UPC · Album
The Essential Puccini
Puccini
730099089517
34 tracksReleased 2025-10-13
Last verified:
730099089517 is the Universal Product Code (UPC barcode) for the release “The Essential Puccini” by Puccini, released 2025-10-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include DEB950977916, DEB951284801, DEB959432306.
Format
7Number system
30099Manufacturer
08951Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Essential Puccini
ISRC37 recordings
ISWC14 works
Track List (37)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Tosca, SC 69: “Vissi d’arte” | Adrianne Pieczonka, Münchner Rundfunkorchester, Dan Ettinger | DEB950977916 |
| Suor Angelica, SC 87: “Ave Maria, Ave Maria” | Bonn Theater Children's Choir, Kristine Opolais, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Andris Nelsons | DEB951284801 |
| Manon Lescaut, SC 64,Act IV: “Sola, perduta, abbandonata” | Júlia Várady, Rundfunk-Sinfonieorchester Berlin, Marcello Viotti | DEB959432306 |
| La Bohème: “Che gelida manina” | Bratislawer Kinderchor, Ľuba Orgonášová, Slowakischer Philharmoniker Chor, Jonathan Welch, Tschechoslowakischer Sinfonie Orchester (Bratislawa), Will Humburg | HKI190023807 |
| Messa di Gloria, op. psoth. , SC 6: Agnus Dei | Gunnar Lundberg, Hungarian Radio Chorus, Antonello Palombi, Hungarian Operetta Orchestra, Pier Giorgio Morandi | HKI190053113 |
| Preludio Sinfonico, SC 32 | Hungarian Operetta Orchestra, Pier Giorgio Morandi | HKI190053114 |
| Suor Angelica, SC 87: “Senza mamma” | Maria Luigia Borsi, London Symphony Orchestra, Yves Abel | HKI191411406 |
| Requiem, SC 76 | Vasari Singers, William Nicholson, John Thorne, Jeremy Backhouse | HKI191420605 |
| Salve Regina, SC 39 | Christine Brewer, Paul Jacobs | HKI191514210 |
| Sogno d’or, SC 82 | Krassimira Stoyanova, Maria Prinz | HKI191619011 |
| Crisantemi, SC 65 | Arabella String Quartet | HKI191627008 |
| Madama Butterfly, SC 74, Act III: “Addio, fiorito asil” | Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky | HKI192100402 |
| Turandot, Act I: Non piangere, Liù! | Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky | HKI192100410 |
| Madama Butterfly: "Vogliatemi bene" | Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199190527 |
| Madama Butterfly, SC 74, Act II: “Un bel di, vedremo” | Miriam Gauci, Slovak Radio Symphony Orchestra, Ali Rahbari | HKI199190530 |
| La fanciulla del West: “Ch’ella mi creda” | Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász | HKI199208709 |
| Manon Lescaut, Act I: “Donna non vidi mai simile a questa!” | Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász | HKI199208711 |
| Turandot, Act III Scene 1: “Nessun dorma” | Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász | HKI199208716 |
| Turandot, SC 91, Act I: “Signore, ascolta” | Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg | HKI199249102 |
| Turandot, SC 91, Act III Scene 1: “Tu che di gel sei cinta” | Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg | HKI199249105 |
| La Rondine, SC 83: “Chi il bel sogno di Doretta” | Ľuba Orgonášová, CSR Symphony Orchestra, Bratislava, Will Humburg | HKI199249109 |
| La Bohème: “Che gelida manina” | Bratislawer Kinderchor, Ľuba Orgonášová, Slowakischer Philharmoniker Chor, Jonathan Welch, Tschechoslowakischer Sinfonie Orchester (Bratislawa), Will Humburg | HKI199287303 |
| La Bohème: “Si, mi chiamano Mimì” | Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg | HKI199287304 |
| La bohème: “O soave fanciulla” | Ľuba Orgonášová, Jonathan Welch, Symfonický orchester Slovenského rozhlasu, Will Humburg | HKI199287305 |
| La bohème, SC 67: “Quando m’en vo’ soletta” | Carmen Gonzales, Ľuba Orgonášová, Fabio Previati, Boaz Senator, Jiří Sulženko, Ivan Urbas, Jonathan Welch, Slovak Radio Symphony Orchestra, Will Humburg | HKI199287308 |
| Madama Butterfly: Humming Chorus | Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199287411 |
| Manon Lescaut, SC 64, Act III: Intermezzo | Brussels Philharmonic, Ali Rahbari | HKI199287503 |
| Tosca, SC 69: “Recondita armonia” | Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász | HKI199287508 |
| Tosca, SC 69: “E lucevan le stelle” | Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász | HKI199287510 |
| Gianni Schicchi: “O mio babbino caro” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | HKI199287618 |
| Manon Lescaut, SC 64, Act II: “In quelle trine morbide” | Miriam Gauci, Brussels Philharmonic, Ali Rahbari | HKI199310905 |
| Gianni Schicchi: “O mio babbino caro” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | HKI199310909 |
| Le Villi, SC 60, Act I: “Se come voi piccina io fossi” (Anna) | Miriam Gauci, Brussels Philharmonic, Ali Rahbari | HKI199310912 |
| Edgar, Act III: Prelude | Slovak Radio Symphony Orchestra, Ondrej Lenárd | HKI199392912 |
| Le Villi: La tregenda | Ondrej Lenárd | HKI199392913 |
| Gianni Schicchi: “O mio babbino caro” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | HKI199492911 |
| La fanciulla del West, SC 78: Introduction (live) | Orchestra del Teatro di San Carlo, Juraj Valčuha | ITN321817311 |
Tosca, SC 69: “Vissi d’arte”
Adrianne Pieczonka, Münchner Rundfunkorchester, Dan Ettinger
Suor Angelica, SC 87: “Ave Maria, Ave Maria”
Bonn Theater Children's Choir, Kristine Opolais, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Andris Nelsons
Manon Lescaut, SC 64,Act IV: “Sola, perduta, abbandonata”
Júlia Várady, Rundfunk-Sinfonieorchester Berlin, Marcello Viotti
La Bohème: “Che gelida manina”
Bratislawer Kinderchor, Ľuba Orgonášová, Slowakischer Philharmoniker Chor, Jonathan Welch, Tschechoslowakischer Sinfonie Orchester (Bratislawa), Will Humburg
Messa di Gloria, op. psoth. , SC 6: Agnus Dei
Gunnar Lundberg, Hungarian Radio Chorus, Antonello Palombi, Hungarian Operetta Orchestra, Pier Giorgio Morandi
Preludio Sinfonico, SC 32
Hungarian Operetta Orchestra, Pier Giorgio Morandi
Suor Angelica, SC 87: “Senza mamma”
Maria Luigia Borsi, London Symphony Orchestra, Yves Abel
Requiem, SC 76
Vasari Singers, William Nicholson, John Thorne, Jeremy Backhouse
Salve Regina, SC 39
Christine Brewer, Paul Jacobs
Sogno d’or, SC 82
Krassimira Stoyanova, Maria Prinz
Crisantemi, SC 65
Arabella String Quartet
Madama Butterfly, SC 74, Act III: “Addio, fiorito asil”
Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky
Turandot, Act I: Non piangere, Liù!
Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky
Madama Butterfly: "Vogliatemi bene"
Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari
Madama Butterfly, SC 74, Act II: “Un bel di, vedremo”
Miriam Gauci, Slovak Radio Symphony Orchestra, Ali Rahbari
La fanciulla del West: “Ch’ella mi creda”
Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász
Manon Lescaut, Act I: “Donna non vidi mai simile a questa!”
Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász
Turandot, Act III Scene 1: “Nessun dorma”
Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász
Turandot, SC 91, Act I: “Signore, ascolta”
Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg
Turandot, SC 91, Act III Scene 1: “Tu che di gel sei cinta”
Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg
La Rondine, SC 83: “Chi il bel sogno di Doretta”
Ľuba Orgonášová, CSR Symphony Orchestra, Bratislava, Will Humburg
La Bohème: “Che gelida manina”
Bratislawer Kinderchor, Ľuba Orgonášová, Slowakischer Philharmoniker Chor, Jonathan Welch, Tschechoslowakischer Sinfonie Orchester (Bratislawa), Will Humburg
La Bohème: “Si, mi chiamano Mimì”
Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg
La bohème: “O soave fanciulla”
Ľuba Orgonášová, Jonathan Welch, Symfonický orchester Slovenského rozhlasu, Will Humburg
La bohème, SC 67: “Quando m’en vo’ soletta”
Carmen Gonzales, Ľuba Orgonášová, Fabio Previati, Boaz Senator, Jiří Sulženko, Ivan Urbas, Jonathan Welch, Slovak Radio Symphony Orchestra, Will Humburg
Madama Butterfly: Humming Chorus
Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Alexander Rahbari
Manon Lescaut, SC 64, Act III: Intermezzo
Brussels Philharmonic, Ali Rahbari
Tosca, SC 69: “Recondita armonia”
Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász
Tosca, SC 69: “E lucevan le stelle”
Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halász
Gianni Schicchi: “O mio babbino caro”
Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari
Manon Lescaut, SC 64, Act II: “In quelle trine morbide”
Miriam Gauci, Brussels Philharmonic, Ali Rahbari
Gianni Schicchi: “O mio babbino caro”
Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari
Le Villi, SC 60, Act I: “Se come voi piccina io fossi” (Anna)
Miriam Gauci, Brussels Philharmonic, Ali Rahbari
Edgar, Act III: Prelude
Slovak Radio Symphony Orchestra, Ondrej Lenárd
Le Villi: La tregenda
Ondrej Lenárd
Gianni Schicchi: “O mio babbino caro”
Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari
La fanciulla del West, SC 78: Introduction (live)
Orchestra del Teatro di San Carlo, Juraj Valčuha
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 730099089517?
730099089517 is a Universal Product Code (UPC) assigned to The Essential Puccini by Puccini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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