UPC · Release
The Very Best of Beethoven
Ludwig van Beethoven
730099210522
10 tracksReleased 2005-01-01Naxos
Last verified:
730099210522 is the Universal Product Code (UPC barcode) for the release “The Very Best of Beethoven” by Ludwig van Beethoven, released 2005-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include HKI199940205, HKI198900207, HKI199940303.
Format
7Number system
30099Manufacturer
21052Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Very Best of Beethoven
ISRC8 recordings
ISWC7 works
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2 | Egmont, op. 84: Overture | Štátna filharmónia Košice, Slovenská filharmónia, Stephen Gunzenhauser | T9011645071 | |
| 3 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 4 | String Quartet no. 9 in C major, op. 59 no. 3 "Razumovsky": IV. Allegro molto | — | ||
| 5 | Violin Concerto in D major, op. 61: III. Rondo | Takako Nishizaki, Slovenská filharmónia, Kenneth Jean | — | |
| 6 | Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) | Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen | — | |
| 7 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | T0013971588 | |
| 8 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 9 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Jenő Jandó, Takako Nishizaki | — | |
| 10 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Štátna filharmónia Košice, Slovenská filharmónia, Stephen Gunzenhauser
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
—
String Quartet no. 9 in C major, op. 59 no. 3 "Razumovsky": IV. Allegro molto
—
Violin Concerto in D major, op. 61: III. Rondo
Takako Nishizaki, Slovenská filharmónia, Kenneth Jean
—
Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore)
Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen
—
Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo
Nicolaus Esterházy Sinfonia, Béla Drahos
—
Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto
Jenő Jandó, Takako Nishizaki
—
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
Stefan Vladar, Capella Istropolitana, Barry Wordsworth
—
Additional database matches (22)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T9258812189 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T0711252275 |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| "ANDANTE IN F MAJOR, WOO 57 ""ANDANTE FAVORI""" | Balázs Szokolay | — |
| BAGATELLE IN A MINOR, WOO 59 FÜR ELISE | