UPC · Release
Tallis, Allegri, Pergolesi, Gounod, Franck, Bach, Handel, Haydn, Mozart, Beethoven, Verdi, Fauré, Vierne, Séverac
Last verified:
The UPC for “Great Sacred Masterpieces” by Tallis, Allegri, Pergolesi, Gounod, Franck, Bach, Handel, Haydn, Mozart, Beethoven, Verdi, Fauré, Vierne, Séverac is 730099106245. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-04-12. This release contains 163 tracks, each with its own ISRC. Tracks include HKI190506001, HKI199235106, HKI199284601.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 2 | Miserere mei | Oxford Camerata, Jeremy Summerly | T-031.810.053-6 | |
| 3 | Stabat mater: Stabat mater dolorosa | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-312.439.122-2 | |
| 4 | Stabat mater: Cujus animam gementem | Julia Faulkner, Camerata Budapest, Michael Halász | T-325.622.711-5 | |
| 5 | Stabat mater: O quam tristis et afflicta | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.713-7 | |
| 6 | Stabat mater: Quae moerebat et dolebat | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.712-6 | |
| 7 | Stabat mater: Quis est homo | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.714-8 | |
| 8 | Stabat mater: Vidit suum dulcem natum | Julia Faulkner, Camerata Budapest, Michael Halász | T-325.622.716-0 | |
| 9 | Stabat mater: Eja mater fons amoris | Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.717-1 | |
| 10 | Stabat mater: Fac, ut ardeat cor meum | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-909.836.470-6 | |
| 11 | Stabat mater: Sancta mater, istud agas | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.718-2 | |
| 12 | Stabat mater: Fac ut portem Christi mortem | Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.720-6 | |
| 13 | Stabat mater: Inflammatus et accensus | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-325.622.721-7 | |
| 14 | Stabat mater: Quando corpus morietur | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | T-914.224.825-7 | |
| 15 | Ave verum corpus, K. 618 | Košice Teachers’ Choir, Camerata Cassovia, Johannes Wildner | T-323.252.117-0 | |
| 17 | Panis angelicus | Hungarian State Opera Chorus, József Mukk, Camerata Budapest, László Kovács | T-901.102.501-7 | |
| 2-1 | Mass in B minor, BWV 232: Kyrie: Kyrie eleison (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | T-070.093.418-4 | |
| 2-2 | Mass in B minor, BWV 232: Kyrie: Christe eleison (Soprano I and II) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-3 | Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | T-306.483.198-3 | |
| 2-4 | Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-5 | Mass in B minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-6 | Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-7 | Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-8 | Mass in B minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-9 | Mass in B minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-10 | Mass in B minor, BWV 232: Credo: Et resurrexit tertia die (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-11 | Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-12 | Mass in B minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-13 | Mass in B minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-14 | Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | T-050.283.177-7 | |
| 2-15 | Mass in B minor, BWV 232: Benedictus: Osanna in excelsis (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-16 | Mass in B minor, BWV 232: Agnus Dei: Agnus Dei (Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 2-17 | Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller-Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller-Brühl | T-922.031.650-7 | |
| 3-1 | St. Matthew Passion, BWV 244: Part I: Kommt, ihr Tochter, helft mir klagen (Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-2 | St. Matthew Passion, BWV 244: Part I: Aria: Buss und Reu Knirscht das Sundenherz entzwei (Alto) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | T-031.727.676-8 | |
| 3-3 | St. Matthew Passion, BWV 244: Part I: Aria: Blute nur, du liebes Herz! (Soprano) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-4 | St. Matthew Passion, BWV 244: Part I: Aria: Ich will dir mein Herze schenken (Soprano) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-5 | St. Matthew Passion, BWV 244: Part I: Aria: Ich will bei meinem Jesu wachen (Tenor, Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-6 | St. Matthew Passion, BWV 244: Part I: Aria: Gerne will ich mich bequemen (Bass) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-7 | St. Matthew Passion, BWV 244: Part I: Aria: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-8 | St. Matthew Passion, BWV 244: Part II: Aria: Ach! Nun ist mein Jesus hin! (Alto, Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-9 | St. Matthew Passion, BWV 244: Part II: Aria: Erbarme dich, mein Gott, um meiner Zahren willen! (Alto) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-10 | St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder! (Bass) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-11 | St. Matthew Passion, BWV 244: Part II: Aria: Konnen Tranen meiner Wangen (Alto) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-12 | St. Matthew Passion, BWV 244: Choral: O Haupt voll Blut und Wunden (Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | T-031.614.553-5 | |
| 3-13 | St. Matthew Passion, BWV 244: Part II: Aria: Mache dich, mein Herze, rein (Bass) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 3-14 | St. Matthew Passion, BWV 244: Part II: Wir setzen uns mit Tranen nieder (Chorus) | Ágnes Mester, János Reményi, Children’s Choir of the Hungarian Radio, Hungarian Festival Chorus, Péter Köves, József Mukk, Németh Judit, Ibolya Verebics, Hungarian State Symphony Orchestra, Géza Oberfrank | T-031.568.321-6 | |
| 4-1 | Messiah, HWV 56: Part I: Sinfonia | Scholars Baroque Ensemble | T-306.482.958-5 | |
| 4-2 | Messiah, HWV 56: Part I: Recitative: Comfort ye my people (Tenor) | Scholars Baroque Ensemble | — | |
| 4-3 | Messiah, HWV 56: Part I: And the glory of the Lord shall be revealed (Chorus) | Scholars Baroque Ensemble | — | |
| 4-4 | Messiah, HWV 56: Part I: Recitative: Behold, a virgin shall conceive (Alto) | Scholars Baroque Ensemble | — | |
| 4-5 | Messiah, HWV 56: Part I: For unto a child is born (Chorus) | Scholars Baroque Ensemble | T-011.162.720-3 | |
| 4-6 | Messiah, HWV 56: Part I: Pifa | Scholars Baroque Ensemble | — | |
| 4-7 | Messiah, HWV 56: Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano) | Scholars Baroque Ensemble | — | |
| 4-8 | Messiah, HWV 56: Part I: Recitative: Then shall the eyes of the blind be opened (Alto) | Scholars Baroque Ensemble | — | |
| 4-9 | Messiah, HWV 56: Part II: Aria: He was despised and rejected of men (Alto) | Scholars Baroque Ensemble | — | |
| 4-10 | Messiah, HWV 56: Part II: Aria: How beautiful are the feet of them (Soprano) | Scholars Baroque Ensemble | — | |
| 4-11 | Messiah, HWV 56: Part II: Aria: Why do the nations so furiosly rage together (Bass) | Scholars Baroque Ensemble | — | |
| 4-12 | Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | T-313.598.191-4 | |
| 4-13 | Messiah, HWV 56: Part III: Aria: I know that my Redeemer liveth (Soprano) | Scholars Baroque Ensemble | T-922.332.099-8 | |
| 4-14 | Messiah, HWV 56: Part III: Recitative: Behold, I tell you a mystery (Bass) | Scholars Baroque Ensemble | — | |
| 4-15 | Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus) | Scholars Baroque Ensemble | — | |
| 5-1 | Die Schöpfung: Part I: No. 1. Die Vorstellung des Chaos | Capella Augustina, Andreas Spering | — | |
| 5-2 | Die Schöpfung: Part I: No. 2. Nun schwanden vor dem heiligen Strahle | Max Ciolek, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-3 | Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-4 | Die Schopfung (The Creation), Hob. XXI:2: Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-5 | Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (And God said: Let all the earth bring forth grass) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-6 | Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun beut dir Flur das frische Grun (With verdure clad the fields appear) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-7 | Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) (Gabriel, Uriel, Raphael, Chorus) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-8 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fulle hervor (And God said: Let the waters bring forth abundantly) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-9 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich der Adler stolz (On mighty pens uplifted soars the eagle aloft) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-10 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-11 | Die Schopfung (The Creation), Hob. XXI:2: Part II: In holder Anmut stehn (Most beautiful appear) (Trio) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-12 