UPC · Release
The Folly
Fabrice Bollon, Borth, Zvi Emanuel-Marial, Gionfriddo, Jung, Friederike Hess-Gagnon, Dina Fortuna-Bollon, Tilman Collmer, Choirs of the Theater Freiburg, Philharmonisches Orchester Freiburg
730099054577
56 tracks
Last verified:
730099054577 is the Universal Product Code (UPC barcode) for the release “The Folly” by Fabrice Bollon, Borth, Zvi Emanuel-Marial, Gionfriddo, Jung, Friederike Hess-Gagnon, Dina Fortuna-Bollon, Tilman Collmer, Choirs of the Theater Freiburg, Philharmonisches Orchester Freiburg. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC.
Format
7Number system
30099Manufacturer
05457Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Folly, Act I: Tu solus qui facis mirabilia. (Live) | — | ||
| 2 | The Folly, Act I: Quam dilecta tabernacula tua Domine virtutum. (Live) | — | ||
| 3 | The Folly, Act I: Armentatim vivunt elephanti gregatim pascuntur sues et oves (Live) | — | ||
| 4 | The Folly, Act I: Montag Kohl und Schwarzbrot, Dienstag Kohl und Schwarzbrot (Live) | — | ||
| 5 | The Folly, Act I: Luther Puts His 95 Theses on the Door of the Portal (Live) | — | ||
| 6 | The Folly, Act I: Requiem eternam (Live) | — | ||
| 7 | The Folly, Act I: Quid hoc mali est? (Live) | — | ||
| 8 | The Folly, Act I: Quam quam indigna res est Julium illum (Live) | — | ||
| 9 | The Folly, Act I: Exspecto quorsum evadas (Live) | — | ||
| 10 | The Folly, Act I: Nulla ratione potest amoveri scelerosus pestilens Pontifex? (Live) | — | ||
| 11 | The Folly, Act I: Palatiis regalibus, equis et munis (Live) | — | ||
| 12 | The Folly, Act I: Eigenlijk kon dit door mij geschreven geweest zijn (Live) | — | ||
| 13 | The Folly, Act I: Sonne guate Kabis (Live) | — | ||
| 14 | The Folly, Act I: Was seh ich! Polyphem mit einem Buch (Live) | — | ||
| 15 | The Folly, Act I: How Daring. Very Unique! (Live) | — | ||
| 16 | The Folly, Act II: Ich will, dass Ihr Euch des Problems Martin Luther annehmt (Live) | — | ||
| 17 | The Folly, Act II: Madonna io mi consumo, et per grave dolore corr'alla morte. (Live) | — | ||
| 18 | The Folly, Act II: Alle diejenigen, die sich nicht auf die Lehre der römischen Kirche (Live) | — | ||
| 19 | The Folly, Act II: Vecchie letrose nun valete niente se non a far l'aguaito per la chiazza (Live) | — | ||
| 20 | The Folly, Act II: Verbrannt (Live) | — | ||
| 21 | The Folly, Act II: Tu solus. (Live) | — | ||
| 22 | The Folly, Act II: En Archêi ên ho Logos (Live) | — | ||
| 23 | The Folly, Act II: Tu solus qui facis mirabilia (Live) | — | ||
| 24 | The Folly, Act III: Dilecte fili, salutem et Apostolicam benedictionem (Live) | — | ||
| 25 | The Folly, Act III: Het is ein vloek om zo beroemd te zijn als ik (Live) | — | ||
| 26 | The Folly, Act III: Beatissime pater (Live) | — | ||
| 27 | The Folly, Act III: Zeer goed (Live) | — | ||
| 28 | The Folly, Act III: Die Wahrheit ist mächtiger als die Beredsamkeit (Live) | — | ||
| 29 | The Folly, Act III: Nehmen wir also einmal an, es sei wahr (Live) | — | ||
| 30 | The Folly, Act III: Du aber, Erasmus, gehst auf Eiern (Live) | — | ||
| 31 | The Folly, Act III: Zu bekennen, auch wenn die ganze Welt versinkt (Live) | — | ||
| 32 | The Folly, Act III: Wer Christ ist, muss friedliebend sein! (Live) | — | ||
| 33 | The Folly, Act III: Wer den Erasmus zerdrückt (Live) | — | ||
| 2-1 | The Folly, Act IV: Wörter (Live) | — | ||
| 2-2 | The Folly, Act IV: Äs stinkt zum Zimmer use ins ganze Land (Live) | — | ||
| 2-3 | The Folly, Act IV: Laus Stultitiae. (Live) | — | ||
| 2-4 | The Folly, Act IV: Nectar - Nectar? (Live) | — | ||
| 2-5 | The Folly, Act IV: The Folly Is the One Who Rules (Live) | — | ||
| 2-6 | The Folly, Act IV: It Is Neither the Lance of Majestic Pallas, nor the Cloud-Gathering Zeus Who Created the Human Race (Live) | — | ||
| 2-7 | The Folly, Act IV: The Propagator of the Human Race Is That Pt. Which Is So Foolish and Absurd (Live) | — | ||
| 2-8 | The Folly, Act IV: You Think Politics Is a Matter of Reflections and Discussions? (Live) | — | ||
| 2-9 | The Folly, Act IV: War – No. The War! (Live) | — | ||
| 2-10 | The Folly, Act IV: Invite an Intellectual to a Dance and You'll Have a Camel Prancing About (Live) | — | ||
| 2-11 | The Folly, Act IV: Everybody Thinks of a King As Rich and Powerful Man (Live) | — | ||
| 2-12 | The Folly, Act IV: But If You Destroy the Illusion, the Game Is Spoiled (Live) | — | ||
| 2-13 | The Folly, Act IV: There Is Nothing More Foolish than Exaggerated Wisdom (Live) | — | ||
| 2-14 | The Folly, Act V: Was hast Du ihm gesagt? (Live) | — | ||
| 2-15 | The Folly, Act V: Lieber, Hutten hielt sich hier wenige Tage auf (Live) | — | ||
| 2-16 | The Folly, Act V: Einzig du hältst dich eingeschlossen in deiner Wohnung (Live) | — | ||
| 2-17 | The Folly, Act V: Die Kriegsfahnen sind in die Höhe gehoben (Live) | — | ||
| 2-18 | The Folly, Act V: in so vielen Briefen und Schriften und Erklärungen sage ich beständig (Live) | — | ||
| 2-19 | The Folly, Act V: Uns fehlt der Friede, den die Welt gibt (Live) | — | ||
| 2-20 | The Folly, Act V: Do hesch. Da (Live) | — | ||
| 2-21 | The Folly, Act V: Erasmus Alone (Live) | — | ||
| 2-22 | The Folly, Act V: Waarom dit boek? (Live) | — | ||
| 2-23 | The Folly, Act V: O miseros, qui felicem illam piorum vitam non credunt (Live) | — |
The Folly, Act I: Tu solus qui facis mirabilia. (Live)
—
The Folly, Act I: Quam dilecta tabernacula tua Domine virtutum. (Live)
—
The Folly, Act I: Armentatim vivunt elephanti gregatim pascuntur sues et oves (Live)
—
The Folly, Act I: Montag Kohl und Schwarzbrot, Dienstag Kohl und Schwarzbrot (Live)
—
The Folly, Act I: Luther Puts His 95 Theses on the Door of the Portal (Live)
—
The Folly, Act I: Requiem eternam (Live)
—
The Folly, Act I: Quid hoc mali est? (Live)
—
The Folly, Act I: Quam quam indigna res est Julium illum (Live)
—
The Folly, Act I: Exspecto quorsum evadas (Live)
—
The Folly, Act I: Nulla ratione potest amoveri scelerosus pestilens Pontifex? (Live)
—
The Folly, Act I: Palatiis regalibus, equis et munis (Live)
—
The Folly, Act I: Eigenlijk kon dit door mij geschreven geweest zijn (Live)
—
The Folly, Act I: Sonne guate Kabis (Live)
—
The Folly, Act I: Was seh ich! Polyphem mit einem Buch (Live)
—
The Folly, Act I: How Daring. Very Unique! (Live)
—
The Folly, Act II: Ich will, dass Ihr Euch des Problems Martin Luther annehmt (Live)
—
The Folly, Act II: Madonna io mi consumo, et per grave dolore corr'alla morte. (Live)
—
The Folly, Act II: Alle diejenigen, die sich nicht auf die Lehre der römischen Kirche (Live)
—
The Folly, Act II: Vecchie letrose nun valete niente se non a far l'aguaito per la chiazza (Live)
—
The Folly, Act II: Verbrannt (Live)
—
The Folly, Act II: Tu solus. (Live)
—
The Folly, Act II: En Archêi ên ho Logos (Live)
—
The Folly, Act II: Tu solus qui facis mirabilia (Live)
—
The Folly, Act III: Dilecte fili, salutem et Apostolicam benedictionem (Live)
—
The Folly, Act III: Het is ein vloek om zo beroemd te zijn als ik (Live)
—
The Folly, Act III: Beatissime pater (Live)
—
The Folly, Act III: Zeer goed (Live)
—
The Folly, Act III: Die Wahrheit ist mächtiger als die Beredsamkeit (Live)
—
The Folly, Act III: Nehmen wir also einmal an, es sei wahr (Live)
—
The Folly, Act III: Du aber, Erasmus, gehst auf Eiern (Live)
—
The Folly, Act III: Zu bekennen, auch wenn die ganze Welt versinkt (Live)
—
The Folly, Act III: Wer Christ ist, muss friedliebend sein! (Live)
—
The Folly, Act III: Wer den Erasmus zerdrückt (Live)
—
The Folly, Act IV: Wörter (Live)
—
The Folly, Act IV: Äs stinkt zum Zimmer use ins ganze Land (Live)
—
The Folly, Act IV: Laus Stultitiae. (Live)
—
The Folly, Act IV: Nectar - Nectar? (Live)
—
The Folly, Act IV: The Folly Is the One Who Rules (Live)
—
The Folly, Act IV: It Is Neither the Lance of Majestic Pallas, nor the Cloud-Gathering Zeus Who Created the Human Race (Live)
—
The Folly, Act IV: The Propagator of the Human Race Is That Pt. Which Is So Foolish and Absurd (Live)
—
The Folly, Act IV: You Think Politics Is a Matter of Reflections and Discussions? (Live)
—
The Folly, Act IV: War – No. The War! (Live)
—
The Folly, Act IV: Invite an Intellectual to a Dance and You'll Have a Camel Prancing About (Live)
—
The Folly, Act IV: Everybody Thinks of a King As Rich and Powerful Man (Live)
—
The Folly, Act IV: But If You Destroy the Illusion, the Game Is Spoiled (Live)
—
The Folly, Act IV: There Is Nothing More Foolish than Exaggerated Wisdom (Live)
—
The Folly, Act V: Was hast Du ihm gesagt? (Live)
—
The Folly, Act V: Lieber, Hutten hielt sich hier wenige Tage auf (Live)
—
The Folly, Act V: Einzig du hältst dich eingeschlossen in deiner Wohnung (Live)
—
The Folly, Act V: Die Kriegsfahnen sind in die Höhe gehoben (Live)
—
The Folly, Act V: in so vielen Briefen und Schriften und Erklärungen sage ich beständig (Live)
—
The Folly, Act V: Uns fehlt der Friede, den die Welt gibt (Live)
—
The Folly, Act V: Do hesch. Da (Live)
—
The Folly, Act V: Erasmus Alone (Live)
—
The Folly, Act V: Waarom dit boek? (Live)
—
The Folly, Act V: O miseros, qui felicem illam piorum vitam non credunt (Live)
—
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What is UPC 730099054577?
730099054577 is a Universal Product Code (UPC) assigned to The Folly by Fabrice Bollon, Borth, Zvi Emanuel-Marial, Gionfriddo, Jung, Friederike Hess-Gagnon, Dina Fortuna-Bollon, Tilman Collmer, Choirs of the Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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