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Various Artists
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730099106740 is the Universal Product Code (UPC barcode) for the release “Saints and Sinners: The Music of Medieval and Renaissance Europe” by Various Artists, released 2014-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 175 tracks, each with its own ISRC. Tracks include HKI190433631, HKI190008801, HKI199700803.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tunc catabat Moyses | — | ||
| 2 | Dies irae (Sequentia) | — | ||
| 3 | Planctus David | — | ||
| 4 | Magnificat anima mea Dominum | — | ||
| 5 | O Cruor sanguis | — | ||
| 6 | Ordo virtute: procession | — | ||
| 7 | Non vos relinquam - Homo quo vigeas | — | ||
| 8 | Sederunt principes (4-part organum plainchant) | Tonus Peregrinus | T-916.409.617-7 | |
| 9 | Entre Av'e Eva | — | ||
| 10 | Venite a laudare | — | ||
| 2-1 | Bache, bene venies | Ensemble Unicorn | — | |
| 2-2 | "Quan vei la lauzeta mover" | — | ||
| 2-3 | "Ja nulls hom pres" | — | ||
| 2-4 | "Palästinalied" | — | ||
| 2-5 | "Mir ist ummanten leyde" | — | ||
| 2-6 | "Robins m'aime" | — | ||
| 2-7 | "Je me repairole" | — | ||
| 2-8 | "Hé Robin" | — | ||
| 2-9 | Saltarello no. 2 | — | ||
| 2-10 | Saltarello no. 3 | — | ||
| 2-11 | Non avrà ma’pietà questa mia donna | Francesco Landini | — | |
| 2-12 | "Parvulus nobis nascitur" | — | ||
| 2-13 | "Angelus ad virginem" | — | ||
| 2-14 | "O Maria, stella maris" | — | ||
| 2-15 | La Messe de nostre Dame: Kyrie | — | ||
| 2-16 | Mass of Tournai: Gloria | — | ||
| 2-17 | Credo a 4 | — | ||
| 3-1 | Veni Sancte Spiritus | — | ||
| 3-2 | Jubilate Deo | — | ||
| 3-3 | Missa L'homme armé sexti toni: Sanctus | Oxford Camerata, Jeremy Summerly | T-322.297.984-8 | |
| 3-4 | Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 3-5 | Missa sine nomine: Agnus Dei | — | ||
| 3-6 | Missa Caput: Agnus Dei | — | ||
| 3-7 | "Wer ich eyn falck" / "Invicto regi jubilo" | — | ||
| 3-8 | "Dies est laetitiae" | — | ||
| 3-9 | "Innsbruck, ich muss dich lassen" | — | ||
| 3-10 | "Innsbruck, ich muss dich lassen" | — | ||
| 3-11 | "Zucht, eer und lob" | — | ||
| 3-12 | "Myns liefkens bruyn ooghen" | — | ||
| 3-13 | "Vergene bella" | — | ||
| 3-14 | "Se la face ay pale" | — | ||
| 3-15 | "Se la face ay pale" | — | ||
| 3-16 | Qui veut mesdire (128) | Joseph Payne | — | |
| 3-17 | Noel | — | ||
| 3-18 | "Fortuna desperata" | — | ||
| 4-1 | Memor esto verbi tui | Oxford Camerata, Jeremy Summerly | — | |
| 4-2 | "Salve regina, mater misericordiae" | — | ||
| 4-3 | "Ad te clamamus, exsules filli Hevae" | — | ||
| 4-4 | Eia, ergo, advocata nostra" | — | ||
| 4-5 | "O clemens, O pia, O dulcis Virgo Maria" | — | ||
| 4-6 | "Jamais" | — | ||
| 4-7 | "Hoy comamos y bebamos" | — | ||
| 4-8 | "Or vien ça, vien, m'amye" | — | ||
| 4-9 | "En ce mois délicieux" | — | ||
| 4-10 | Margot labourez les vignes" | — | ||
| 4-11 | "Ego flos campi" | — | ||
| 4-12 | Ricercar no. 26 - Fantasia | — | ||
| 4-13 | Fantasia | — | ||
| 4-14 | Ricercar No. 84 | Shirley Rumsey | — | |
| 4-15 | Ricercar decimoquinto | — | ||
| 4-16 | Vecchie Letrose Non Valete Niente | Shirley Rumsey | — | |
| 4-17 | "Christus resurgens" | — | ||
| 4-18 | Magnificat | — | ||
| 4-19 | Danza alta | — | ||
| 4-20 | Fantasia I | Shirley Rumsey | — | |
| 4-21 | Fantasia II | Shirley Rumsey | — | |
| 4-22 | Pavana V | — | ||
| 4-23 | Tiento | Shirley Rumsey | T-041.274.280-3 | |
| 4-24 | Fantasia VIII | Shirley Rumsey | — | |
| 4-25 | "Cum sancto spiritu" | — | ||
| 5-1 | There is no rose | — | ||
| 5-2 | Jesus autem transiens - Credo in Deum | — | ||
| 5-3 | Ah! Robin | — | ||
| 5-4 | In nomine | — | ||
| 5-5 | Missa Euge bone: Sanctus | — | ||
| 5-6 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 5-7 | Gloria tibi trinitas | — | ||
| 5-8 | The song called trumpets | — | ||
| 5-9 | Mass for Five Voices: Kyrie | Oxford Camerata, Jeremy Summerly | T-913.861.521-1 | |
| 5-10 | Mass for Five Voices: Gloria | — | ||
| 5-11 | Mass for Five Voices: Credo | — | ||
| 5-12 | Mass for Five Voices: Sanctus | — | ||
| 5-13 | Mass for Five Voices: Agnus Dei | — | ||
| 5-14 | Paget Pavan | — | ||
| 5-15 | Gaude Maria Virgo | — | ||
| 6-1 | Fantasia | — | ||
| 6-2 | The Virgins muse - The Lady Arbellaes favoret | — | ||
| 6-3 | Pavan no. 2 | — | ||
| 6-4 | A galliard | — | ||
| 6-5 | The marigold pavan | — | ||
| 6-6 | Flow, my tears | — | ||
| 6-7 | The King of Denmark's galliard | — | ||
| 6-8 | Semper Dowland, semper dolens | — | ||
| 6-9 | When David heard the Absalom was slain | — | ||
| 6-10 | In nomine | — | ||
| 6-11 | Hard by a crystal fountain | — | ||
| 6-12 | Fantasia | — | ||
| 6-13 | My Sweetest Lesbia, Let Us Live and Love | Thomas Campion | — | |
| 6-14 | As Vesta was from Latmos Hill descending | — | ||
| 6-15 | When Kempe did dance alone (or 'Robin Hood, Maid Marian and Little John are gone') | — | ||
| 6-16 | Variation on 'Robin is to the greenwood gone' | — | ||
| 6-17 | Draw on sweet night | — | ||
| 6-18 | O clap your hands | — | ||
| 6-19 | The silver swan | — | ||
| 7-1 | Audivi vocem de caelo | — | ||
| 7-2 | Missa pro defunctis: Introitus | — | ||
| 7-3 | Missa O soberana luz: Gloria | — | ||
| 7-4 | Lesson I for Good Friday | — | ||
| 7-5 | Ancor che col partire | — | ||
| 7-6 | Ancor che col partire | — | ||
| 7-7 | Ricercare secondo | — | ||
| 7-8 | Rore - Madrigale "Achor che co'l partire" | — | ||
| 7-9 | Lassus - Canzona 'Susanna un jour' | — | ||
| 7-10 | Ancor che col partire - Variations on a madrigal by Cipriano de Rore | — | ||
| 7-11 | Prelude | — | ||
| 7-12 | Fantasia | — | ||
| 7-13 | Galliard | — | ||
| 7-14 | Cantique de Simeon | — | ||
| 7-15 | Psaume 25: "A toy mon Dieu mon coeur monte" | — | ||
| 7-16 | Missa Bell'Amfitrit' altera: Gloria | — | ||
| 7-17 | Missa Entre vous filles: Sanctus | — | ||
| 7-18 | Domine Dominus noster | — | ||
| 7-19 | Lagrime di San Pietro: Il magnanimo Pietro | — | ||
| 7-20 | Lagrime di San Pietro: Vide homo | — | ||
| 8-1 | Magnificat primi toni | — | ||
| 8-2 | Vadam et circuibo | — | ||
| 8-3 | Missa O magnum mysterium: Kyrie | Oxford Camerata, Jeremy Summerly | T-000.196.647-7 | |
| 8-4 | Missa O magnum mysterium: Gloria | — | ||
| 8-5 | Missa O magnum mysterium: Credo | — | ||
| 8-6 | Missa O magnum mysterium: Sanctus | — | ||
| 8-7 | Missa O magnum mysterium: Agnus Dei | — | ||
| 8-8 | O magnum mysterium | Jeremy Summerly, Oxford Camerata | T-906.028.521-4 | |
