UPC · Album
Spellbinding Classics: Classical Music for the Witching Hour
Various Artists
730099019712
24 tracksReleased 2013-10-08
Last verified:
730099019712 is the Universal Product Code (UPC barcode) for the release “Spellbinding Classics: Classical Music for the Witching Hour” by Various Artists, released 2013-10-08. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include HKI190016501, HKI190016504, HKI190019304.
Format
7Number system
30099Manufacturer
01971Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSpellbinding Classics: Classical Music for the Witching Hour
ISRC33 recordings
ISWC15 works
Track List (33)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Bram Stoker’s Dracula: The Brides | Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | HKI190016501 |
| Bram Stoker’s Dracula: Vampire Hunters | Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | HKI190016504 |
| Apariciones, valses románticos: Fantasmas | Douglas Riva | HKI190019304 |
| Adagio for Strings, op. 11 | Royal Scottish National Orchestra, Marin Alsop | HKI190049611 |
| Hamlet Suite, op. 116a: Story of Horatio and the Ghost | Russian Philharmonic, Dmitry Yablonsky | HKI190351605 |
| Hamlet Suite, op. 116a: The Ghost (Suite, no. 3) | Russian Philharmonic, Dmitry Yablonsky | HKI190351607 |
| Götterdämmerung (Twilight of the Gods), Act III: Siegfried's Funeral March | Symfonický orchester Slovenského rozhlasu, Uwe Mund | HKI190451208 |
| Symphony no. 3, op. 36, "Smfonia pieśni żałosnych" (Symphony of Sorrowful Songs): II. Lento e largo [excerpt] | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | HKI190451210 |
| Moments d'effroi (Frightful moments) | Axios Chorus, Moscow Symphony Orchestra, Adriano | HKI190471712 |
| Thumbelina Suite: IV. Sad Song | Tchaikovsky Symphony Orchestra, Patrick Baton | HKI190911008 |
| Requiem: Introitus | Olivia Robinson, Edward Price, The Bach Choir, Southern Sinfonia, Jane Watts, David Hill | HKI190937701 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI198900207 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199213901 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199214304 |
| Trio in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | Jenő Jandó, Takako Nishizaki, Csaba Onczay | HKI199215002 |
| Nocturne no. 19 in E minor, op. posth. 72 no. 1: Andante | Sándor Falvay | HKI199231314 |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | HKI199235110 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199242615 |
| Peer Gynt Suite no. 1, op. 46: II. Ases dod (The Death of Aase) | CSSR State Philharmonic, Stephen Gunzenhauser | HKI199246503 |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | HKI199278108 |
| Tod und Verklärung (Death and Transfiguration), op. 24, TrV 158 | Slovak Philharmonic Orchestra, Zdeněk Košler | HKI199313602 |
| Requiem, op. 48: Sanctus | Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | HKI199421703 |
| 3 Utwory w dawnym stylu (3 Pieces in Old Style), No. 3 | Polish National Radio Symphony Orchestra, Antoni Wit | HKI199493506 |
| Cantus in Memory of Benjamin Britten for Strings and Bells | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich | HKI199615709 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199615801 |
| The Invisible Man Returns: The Ghost | Moscow Symphony Orchestra, William Stromberg | HKI199651415 |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | HKI199713808 |
| Symphony no. 8 in C minor: I. Allegro moderato | National Symphony Orchestra of Ireland, Georg Tintner | HKI199718201 |
| In Alium: Section A | Eileen Hulse, Ulster Orchestra, Takuo Yuasa | HKI199828308 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199844404 |
| Company: IV | Ulster Orchestra, Takuo Yuasa | HKI199936904 |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | HKI199942005 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | USB8U1611094 |
Bram Stoker’s Dracula: The Brides
Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit
Bram Stoker’s Dracula: Vampire Hunters
Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit
Apariciones, valses románticos: Fantasmas
Douglas Riva
Adagio for Strings, op. 11
Royal Scottish National Orchestra, Marin Alsop
Hamlet Suite, op. 116a: Story of Horatio and the Ghost
Russian Philharmonic, Dmitry Yablonsky
Hamlet Suite, op. 116a: The Ghost (Suite, no. 3)
Russian Philharmonic, Dmitry Yablonsky
Götterdämmerung (Twilight of the Gods), Act III: Siegfried's Funeral March
Symfonický orchester Slovenského rozhlasu, Uwe Mund
Symphony no. 3, op. 36, "Smfonia pieśni żałosnych" (Symphony of Sorrowful Songs): II. Lento e largo [excerpt]
Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit
Moments d'effroi (Frightful moments)
Axios Chorus, Moscow Symphony Orchestra, Adriano
Thumbelina Suite: IV. Sad Song
Tchaikovsky Symphony Orchestra, Patrick Baton
Requiem: Introitus
Olivia Robinson, Edward Price, The Bach Choir, Southern Sinfonia, Jane Watts, David Hill
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Trio in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo
Jenő Jandó, Takako Nishizaki, Csaba Onczay
Nocturne no. 19 in E minor, op. posth. 72 no. 1: Andante
Sándor Falvay
Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa
Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Peer Gynt Suite no. 1, op. 46: II. Ases dod (The Death of Aase)
CSSR State Philharmonic, Stephen Gunzenhauser
Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa
Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
Tod und Verklärung (Death and Transfiguration), op. 24, TrV 158
Slovak Philharmonic Orchestra, Zdeněk Košler
Requiem, op. 48: Sanctus
Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
3 Utwory w dawnym stylu (3 Pieces in Old Style), No. 3
Polish National Radio Symphony Orchestra, Antoni Wit
Cantus in Memory of Benjamin Britten for Strings and Bells
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
The Invisible Man Returns: The Ghost
Moscow Symphony Orchestra, William Stromberg
Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa
Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
Symphony no. 8 in C minor: I. Allegro moderato
National Symphony Orchestra of Ireland, Georg Tintner
In Alium: Section A
Eileen Hulse, Ulster Orchestra, Takuo Yuasa
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Company: IV
Ulster Orchestra, Takuo Yuasa
Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa
Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
000000004092505X00000000466813590000000055182404000000005520963800000000630249670000000081386742000000008336289100000000841372580000000106651507000000010860662X
+23 more
000000010871546300000001088022920000000109078400000000010907851500000001094130370000000109438699000000011010686X0000000110153850000000011015413200000001103416590000000110853988000000011421725X00000001143208390000000114663428000000011467151600000001147671200000000114767489000000011949678800000001229411250000000123210594000000012336754000000001235868820000000407622064
People also ask
SourcesMusicBrainz
Verified on
What is UPC 730099019712?
730099019712 is a Universal Product Code (UPC) assigned to Spellbinding Classics: Classical Music for the Witching Hour by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm