb, so lang du lieben kannst" | Jenő Jandó | — |
| Violin Partita no. 3 in E major, BWV 1006: I. Preludio | Lucy van Dael | — |
| Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | — |
| Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | Capella Istropolitana, Barry Wordsworth | — |
| Le nozze di Figaro, K. 492, Act I: Overture | Nicolaus Esterházy Sinfonia, Michael Halász | — |
| 1812 Overture, op. 49 | National Symphony Orchestra of Ukraine, Theodore Kuchar | — |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Canon & Gigue in D major, P. 37: Canon | Capella Istropolitana, Richard Edlinger | T9000214697 |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T0315908554 |
| Nocturne in E-flat major, op. 9 no. 2 | İdil Biret | T3212867880 |
| Blue Danube, Waltz, op. 314 | Bratislava Radio Symphony Orchestra, Ondrej Lenárd | T9021009121 |
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What is UPC 730099011518?
730099011518 is a Universal Product Code (UPC) assigned to Classical Music: 50 of the Best by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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