| 8-9 | Versa est in luctum | — | ||
| 8-10 | Cantate Domino | — | ||
| 8-11 | Dances from Terpsichore: Ballet des coqs: Galliard | — | ||
| 8-12 | Dances from Terpsichore: Bransle Gay 1 / Bransle de Montirande | — | ||
| 8-13 | Dances from Terpsichore: La Bourée | — | ||
| 8-14 | Dances from Terpsichore: Courante | — | ||
| 8-15 | Dances from Terpsichore: Volte | — | ||
| 8-16 | Mein junges Leben hat ein End' | — | ||
| 8-17 | Hodie Christus natus est | — | ||
| 9-1 | Missa Papae Marcelli: I. Kyrie | Oxford Camerata, Jeremy Summerly | T-011.724.735-4 | |
| 9-2 | Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | — | |
| 9-3 | Missa Papae Marcelli: III. Credo | Oxford Camerata, Jeremy Summerly | T-030.223.287-6 | |
| 9-4 | Missa Papae Marcelli: IV. Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 9-5 | Missa Papae Marcelli: V. Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 9-6 | Toccata seconda del primo tono | — | ||
| 9-7 | Canzon à 12 in Double Echo | London Symphony Brass, Eric Crees | T-902.558.897-0 | |
| 9-8 | Sonata pian' e forte alla quarta bassa à 8 (1597) | London Symphony Brass, Eric Crees | — | |
| 9-9 | Canzon noni toni à 8 (1597) | London Symphony Brass, Eric Crees | — | |
| 9-10 | Hodie Christus natus est a 10 | — | ||
| 9-11 | Rappresentatione di anima di corpo: Act III, Scene 9. "O signor santo e vero" | — | ||
| 9-12 | Rappresentatione di anima di corpo: Act I, Scene 4. "Anima mia, che pensi?" | — | ||
| 10-1 | Amarilli, mia bella | — | ||
| 10-2 | O vos omnes | Oxford Camerata, Jeremy Summerly | T-070.161.714-2 | |
| 10-3 | Mentro Madonna il lasso fianco posa | — | ||
| 10-4 | Ahi, troppo saggio nell'errar | — | ||
| 10-5 | O dolorosa gioia | — | ||
| 10-6 | Se tu parti da me | — | ||
| 10-7 | Il Zabaione Musicale: 1. Introduzione | — | ||
| 10-8 | Il Zabaione Musicale: Atto I. 2. Prologo: l'Humour spensierato | — | ||
| 10-9 | Il Zabaione Musicale: Atto I. 3. Intermedio de delici pastori, a due cori | — | ||
| 10-10 | Il Zabaione Musicale: Atto I. 4. Progne e Filomena | — | ||
| 10-11 | Il Zabaione Musicale: Atto I. 5. Danza di pastorelle, in aria del spagnoletto, con le ripese nella cornamusa | — | ||
| 10-12 | Libro IV d'intavolatura di chitarrone: Passacaglia | — | ||
| 10-13 | Vattene pur crudel, con quella pace | Delitiæ Musicæ, Marco Longhini | — | |
| 10-14 | Là tra’l sangue e le morti egro giacente | Delitiæ Musicæ, Marco Longhini | — | |
| 10-15 | Poi ch’ella in sé tornò, deserto e muto | Delitiæ Musicæ, Marco Longhini | — | |
| 10-16 | L'Orfeo: Toccata | Cappella Musicale di San Petronio di Bologna, Sergio Vartolo | T-702.928.999-6 | |
| 10-17 | L'Orfeo: Act I. Chorus: Lasciate i monti | — | ||
| 10-18 | L'Orfeo: Act V. Orpheus: Questi I campi | — | ||
| 10-19 | L'Orfeo: Act V. Moresca | — | ||
| 10-20 | Vespers of the Blessed Virgin: Domine ad adiuvandum | — | ||
| 10-21 | Vespers of the Blessed Virgin: Psalm 109: Dixit Dominus | — | ||
| 10-22 | Vespers of the Blessed Virgin: Concerto: Nigra sum | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | T-010.475.500-1 |
| Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — |
| Bache, bene venies | Ensemble Unicorn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
730099106740 is a Universal Product Code (UPC) assigned to Saints and Sinners: The Music of Medieval and Renaissance Europe by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 175 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
730099106740 is the Universal Product Code (UPC barcode) for the release “Saints and Sinners: The Music of Medieval and Renaissance Europe” by Various Artists, released 2014-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 175 tracks, each with its own ISRC. Tracks include HKI190433631, HKI190008801, HKI199700803.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tunc catabat Moyses | — | ||
| 2 | Dies irae (Sequentia) | — | ||
| 3 | Planctus David | — | ||
| 4 | Magnificat anima mea Dominum | — | ||
| 5 | O Cruor sanguis | — | ||
| 6 | Ordo virtute: procession | — | ||
| 7 | Non vos relinquam - Homo quo vigeas | — | ||
| 8 | Sederunt principes (4-part organum plainchant) | Tonus Peregrinus | T-916.409.617-7 | |
| 9 | Entre Av'e Eva | — | ||
| 10 | Venite a laudare | — | ||
| 2-1 | Bache, bene venies | Ensemble Unicorn | — | |
| 2-2 | "Quan vei la lauzeta mover" | — | ||
| 2-3 | "Ja nulls hom pres" | — | ||
| 2-4 | "Palästinalied" | — | ||
| 2-5 | "Mir ist ummanten leyde" | — | ||
| 2-6 | "Robins m'aime" | — | ||
| 2-7 | "Je me repairole" | — | ||
| 2-8 | "Hé Robin" | — | ||
| 2-9 | Saltarello no. 2 | — | ||
| 2-10 | Saltarello no. 3 | — | ||
| 2-11 | Non avrà ma’pietà questa mia donna | Francesco Landini | — | |
| 2-12 | "Parvulus nobis nascitur" | — | ||
| 2-13 | "Angelus ad virginem" | — | ||
| 2-14 | "O Maria, stella maris" | — | ||
| 2-15 | La Messe de nostre Dame: Kyrie | — | ||
| 2-16 | Mass of Tournai: Gloria | — | ||
| 2-17 | Credo a 4 | — | ||
| 3-1 | Veni Sancte Spiritus | — | ||
| 3-2 | Jubilate Deo | — | ||
| 3-3 | Missa L'homme armé sexti toni: Sanctus | Oxford Camerata, Jeremy Summerly | T-322.297.984-8 | |
| 3-4 | Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 3-5 | Missa sine nomine: Agnus Dei | — | ||
| 3-6 | Missa Caput: Agnus Dei | — | ||
| 3-7 | "Wer ich eyn falck" / "Invicto regi jubilo" | — | ||
| 3-8 | "Dies est laetitiae" | — | ||
| 3-9 | "Innsbruck, ich muss dich lassen" | — | ||
| 3-10 | "Innsbruck, ich muss dich lassen" | — | ||
| 3-11 | "Zucht, eer und lob" | — | ||
| 3-12 | "Myns liefkens bruyn ooghen" | — | ||
| 3-13 | "Vergene bella" | — | ||
| 3-14 | "Se la face ay pale" | — | ||
| 3-15 | "Se la face ay pale" | — | ||
| 3-16 | Qui veut mesdire (128) | Joseph Payne | — | |
| 3-17 | Noel | — | ||
| 3-18 | "Fortuna desperata" | — | ||
| 4-1 | Memor esto verbi tui | Oxford Camerata, Jeremy Summerly | — | |
| 4-2 | "Salve regina, mater misericordiae" | — | ||
| 4-3 | "Ad te clamamus, exsules filli Hevae" | — | ||
| 4-4 | Eia, ergo, advocata nostra" | — | ||
| 4-5 | "O clemens, O pia, O dulcis Virgo Maria" | — | ||
| 4-6 | "Jamais" | — | ||
| 4-7 | "Hoy comamos y bebamos" | — | ||
| 4-8 | "Or vien ça, vien, m'amye" | — | ||
| 4-9 | "En ce mois délicieux" | — | ||
| 4-10 | Margot labourez les vignes" | — | ||
| 4-11 | "Ego flos campi" | — | ||
| 4-12 | Ricercar no. 26 - Fantasia | — | ||
| 4-13 | Fantasia | — | ||
| 4-14 | Ricercar No. 84 | Shirley Rumsey | — | |
| 4-15 | Ricercar decimoquinto | — | ||
| 4-16 | Vecchie Letrose Non Valete Niente | Shirley Rumsey | — | |
