UPC · Release
The Rose of Stambul
Leo Fall, Kimberly McCord, Alison Kelly, Erich Buchholz, Gerald Frantzen, Robert Morrissey, Chicago Folks Operetta, John Frantzen
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730099032674 is the Universal Product Code (UPC barcode) for the release “The Rose of Stambul” by Leo Fall, Kimberly McCord, Alison Kelly, Erich Buchholz, Gerald Frantzen, Robert Morrissey, Chicago Folks Operetta, John Frantzen, released 2013-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include HKI191239801, HKI191239803, HKI191239804.
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Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Rose of Stambul, Act I Scene 1: “May your dreams be filled with ecstasy” (Bül‐bül, Women, Djamileh) – Scene 2: “Is Kondja awake?” (Desiree, Bul‐bul) – Scene 3: “My dear, lovely Mademoiselle Desiree” (Kemal Pasha, Desiree) | Sarah Bockel, Nicole Hill, Michelle Buck, Chris Guerra, Kimberly McCord, Alison Kelly, Malia Ropp, Julia Tarlo, Khaki Pixely, Chicago Folks Operetta, John Frantzen | — | |
| 2 | The Rose of Stambul, Act I Scene 4: “Morning sun now beckons you to rise” (Bül‐bül, Women, Kondja) | Sarah Bockel, Kimberly McCord, Alison Kelly, Malia Ropp, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Chicago Folks Operetta, John Frantzen | — | |
| 3 | The Rose of Stambul, Act I Scene 5: “Oh, good morning” (Women, Kondja, Midili) | Kimberly McCord, Alison Kelly, Sarah Bockel, Malia Ropp, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Chicago Folks Operetta, John Frantzen | — | |
| 4 | The Rose of Stambul, Act I Scene 5: “Another heartfelt song” (Kondja, Midili, Emine) | Kimberly McCord, Alison Kelly, Julia Tarlo, Chicago Folks Operetta, John Frantzen | — | |
| 5 | The Rose of Stambul, Act I Scene 6: “A foreign gentleman is here!” (Djamileh, Midili, Kondja, Fridolin) | Nicole Hill, Alison Kelly, Kimberly McCord, Erich Buchholz, Chicago Folks Operetta, John Frantzen | — | |
| 6 | The Rose of Stambul, Act I Scene 6: Duet. “A faithful daughter of tradition” (Midili, Fridolin) | Alison Kelly, Erich Buchholz, Chicago Folks Operetta, John Frantzen | — | |
| 7 | The Rose of Stambul, Act I Scene 7: “Girls, I’m so happy” (Kondja, Desirée, Bül‐bül, Midili) | Kimberly McCord, Michelle Buck, Sarah Bockel, Alison Kelly, Chicago Folks Operetta, John Frantzen | — | |
| 8 | The Rose of Stambul, Act I Scene 8: “Fair daughters of Circassia” (Bül‐bül, Achmed) | Sarah Bockel, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 9 | The Rose of Stambul, Act I Scene 9: “A thousand greetings dear, young man” (Kemal Pasha, Achmed) | Chris Guerra, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 10 | The Rose of Stambul, Act I Scene 10: “My beloved Kondja” (Kemal Pasha, Kondja, Achmed) | Chris Guerra, Kimberly McCord, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 11 | The Rose of Stambul, Act I: Finale. “Have you heard this little song” (Kondja, Achmed) | Kimberly McCord, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 2-1 | The Rose of Stambul, Act II Scene 1: “We are all here for a joyous occasion” (Men, Women, Achmed, Fridolin) – Scene 3: “My future son‐in‐law” (Kemal Pasha, Achmed) | Gerald Frantzen, Erich Buchholz, Chris Guerra, Kimberly McCord, Alison Kelly, Robert Morrissey, Sarah Bockel, Malia Ropp, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Eric Casady, Aaron Benham, Josh Prisching, Chicago Folks Operetta, John Frantzen | — | |
| 2-2 | The Rose of Stambul, Act II Scene 4: “Let me offer my warmest welcome” (Achmed, Durlane, Fatme) – “You daughters of tradition, delicate and quiet” (Achmed, Women) | Gerald Frantzen, Sarah Bockel, Malia Ropp, Kimberly McCord, Alison Kelly, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Chicago Folks Operetta, John Frantzen | — | |
| 2-3 | The Rose of Stambul, Act II Scene 5: “I have to take a peek into the bridal chamber” (Midili, Fridolin) | Alison Kelly, Erich Buchholz, Chicago Folks Operetta, John Frantzen | — | |
| 2-4 | The Rose of Stambul, Act II Scene 5: Duet. “I’ve never kissed a man before” (Midili, Fridolin) | Alison Kelly, Erich Buchholz, Chicago Folks Operetta, John Frantzen | — | |
| 2-5 | The Rose of Stambul, Act II Scene 6: “Behold, the radiant and lovely bride draws near” (Women, Men, Achmed, Kondja, Kemal Pasha) | Gerald Frantzen, Kimberly McCord, Chris Guerra, Alison Kelly, Erich Buchholz, Robert Morrissey, Sarah Bockel, Malia Ropp, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Eric Casady, Aaron Benham, Josh Prisching, Chicago Folks Operetta, John Frantzen | — | |
| 2-6 | The Rose of Stambul, Act II Scene 6: “Sir, I am ready” (Kondja, Achmed) | Kimberly McCord, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 2-7 | The Rose of Stambul, Act II Scene 7: “I’m still a little bashful” (Fridolin, Durlane, Women, Midili) | Erich Buchholz, Sarah Bockel, Alison Kelly, Kimberly McCord, Malia Ropp, Julia Tarlo, Nicole Hill, Khaki Pixely, Michelle Buck, Chicago Folks Operetta, John Frantzen | — | |
| 2-8 | The Rose of Stambul, Act II Scene 8: “Kondja we are finally alone” (Achmed, Kondja) | Gerald Frantzen, Kimberly McCord, Chicago Folks Operetta, John Frantzen | — | |
| 2-9 | The Rose of Stambul, Act II Scene 8: “Will you dance?” (Kondja, Achmed) | Kimberly McCord, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 2-10 | The Rose of Stambul, Act II: Finale. “Who thinks about time when you’re happy?” (Achmed, Kondja) | Gerald Frantzen, Kimberly McCord, Chicago Folks Operetta, John Frantzen | — | |
| 2-11 | The Rose of Stambul, Act III Scene 1: “Everything must go like clockwork tonight” (Hotel Director, Band Leader) – Scene 2: “Schatzi!” (Fridolin, Midili) | Aaron Benham, Josh Prisching, Erich Buchholz, Alison Kelly, Chicago Folks Operetta, John Frantzen | — | |
| 2-12 | The Rose of Stambul, Act III Scene 2: “Goodness knows how much I’ve tried” (Midili, Fridolin) | Alison Kelly, Erich Buchholz, Chicago Folks Operetta, John Frantzen | — | |
| 2-13 | The Rose of Stambul, Act III Scene 3: “Where on God’s green earth am I? ” (Mr. Müller, Bell Hop) – Scene 4: “Are Mr. and Mrs. Fridolin Muller staying here? ” (Kondja, Bell Hop, Midili) | Robert Morrissey, Eric Casady, Kimberly McCord, Alison Kelly, Chicago Folks Operetta, John Frantzen | — | |
| 2-14 | The Rose of Stambul, Act III Scene 5: “Attention please!” (Hotel Director, Achmed) | Aaron Benham, Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 2-15 | The Rose of Stambul, Act III Scene 6: “Two eyes full of yearning” (Achmed) | Gerald Frantzen, Chicago Folks Operetta, John Frantzen | — | |
| 2-16 | The Rose of Stambul, Act III Scene 7: “Unbelievable!” – Scene 8: “Now listen” – Scene 9: “Achmed has gone crazy” – Scene 10: “Fridolin!” – Scene 11: “Oh no” – Scene 12: “Oh no, here she is” (Fridolin, Achmed, Mr. Muller, Midili) | Erich Buchholz, Gerald Frantzen, Robert Morrissey, Alison Kelly, Chicago Folks Operetta, John Frantzen | — | |
| 2-17 | The Rose of Stambul, Act III Scene 12: Trio. “Oh daddy” (Fridolin, Midili, Mr. Müller) | Erich Buchholz, Alison Kelly, Robert Morrissey, Chicago Folks Operetta, John Frantzen | — | |
| 2-18 | The Rose of Stambul, Act III Scene 13: “Your intimate, romantic dinner” (Hotel Director, Achmed) – Scene 14: “It’s just as I told you” (Hotel Director, Kondja, Achmed) | Aaron Benham, Gerald Frantzen, Kimberly McCord, Chicago Folks Operetta, John Frantzen | — |
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What is UPC 730099032674?
730099032674 is a Universal Product Code (UPC) assigned to The Rose of Stambul by Leo Fall, Kimberly McCord, Alison Kelly, Erich Buchholz, Gerald Frantzen, Robert Morrissey, Chicago Folks Operetta, John Frantzen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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