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe (And God said: Let the earth bring forth the living creature) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-13 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-14 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-15 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-16 | Die Schopfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das grosse Werk (Chorus) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-17 | Die Schopfung (The Creation), Hob. XXI:2: Part III: Von deiner Gut', o Herr und Gott (By thee with bliss, O bounteous Lord) (Eve and Adam, Chorus) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-18 | Die Schopfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfullt (Our duty we performed now) (Adam and Eve) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-19 | Die Schopfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! (Graceful consort!) (Adam and Eve) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-20 | Die Schopfung (The Creation), Hob. XXI:2: Part III: O glucklich Paar (O happy pair) (Uriel) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 5-21 | Die Schopfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren alle Stimmen (Sing the Lord, ye voices all!) (Chorus) | Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | — | |
| 6-1 | Requiem Mass in D minor, K. 626: I. Introitus: Requiem aeternam | Stefan Klimo, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | T-905.386.342-6 | |
| 6-2 | Requiem Mass in D minor, K. 626: II. Kyrie | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | T-903.028.708-2 | |
| 6-3 | Requiem Mass in D minor, K. 626: III. Dies irae | Stefan Klimo, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | T-924.404.440-4 | |
| 6-4 | Requiem Mass in D minor, K. 626: IV. Tuba mirum | Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler | — | |
| 6-5 | Requiem Mass in D minor, K. 626: V. Rex tremendae | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | — | |
| 6-6 | Requiem Mass in D minor, K. 626: VI. Recordare | Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler | T-905.391.973-6 | |
| 6-7 | Requiem Mass in D minor, K. 626: VII. Confutatis | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | — | |
| 6-8 | Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | — | |
| 6-9 | Requiem Mass in D minor, K. 626: IX. Offertorium: Domine Jesu Christe | Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | T-919.097.742-5 | |
| 6-10 | Requiem Mass in D minor, K. 626: X. Hostias | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | — | |
| 6-11 | Requiem Mass in D minor, K. 626: XI. Sanctus | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | T-060.951.046-4 | |
| 6-12 | Requiem Mass in D minor, K. 626: XII. Benedictus | Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | T-106.642.813-3 | |
| 6-13 | Requiem Mass in D minor, K. 626: XIII. Agnus Dei | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | T-037.336.913-1 | |
| 6-14 | Requiem d-Moll, KV 626: Communio: Lux aeterna | Magdaléna Hajóssyová, Slovenská filharmónia, Slovenský filharmonický zbor, Zdeněk Košler | T-910.952.061-8 | |
| 7-1 | Elias, op. 70, MWV A25: Part I: Introduction: So wahr der Herr, der Gott Israels, lebet (Bass) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-2 | Elias, op. 70, MWV A25: Part I: Hilf, Herr! Hilf, Herr! (Chorus) - Recitative: Die Tiefe ist versieget! (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-3 | Elias, op. 70, MWV A25: Part I: Recitative: Zerreisset eure Herzen (Tenor) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-4 | Elias, op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-5 | Elijah, op. 70: Part I: Double Quartet: Denn er hat seinen Engeln befohlen uber dir (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-6 | Elijah, op. 70: Part I: Recitative, Aria and Duet: Was hast du an mir getan, du Mann Gottes! (Soprano, Baritone) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-7 | Elias, op. 70, MWV A25: Part I: Wohl dem, der den Herrn fürchtet (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-8 | Elias, op. 70, MWV A25: Part I: Baal, erhöre uns! (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-9 | Elijah, op. 70: Part I: Recitative: Kommt her, alles Volk, kommt her zu mir! (Baritone) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-10 | Elias, op. 70, MWV A25: Part I: Aria: Herr Gott Abrahams, Isaaks und Israels (Bass) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-11 | Elias, op. 70, MWV A25: Part I: Recitative: Der du deine Diener machst zu Geistern (Bass, Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-12 | Elias, op. 70, MWV A25: Part I: Aria: Ist nicht des Herrn Wort wie ein Feuer (Bass) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-13 | Elias, op. 70, MWV A25: Part II: Aria: Höre, Israel, höre des Herrn Stimme! (Soprano) - Recitative: So spricht der Herr (Soprano) - Aria: Ich bin euer Troster (Soprano) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-14 | Elias, op. 70, MWV A25: Part II: Fürchte dich nicht, spricht unser Gott (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-15 | Elias, op. 70, MWV A25: Part II: Aria: Es ist genug! (Bass) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-16 | Elias, op. 70, MWV A25: Part II: Recitative: Siehe, er schläft (Tenor) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-17 | Elias, op. 70, MWV A25: Part II: Trio: Hebe deine Augen auf zu den Bergen (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-18 | Elias, op. 70, MWV A25: Part II: Siehe, der Hüter Israels (Chorus) | Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, Luise Müller, MDR Rundfunkchor, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-19 | Elias, op. 70, MWV A25: Part II: Recitative: Stehe auf, Elias (Alto, Bass) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-20 | Elijah, op. 70: Part II: Aria: Sei stille dem Herrn und warte auf ihn (Alto) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-21 | Elias, op. 70, MWV A25: Part II: Wer bis ans Ende beharrt, der wird selig (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-22 | Elias, op. 70, MWV A25: Part II: Recitative: Herr, es wird Nacht um mich (Bass, Soprano) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-23 | Elias, op. 70, MWV A25: Part II: Der Herr ging vorüber (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-24 | Elias, op. 70, MWV A25: Part II: Aria: Dann werden die Gerechten leuchten (Tenor) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 7-25 | Elias, op. 70, MWV A25: Part II: Alsdann wird euer Licht hervorbrechen (Chorus) | Christoph Genz, Ralf Lukas, MDR Rundfunkchor Leipzig, Claudia Mahnke, Ruth Ziesak, MDR Sinfonieorchester, Jun Märkl | — | |
| 8-1 | Missa Solemnis, op. 123: Kyrie eleison | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-2 | Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-3 | Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundi | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-4 | Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-5 | Missa Solemnis, op. 123: Credo: Credo in unum Deum | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-6 | Missa Solemnis, op. 123: Credo: Et incarnatus est | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-7 | Missa Solemnis, op. 123: Credo: Et resurrexit tertia die | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-8 | Missa Solemnis, op. 123: Sanctus | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | T-060.951.046-4 | |
| 8-9 | Missa Solemnis, op. 123: Sanctus: Benedictus | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | T-929.649.829-8 | |
| 8-10 | Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 8-11 | Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | — | |
| 9-1 | Messa da Requiem: Requiem: Requiem aeternam | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | T-010.309.446-7 | |
| 9-2 | Messa da Requiem: Dies irae, dies illa | Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | T-050.004.882-7 | |
| 9-3 | Messa da Requiem: Tuba mirum | Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | — | |
| 9-4 | Messa da Requiem: IId. Liber scriptus | Magyar Állami Operaház Zenekara, Hungarian State Opera Chorus, Pier Giorgio Morandi, Gloria Scalchi | — | |
| 9-5 | Messa da Requiem: IIf. Rex tremendae | Magyar Állami Operaház Zenekara, Hungarian State Opera Chorus, Pier Giorgio Morandi, Elena Filipova, Gloria Scalchi, César Hernández, Carlo Colombara | — | |
| 9-6 | Messa da Requiem: Dies irae: Recordare | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | T-000.941.410-1 | |
| 9-7 | Messa da Requiem: Dies irae: Ingemisco | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | — | |
| 9-8 | Messa da Requiem: IIi. Confutatis | Magyar Állami Operaház Zenekara, Hungarian State Opera Chorus, Pier Giorgio Morandi, Carlo Colombara | — | |
| 9-9 | Messa da Requiem: Dies irae: Lacrymosa | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | — | |
| 9-10 | Messa da Requiem: IIIa. Offertorio (Domine Jesu) | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Elena Filipova, Gloria Scalchi, César Hernández, Carlo Colombara | — | |
| 9-11 | Messa da Requiem: Offertorio: Hostias et preces tibi | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | — | |
| 9-12 | Messa da Requiem: Sanctus | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | T-060.951.046-4 | |
| 9-13 | Messa da Requiem: V. Agnus Dei | Anikó Katona, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Orchestra of the Budapest State Opera, Pier Giorgio Morandi | T-915.599.150-7 | |
| 9-14 | Messa da Requiem: Lux aeterna | Carlo Colombara, Elena Filipova, César Hernández, Hungarian State Opera Chorus, Gloria Scalchi, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | T-307.681.924-0 | |
| 9-15 | Messa da Requiem: VIIa. Libera me | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Elena Filipova | — | |
| 9-16 | Messa da Requiem: VIId. Libera me | Magyar Állami Operaház Zenekara, Hungarian State Opera Chorus, Pier Giorgio Morandi, Elena Filipova | — | |
| 10-1 | Requiem, op. 48: Introït et Kyrie | Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | — | |
| 10-2 | Requiem, op. 48: Offertoire | Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | — | |
| 10-3 | Requiem, op. 48: Sanctus | Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | T-003.012.217-8 | |
| 10-4 | Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 10-5 | Requiem, op. 48: Agnus Dei | Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly | T-926.356.677-4 | |
| 10-6 | Requiem, op. 48: Libera me | Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | T-329.460.025-8 | |
| 10-7 | Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | T-924.489.944-3 | |
| 10-8 | Andantino | Colm Carey | T-003.014.144-6 | |
| 10-9 | Tantum ergo | Schola Cantorum of Oxford, Jeremy Summerly | T-031.626.461-5 | |
| 10-10 | Messe basse: Kyrie | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 10-11 | Messe basse: Sanctus | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 10-12 | Messe basse: Benedictus | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 10-13 | Messe basse: Agnus Dei | Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly | — | |
| 10-14 | Cantique de Jean Racine, op. 11 | Oxford Camerata, Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly | T-300.950.284-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ave Maria (version for voice and orchestra) | Ingrid Kertesi, Camerata Budapest, László Kovács | T-009.147.667-3 |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Ave verum corpus, K. 618 | Košice Teachers’ Choir, Camerata Cassovia, Johannes Wildner | T-309.828.989-1 |
| Requiem Mass in D minor, K. 626: III. Dies irae | Stefan Klimo, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | — |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | T-309.829.022-9 |
| Messiah, HWV 56: Hallelujah! | Scholars Baroque Ensemble | T-301.511.780-9 |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | T-900.175.670-3 |
| Stabat mater: Quis est homo | Julia Faulkner, Anna Gonda, Camerata Budapest, Michael Halász | — |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Ave verum corpus, K. 618 | Košice Teachers’ Choir, Camerata Cassovia, Johannes Wildner | T-915.904.134-6 |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | T-010.065.879-4 |
| Messa da Requiem: Dies irae, dies illa | Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | — |
| Requiem Mass in D minor, K. 626: V. Rex tremendae | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | — |
| Requiem Mass in D minor, K. 626: VII. Confutatis | Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler | — |
| Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa | Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
730099106245 is a Universal Product Code (UPC) assigned to Great Sacred Masterpieces by Tallis, Allegri, Pergolesi, Gounod, Franck, Bach, Handel, Haydn, Mozart, Beethoven, Verdi, Fauré, Vierne, Séverac. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 163 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Great Sacred Masterpieces” by Tallis, Allegri, Pergolesi, Gounod, Franck, Bach, Handel, Haydn, Mozart, Beethoven, Verdi, Fauré, Vierne, Séverac is 730099106245. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-04-12. This release contains 163 tracks, each with its own ISRC. Tracks include HKI190506001, HKI199235106, HKI199284601.