| 4-17 | "Christus resurgens" | — | ||
| 4-18 | Magnificat | — | ||
| 4-19 | Danza alta | — | ||
| 4-20 | Fantasia I | Shirley Rumsey | — | |
| 4-21 | Fantasia II | Shirley Rumsey | — | |
| 4-22 | Pavana V | — | ||
| 4-23 | Tiento | Shirley Rumsey | T-041.274.280-3 | |
| 4-24 | Fantasia VIII | Shirley Rumsey | — | |
| 4-25 | "Cum sancto spiritu" | — | ||
| 5-1 | There is no rose | — | ||
| 5-2 | Jesus autem transiens - Credo in Deum | — | ||
| 5-3 | Ah! Robin | — | ||
| 5-4 | In nomine | — | ||
| 5-5 | Missa Euge bone: Sanctus | — | ||
| 5-6 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 5-7 | Gloria tibi trinitas | — | ||
| 5-8 | The song called trumpets | — | ||
| 5-9 | Mass for Five Voices: Kyrie | Oxford Camerata, Jeremy Summerly | T-913.861.521-1 | |
| 5-10 | Mass for Five Voices: Gloria | — | ||
| 5-11 | Mass for Five Voices: Credo | — | ||
| 5-12 | Mass for Five Voices: Sanctus | — | ||
| 5-13 | Mass for Five Voices: Agnus Dei | — | ||
| 5-14 | Paget Pavan | — | ||
| 5-15 | Gaude Maria Virgo | — | ||
| 6-1 | Fantasia | — | ||
| 6-2 | The Virgins muse - The Lady Arbellaes favoret | — | ||
| 6-3 | Pavan no. 2 | — | ||
| 6-4 | A galliard | — | ||
| 6-5 | The marigold pavan | — | ||
| 6-6 | Flow, my tears | — | ||
| 6-7 | The King of Denmark's galliard | — | ||
| 6-8 | Semper Dowland, semper dolens | — | ||
| 6-9 | When David heard the Absalom was slain | — | ||
| 6-10 | In nomine | — | ||
| 6-11 | Hard by a crystal fountain | — | ||
| 6-12 | Fantasia | — | ||
| 6-13 | My Sweetest Lesbia, Let Us Live and Love | Thomas Campion | — | |
| 6-14 | As Vesta was from Latmos Hill descending | — | ||
| 6-15 | When Kempe did dance alone (or 'Robin Hood, Maid Marian and Little John are gone') | — | ||
| 6-16 | Variation on 'Robin is to the greenwood gone' | — | ||
| 6-17 | Draw on sweet night | — | ||
| 6-18 | O clap your hands | — | ||
| 6-19 | The silver swan | — | ||
| 7-1 | Audivi vocem de caelo | — | ||
| 7-2 | Missa pro defunctis: Introitus | — | ||
| 7-3 | Missa O soberana luz: Gloria | — | ||
| 7-4 | Lesson I for Good Friday | — | ||
| 7-5 | Ancor che col partire | — | ||
| 7-6 | Ancor che col partire | — | ||
| 7-7 | Ricercare secondo | — | ||
| 7-8 | Rore - Madrigale "Achor che co'l partire" | — | ||
| 7-9 | Lassus - Canzona 'Susanna un jour' | — | ||
| 7-10 | Ancor che col partire - Variations on a madrigal by Cipriano de Rore | — | ||
| 7-11 | Prelude | — | ||
| 7-12 | Fantasia | — | ||
| 7-13 | Galliard | — | ||
| 7-14 | Cantique de Simeon | — | ||
| 7-15 | Psaume 25: "A toy mon Dieu mon coeur monte" | — | ||
| 7-16 | Missa Bell'Amfitrit' altera: Gloria | — | ||
| 7-17 | Missa Entre vous filles: Sanctus | — | ||
| 7-18 | Domine Dominus noster | — | ||
| 7-19 | Lagrime di San Pietro: Il magnanimo Pietro | — | ||
| 7-20 | Lagrime di San Pietro: Vide homo | — | ||
| 8-1 | Magnificat primi toni | — | ||
| 8-2 | Vadam et circuibo | — | ||
| 8-3 | Missa O magnum mysterium: Kyrie | Oxford Camerata, Jeremy Summerly | T-000.196.647-7 | |
| 8-4 | Missa O magnum mysterium: Gloria | — | ||
| 8-5 | Missa O magnum mysterium: Credo | — | ||
| 8-6 | Missa O magnum mysterium: Sanctus | — | ||
| 8-7 | Missa O magnum mysterium: Agnus Dei | — | ||
| 8-8 | O magnum mysterium | Jeremy Summerly, Oxford Camerata | T-906.028.521-4 | |
| 8-9 | Versa est in luctum | — | ||
| 8-10 | Cantate Domino | — | ||
| 8-11 | Dances from Terpsichore: Ballet des coqs: Galliard | — | ||
| 8-12 | Dances from Terpsichore: Bransle Gay 1 / Bransle de Montirande | — | ||
| 8-13 | Dances from Terpsichore: La Bourée | — | ||
| 8-14 | Dances from Terpsichore: Courante | — | ||
| 8-15 | Dances from Terpsichore: Volte | — | ||
| 8-16 | Mein junges Leben hat ein End' | — | ||
| 8-17 | Hodie Christus natus est | — | ||
| 9-1 | Missa Papae Marcelli: I. Kyrie | Oxford Camerata, Jeremy Summerly | T-011.724.735-4 | |
| 9-2 | Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | — | |
| 9-3 | Missa Papae Marcelli: III. Credo | Oxford Camerata, Jeremy Summerly | T-030.223.287-6 | |
| 9-4 | Missa Papae Marcelli: IV. Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 9-5 | Missa Papae Marcelli: V. Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 9-6 | Toccata seconda del primo tono | — | ||
| 9-7 | Canzon à 12 in Double Echo | London Symphony Brass, Eric Crees | T-902.558.897-0 | |
| 9-8 | Sonata pian' e forte alla quarta bassa à 8 (1597) | London Symphony Brass, Eric Crees | — | |
| 9-9 | Canzon noni toni à 8 (1597) | London Symphony Brass, Eric Crees | — | |
| 9-10 | Hodie Christus natus est a 10 | — | ||
| 9-11 | Rappresentatione di anima di corpo: Act III, Scene 9. "O signor santo e vero" | — | ||
| 9-12 | Rappresentatione di anima di corpo: Act I, Scene 4. "Anima mia, che pensi?" | — | ||
| 10-1 | Amarilli, mia bella | — | ||
| 10-2 | O vos omnes | Oxford Camerata, Jeremy Summerly | T-070.161.714-2 | |
| 10-3 | Mentro Madonna il lasso fianco posa | — | ||
| 10-4 | Ahi, troppo saggio nell'errar | — | ||
| 10-5 | O dolorosa gioia | — | ||
| 10-6 | Se tu parti da me | — | ||
| 10-7 | Il Zabaione Musicale: 1. Introduzione | — | ||
| 10-8 | Il Zabaione Musicale: Atto I. 2. Prologo: l'Humour spensierato | — | ||
| 10-9 | Il Zabaione Musicale: Atto I. 3. Intermedio de delici pastori, a due cori | — | ||
| 10-10 | Il Zabaione Musicale: Atto I. 4. Progne e Filomena | — | ||
| 10-11 | Il Zabaione Musicale: Atto I. 5. Danza di pastorelle, in aria del spagnoletto, con le ripese nella cornamusa | — | ||
| 10-12 | Libro IV d'intavolatura di chitarrone: Passacaglia | — | ||
| 10-13 | Vattene pur crudel, con quella pace | Delitiæ Musicæ, Marco Longhini | — | |
| 10-14 | Là tra’l sangue e le morti egro giacente | Delitiæ Musicæ, Marco Longhini | — | |
| 10-15 | Poi ch’ella in sé tornò, deserto e muto | Delitiæ Musicæ, Marco Longhini | — | |
| 10-16 | L'Orfeo: Toccata | Cappella Musicale di San Petronio di Bologna, Sergio Vartolo | T-702.928.999-6 | |
| 10-17 | L'Orfeo: Act I. Chorus: Lasciate i monti | — | ||
| 10-18 | L'Orfeo: Act V. Orpheus: Questi I campi | — | ||
| 10-19 | L'Orfeo: Act V. Moresca | — | ||
| 10-20 | Vespers of the Blessed Virgin: Domine ad adiuvandum | — | ||
| 10-21 | Vespers of the Blessed Virgin: Psalm 109: Dixit Dominus | — | ||
| 10-22 | Vespers of the Blessed Virgin: Concerto: Nigra sum | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | T-010.475.500-1 |
| Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — |
| Bache, bene venies | Ensemble Unicorn | — |
