UPC · Release
Gustav Mahler
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The UPC for “The Complete Symphonies” by Gustav Mahler is 730099150248. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Naxos. This release contains 65 tracks, each with its own ISRC. Tracks include HKI199338302, HKI199267602, HKI199267302.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": I. Langsam, schleppend | — | ||
| 2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement) | — | ||
| 2-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 3-1 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: IV. Sehr feierlich, aber schlicht | Jadwiga Rappé, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 3-3 | Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 4-1 | Symphony no. 3: I. Kräftig - Entschieden | — | ||
| 4-2 | Symphony no. 3: II. Tempo di menuetto. Sehr mässig | — | ||
| 4-3 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-1 | Symphony no. 3: IV. Sehr langsam. Misterioso: "O Mensch! Gib Acht!" | — | ||
| 5-2 | Symphony no. 3: Part II: 5. Lustig im Tempo und keck im Ausdruck | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Chór Mieszany Filharmonii Krakowskiej, Chór Chłopięcy Filharmonii Krakowskiej, Antoni Wit, Ewa Podleś | — | |
| 5-3 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-4 | Symphony no. 10: Adagio | — | ||
| 6-1 | Symphony no. 4 in G major: Bedächtig, nicht eilen | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-2 | Symphony no. 4 in G major: In gemächlicher Bewegung, ohne Hast | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-3 | Symphony no. 4 in G major: Ruhevoll, poco adagio | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-4 | Symphony no. 4 in G major: Sehr behaglich | Lynda Russell, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 7-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 7-3 | Symphony no. 5 in C-sharp minor: III. Scherzo | — | ||
| 7-4 | Symphony No. 5 (Adagietto) | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 7-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 8-1 | Symphony no. 6 in A minor, "Tragic": I. Allegro energico, ma non Troppo. Heftig, aber markig | — | ||
| 8-2 | Symphony no. 6 in A minor, "Tragic": II. Scherzo. Wuchtig | — | ||
| 9-1 | Symphony no. 6 in A minor, "Tragic": III. Andante moderato | — | ||
| 9-2 | Symphony no. 6 in A minor, "Tragic": IV. Finale: Sostenuto - Allegro moderato - Allegro energico | — | ||
| 10-1 | Symphony no. 7: I. Langsam - Allegro con fuoco | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-2 | Symphony no. 7: II. Nachtmusik: Allegro moderato | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-3 | Symphony no. 7: III. Scherzo: Schattenhaft | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-4 | Symphony no. 7: IV. Nachtmusik: Andante amoroso | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-5 | Symphony no. 7: V. Rondo-Finale | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 11-1 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | T-306.481.772-3 | |
| 11-2 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | — | |
| 11-3 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: III. Etwas drängend - Noch einmal so langsam. (Nicht schleppend): "Infirma nostri corporis" | — | ||
| 11-4 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: IV. Tempo I (Allegro, etwas hastig) | — | ||
| 11-5 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: V. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend: "Infirma nostri corporis" | — | ||
| 11-6 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VI. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung: "Accende lumen sensibus" | — | ||
| 11-7 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VII. "Veni Creator Spiritus" | — | ||
| 11-8 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VIII. Wieder frisch: "Gloria sit Patri Domino" | — | ||
| 12-1 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': I. Poco adagio | — | ||
| 12-2 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': II. Piu mosso (Allegro moderato) | — | ||
| 12-3 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': III. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | — | ||
| 12-4 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IV. Moderato. Pater Ecstaticus: "Ewiger Wonnebrand" | — | ||
| 12-5 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': V. Allegro (Allegro appassionato). Pater Profundus: "Wie Felsenabgrund mir zu Füßen" | — | ||
| 12-6 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VI. Allegro deciso (Im Anfang noch nicht eilen). Chor der Engel: "Gerettet ist das edle Glied der Geisterwelt vom Bösen. Chor seliger Knaben: "Hände verschlinget euch" | — | ||
| 12-7 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VII. Molto leggiero. Chor der jüngeren Engel: "Jene Rosen, aus den Händen" | — | ||
| 12-8 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VIII. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: "Uns bleibt ein Erdenrest" | — | ||
| 12-9 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IX: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: "Ich spür' soeben nebelnd um Felsenhöh". Doctor Marianus: "Hier ist die Aussicht frei". Chor Seligen Knaben: "Freudig empfangen wir" | — | ||
| 12-10 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': X. Sempre l'istesso tempo. Doctor Marianus: "Höchste Herrscherin der Welt!" | — | ||
| 12-11 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XI. Außerst langsam. Adagissimo: "Dir, der Unberuhrbaren". Chor der Büßerinen und Una poenitentium: "Du schwebst zu Hohen der ewigen Reiche" | — | ||
| 12-12 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XII. Fließend. Magna Peccatrix: "Bei der Liebe, die den Füßen" | — | ||
| 12-13 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIII. Mulier Samaritana: "Bei dem Bronn, zu dem schon weiland" | — | ||
| 12-14 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIV. Maria Aegyptiaca: "Bei dem hochgeweihten Orte" | — | ||
| 12-15 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XV. Una poenitentium: "Neige, neige, du Ohnegleiche" | — | ||
| 12-16 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVI. Unmerklich frischer werden. Selige Knaben: "Er uberwachst uns schon". Una poenitentium: "Vom edlen Geisterchor umgeben" | — | ||
| 12-17 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVII. Sehr langsam. Mater Gloriosa: "Komm! Hebe dich zu hohern Spharen!". Hymnenartig (Ungefahr im selben Zeitmaß weiter). Doctor Marianus: "Blicket auf zum Retterblick, alle reuig Zarten" | — | ||
| 12-18 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVIII: Sehr langsam beginnend. Chorus mysticum: "Alles Vergangliche ist nur ein Gleichnis" | — | ||
| 13-1 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 13-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 14-1 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 14-2 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
730099150248 is a Universal Product Code (UPC) assigned to The Complete Symphonies by Gustav Mahler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): I. Adagio | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): II. First Scherzo | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): III. Purgatorio oder Inferno | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): IV. Second Scherzo | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): V. Finale | Polish National Radio Symphony Orchestra, Robert Olson | — |
| Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — |
The UPC for “The Complete Symphonies” by Gustav Mahler is 730099150248. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Naxos. This release contains 65 tracks, each with its own ISRC. Tracks include HKI199338302, HKI199267602, HKI199267302.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": I. Langsam, schleppend | — | ||
| 2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement) | — | ||
| 2-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 3-1 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: IV. Sehr feierlich, aber schlicht | Jadwiga Rappé, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 3-3 | Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 4-1 | Symphony no. 3: I. Kräftig - Entschieden | — | ||
| 4-2 | Symphony no. 3: II. Tempo di menuetto. Sehr mässig | — | ||
| 4-3 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-1 | Symphony no. 3: IV. Sehr langsam. Misterioso: "O Mensch! Gib Acht!" | — | ||
| 5-2 | Symphony no. 3: Part II: 5. Lustig im Tempo und keck im Ausdruck | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Chór Mieszany Filharmonii Krakowskiej, Chór Chłopięcy Filharmonii Krakowskiej, Antoni Wit, Ewa Podleś | — | |
| 5-3 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-4 | Symphony no. 10: Adagio | — | ||
| 6-1 | Symphony no. 4 in G major: Bedächtig, nicht eilen | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-2 | Symphony no. 4 in G major: In gemächlicher Bewegung, ohne Hast | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-3 | Symphony no. 4 in G major: Ruhevoll, poco adagio | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 6-4 | Symphony no. 4 in G major: Sehr behaglich | Lynda Russell, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 7-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 7-3 | Symphony no. 5 in C-sharp minor: III. Scherzo | — | ||
| 7-4 | Symphony No. 5 (Adagietto) | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 7-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 8-1 | Symphony no. 6 in A minor, "Tragic": I. Allegro energico, ma non Troppo. Heftig, aber markig | — | ||
| 8-2 | Symphony no. 6 in A minor, "Tragic": II. Scherzo. Wuchtig | — | ||
| 9-1 | Symphony no. 6 in A minor, "Tragic": III. Andante moderato | — | ||
| 9-2 | Symphony no. 6 in A minor, "Tragic": IV. Finale: Sostenuto - Allegro moderato - Allegro energico | — | ||
| 10-1 | Symphony no. 7: I. Langsam - Allegro con fuoco | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-2 | Symphony no. 7: II. Nachtmusik: Allegro moderato | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-3 | Symphony no. 7: III. Scherzo: Schattenhaft | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-4 | Symphony no. 7: IV. Nachtmusik: Andante amoroso | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 10-5 | Symphony no. 7: V. Rondo-Finale | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — | |
| 11-1 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | T-306.481.772-3 | |
| 11-2 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia" | Cardinal Stefan Wyszynski University Choir, Chór Filharmonii Narodowej, Chór Polskiego Radia w Krakowie, Warszawski Chór Chłopięcy i Męski, Warsaw National Philharmonic Orchestra, Antoni Wit | — | |
| 11-3 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: III. Etwas drängend - Noch einmal so langsam. (Nicht schleppend): "Infirma nostri corporis" | — | ||
| 11-4 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: IV. Tempo I (Allegro, etwas hastig) | — | ||
| 11-5 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: V. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend: "Infirma nostri corporis" | — | ||
| 11-6 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VI. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung: "Accende lumen sensibus" | — | ||
| 11-7 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VII. "Veni Creator Spiritus" | — | ||
| 11-8 | Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VIII. Wieder frisch: "Gloria sit Patri Domino" | — | ||
| 12-1 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': I. Poco adagio | — | ||
| 12-2 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': II. Piu mosso (Allegro moderato) | — | ||
| 12-3 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': III. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | — | ||
| 12-4 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IV. Moderato. Pater Ecstaticus: "Ewiger Wonnebrand" | — | ||
| 12-5 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': V. Allegro (Allegro appassionato). Pater Profundus: "Wie Felsenabgrund mir zu Füßen" | — | ||
| 12-6 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VI. Allegro deciso (Im Anfang noch nicht eilen). Chor der Engel: "Gerettet ist das edle Glied der Geisterwelt vom Bösen. Chor seliger Knaben: "Hände verschlinget euch" | — | ||
| 12-7 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VII. Molto leggiero. Chor der jüngeren Engel: "Jene Rosen, aus den Händen" | — | ||
| 12-8 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VIII. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: "Uns bleibt ein Erdenrest" | — | ||
| 12-9 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IX: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: "Ich spür' soeben nebelnd um Felsenhöh". Doctor Marianus: "Hier ist die Aussicht frei". Chor Seligen Knaben: "Freudig empfangen wir" | — | ||
| 12-10 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': X. Sempre l'istesso tempo. Doctor Marianus: "Höchste Herrscherin der Welt!" | — | ||
| 12-11 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XI. Außerst langsam. Adagissimo: "Dir, der Unberuhrbaren". Chor der Büßerinen und Una poenitentium: "Du schwebst zu Hohen der ewigen Reiche" | — | ||
| 12-12 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XII. Fließend. Magna Peccatrix: "Bei der Liebe, die den Füßen" | — | ||
| 12-13 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIII. Mulier Samaritana: "Bei dem Bronn, zu dem schon weiland" | — | ||
| 12-14 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIV. Maria Aegyptiaca: "Bei dem hochgeweihten Orte" | — | ||
| 12-15 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XV. Una poenitentium: "Neige, neige, du Ohnegleiche" | — | ||
| 12-16 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVI. Unmerklich frischer werden. Selige Knaben: "Er uberwachst uns schon". Una poenitentium: "Vom edlen Geisterchor umgeben" | — | ||
| 12-17 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVII. Sehr langsam. Mater Gloriosa: "Komm! Hebe dich zu hohern Spharen!". Hymnenartig (Ungefahr im selben Zeitmaß weiter). Doctor Marianus: "Blicket auf zum Retterblick, alle reuig Zarten" | — | ||
| 12-18 | Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVIII: Sehr langsam beginnend. Chorus mysticum: "Alles Vergangliche ist nur ein Gleichnis" | — | ||
| 13-1 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 13-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 14-1 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 14-2 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): I. Adagio | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): II. First Scherzo | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): III. Purgatorio oder Inferno | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): IV. Second Scherzo | Polish National Radio Symphony Orchestra, Robert Olson | T-312.542.561-4 |
| Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): V. Finale | Polish National Radio Symphony Orchestra, Robert Olson | — |
| Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Michael Halász | — |
