UPC · Album

María del Carmen

Enrique Granados, Veronese, Suaste and 5 more

730099014472
40 tracksReleased 2016-10-14

Last verified:

730099014472 is the Universal Product Code (UPC barcode) for the release María del Carmen by Enrique Granados, Veronese, Suaste, Alcalá, Montresor, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman, released 2016-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include HKI190340801, HKI190340802, HKI190340803.

Format

7Number system
30099Manufacturer
01447Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMaría del Carmen
ISRC40 recordings
ISWC1 work

Track List (40)

María del Carmen, Acto I: Preludio. «¡Madre del amor, dulce majestad, luz del labrador, prez de la ciudad!» (Coro)
Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena I: «A la paz de Dios, caballeros» (Andrés, Roque)
Nicholas Sharratt, Alex Ashworth, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena II: «Adiós, hombres» (Antón, Roque, Andrés)
Ricardo Mirabelli, Alex Ashworth, Nicholas Sharratt, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena III: «¡Mardita sea la simiente que da la pillería!» (Pepuso, Antón)
Alberto Arrabal, Ricardo Mirabelli, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena IV: «¿Pos qué es eso, tío Pepuso?» (Roque, Pepuso, Young Men)
Alex Ashworth, Alberto Arrabal, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena V: «¡Jesús, la que nos aguarda!» (Don Fulgencio, Pepuso, Roque)
David Curry, Alberto Arrabal, Alex Ashworth, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena VI: «Una limosna para una misa de salud» (Canción de la Zagalica) (María del Carmen, Fuensanta, Don Fulgencio, Pepuso, Roque)
Dianna Veronese, Silvia Vazquez, David Curry, Alberto Arrabal, Alex Ashworth, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena VII: «Voy a ver a mi enfermo, el capellán» (Don Fulgencio, Pepuso, María del Carmen)
David Curry, Alberto Arrabal, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena VIII: «Mírala, aquí la tenemos» (Domingo, María del Carmen, Javier)
Gianfranco Montresor, Dianna Veronese, Dante Alcalá, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena IX: «Tú sabes mi mal cruel» (Javier, María del Carmen, Coro)
Dante Alcalá, Dianna Veronese, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena X: «Ya ha empezado la misa» (Domingo, Javier, María del Carmen)
Gianfranco Montresor, Dante Alcalá, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena XI: «He hablado con el médico» (Domingo, María del Carmen)
Gianfranco Montresor, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena XII: «María el Carmen, oye, ¿no sabes?» (Fuensanta, María del Carmen, Domingo)
Silvia Vazquez, Dianna Veronese, Gianfranco Montresor, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena XIII: «¡Resuelve si libre quieres que sea!» (Domingo, María del Carmen)
Gianfranco Montresor, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena XIV: «¡Virgen Santísima de la Fuensanta!» (Coro)
Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto I Escena XV: Poco lento
National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II: Preludio
National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena I: «Nenicas huertanas, que tanto amáis a los zagales» (Fuensanta, Domingo, Antón)
Silvia Vazquez, Gianfranco Montresor, Ricardo Mirabelli, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena II: «Ya estamos aquí nosotros» (Concepción, Domingo, María del Carmen, Antón)
Larisa Kostyuk, Gianfranco Montresor, Dianna Veronese, Ricardo Mirabelli, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena III: «Sentarse» (Domingo, Concepción, Migalo, María del Carmen)
Gianfranco Montresor, Larisa Kostyuk, Stewart Kempster, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena IV: «Yo también güervo enseguía» (Fuensanta, María del Carmen)
Silvia Vazquez, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena V: «¡Muy contenta! y aquí me traen, como aquel que llevan al suplicio» (María del Carmen)
Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena VI: «¡María del Carmen!» (Pencho, María del Carmen)
Jesús Suaste, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena VII: «¿Y qué quiere este hombre a quién maldigo desde el fondo de mi alma?» (Javier, Pencho, María del Carmen)
Dante Alcalá, Jesús Suaste, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena VIII: «¡Ah!, tío Pepuso, lléveselo usted (María del Carmen, Pepuso, Javier, Pencho)
Dianna Veronese, Alberto Arrabal, Dante Alcalá, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena IX: «Ya se fue. Alégrate corazón mío» (María del Carmen, Javier)
Dianna Veronese, Dante Alcalá, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena X: «¡Viva María el Carmen y su enamorao, Javier!» (Coro, Domingo)
Gianfranco Montresor, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena XI: «¡Pencho! ¡Pencho!…» (Coro) – «Vengo a delatarme para salvar a esta mujer» (Pencho, Domingo, María del Carmen, Javier, Coro, Antón, Migalo, Pepuso)
Jesús Suaste, Gianfranco Montresor, Dianna Veronese, Dante Alcalá, Ricardo Mirabelli, Stewart Kempster, Alberto Arrabal, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto II Escena XII: «¡Dile que huya!» (Domingo, María del Carmen, Pencho, Javier)
Gianfranco Montresor, Dianna Veronese, Jesús Suaste, Dante Alcalá, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III: Preludio
National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena I: «¡Me ha llamado cobarde!» (Pencho, Coro)
Jesús Suaste, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena II: «Pencho de mi alma, prepárate a huir» (María del Carmen, Fuensanta, Pencho, Coro)
Dianna Veronese, Silvia Vazquez, Jesús Suaste, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena III: «Si te prenden, sola, ¿qué hará tu zagala?» (María del Carmen, Pencho)
Dianna Veronese, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena IV: «Vengo a lo que sabes» (Javier, Pencho, María del Carmen)
Dante Alcalá, Jesús Suaste, Dianna Veronese, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena V: «¿Y mi Javier?» (Domingo, Fuensanta, María del Carmen, Pencho)
Gianfranco Montresor, Silvia Vazquez, Dianna Veronese, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena VI: «Buenas noches» (Don Fulgencio, Domingo, María del Carmen, Pencho)
David Curry, Gianfranco Montresor, Dianna Veronese, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena VII: «Disponte a oírme con entereza» (Don Fulgencio, Domingo)
David Curry, Gianfranco Montresor, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena VIII: «Ponte en sarvo, huye si quieres» (Domingo, Pencho)
Gianfranco Montresor, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena IX: «¡Oh, ven a matarme, ven!» (Javier, Pencho)
Dante Alcalá, Jesús Suaste, National Philharmonic Orchestra of Belarus, Max Bragado-Darman
María del Carmen, Acto III Escena X: «Vamos pues, vamos allá, vamos a prender a Pencho ya» (Coro, María del Carmen, Javier, Pencho)
Dianna Veronese, Dante Alcalá, Jesús Suaste, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

People also ask

What is UPC 730099014472?
UPC 730099014472 is the Universal Product Code (barcode) for "María del Carmen" by Enrique Granados, Veronese, Suaste, Alcalá, Montresor, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 730099014472?
UPC 730099014472 contains 40 tracks, each with its own ISRC.
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What is UPC 730099014472?

730099014472 is a Universal Product Code (UPC) assigned to María del Carmen by Enrique Granados, Veronese, Suaste, Alcalá, Montresor, Wexford Festival Opera Chorus, National Philharmonic Orchestra of Belarus, Max Bragado-Darman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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