UPC · Release
The Very Best of Bach
Johann Sebastian Bach
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730099210324 is the Universal Product Code (UPC barcode) for the release “The Very Best of Bach” by Johann Sebastian Bach, released 2005-10-18. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include HKI190423201, HKI190204501, HKI190204506.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Goldberg Variations in G major, BWV 988: I. Aria | Jenő Jandó | T3219042652 | |
| 2-2 | Cello Suite no. 1 in G Major, BWV 1007: I. Prelude | Alexander Rudin | — | |
| 2-3 | Cello Suite no. 1 in G Major, BWV 1007: VI. Gigue | Alexander Rudin | — | |
| 2-4 | Concerto no. 3 in G major, BWV 1048: I. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl | T3188492566 | |
| 2-5 | Anna Magdalena's Notebook: Menuet in G major, BWV Anh 114 | János Sebestyén | — | |
| 2-6 | St. Matthew Passion, BWV 244: Teil II, No. LIV. Choral "O Haupt voll Blut und Wunden" | Hungarian Festival Chorus, Hungarian State Symphony Orchestra, Géza Oberfrank | — | |
| 2-7 | Oboe Concerto in G minor, BWV 1056: II. Largo | Christian Hommel, Cologne Chamber Orchestra, Helmut Müller-Brühl | — | |
| 2-8 | Harpsichord Concerto No. 1 in D minor, BWV 1052: I. Allegro | Robert Hill, Kölner Kammerorchester, Helmut Müller-Brühl | T9143237712 | |
| 2-9 | Cantata "Ich habe genug", BWV 82: Aria: Schlummert ein | Northern Chamber Orchestra, Nicholas Ward | — | |
| 2-10 | Italian Concerto, BWV 971: I. Allegro | János Sebestyén | T8014111059 | |
| 2-11 | Magnificat: Magnificat | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | T9001031512 | |
| 2-12 | Violin Concerto in A minor, BWV 1041: III. Allegro assai | Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | T3063957864 | |
| 2-13 | Concerto no. 5 in D major, BWV 1050: III. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | — | |
| 2-14 | Christmas Oratorio, BWV 248: Jauchzet, frohlocket | Magyar Rádió énekkara, Failoni Kamarazenekar, Géza Oberfrank | — |
Additional database matches (25)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite no. 2 in B minor, BWV 1067: Badinerie | Capella Istropolitana, Jaroslav Dvořák | T0116544843 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 |
| Wachet auf, ruft uns die Stimme, BWV 645 | Wolfgang Rübsam | T0317220339 |
| Double Concerto in D minor (Largo, ma non tanto) | Alexander Jablokov, Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | — |
| Mass in B minor, BWV 232: Agnus Dei | Martina Koppelstetter, Slovenský filharmonický zbor, Capella Istropolitana, Christian Brembeck | — |
| Mass in B minor, BWV 232: Agnus Dei | Martina Koppelstetter, Slovenský filharmonický zbor, Capella Istropolitana, Christian Brembeck | — |
| Violin Concerto in A minor, BWV 1041: III. Allegro assai | Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | — |
| Cantata no. 147, Herz und Mund und Tat und Leben: Jesu, Joy of Man’s Desiring (tr. Myra Hess) | Eteri Andjaparidze | T8030656760 |
| Concerto in C minor for Violin and Oboe, BWV 1060: II. Adagio | Béla Bánfalvi, Emilia Csanky, Budapesti Vonósok | T0014395868 |
| Double Concerto in D minor (Largo, ma non tanto) | Alexander Jablokov, Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | T1066771535 |
| Toccata and Fugue in D minor, BWV 565: Toccata | Wolfgang Rübsam | T9320147191 |
| The Well‐Tempered Clavier, Book 1: Prelude & Fugue no. 1 in C major, BWV 846 | Jenő Jandó | — |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Wolfgang Rübsam | T9001252728 |
| Cantata no. 147, Herz und Mund und Tat und Leben: Jesu, Joy of Man’s Desiring (tr. Myra Hess) | Eteri Andjaparidze | T-308020856-2 |
| Weichet nur, betrübte Schatten, BWV 202: Adagio | Capella Istropolitana, Christian Brembeck, Friederike Wagner | — |
| The Well‐Tempered Clavier, Book 1: Prelude & Fugue no. 1 in C major, BWV 846 | Jenő Jandó | — |
| I. PRELUDIO | Lucy van Dael | — |
| Concerto no. 4 in G major, BWV 1049: I. Allegro | Corinne Chapelle, Daniel Rothert, Nadja Schubert, Kölner Kammerorchester, Helmut Müller-Brühl | — |
| Goldberg Variations in G major, BWV 988: I. Aria | Jenő Jandó | T9027611398 |
| Violin Partita no. 3 in E major, BWV 1006: I. Preludio | Lucy van Dael | — |
| Suite no. 2 in B minor, BWV 1067: Badinerie | Capella Istropolitana, Jaroslav Dvořák | T0116544843 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 |
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What is UPC 730099210324?
730099210324 is a Universal Product Code (UPC) assigned to The Very Best of Bach by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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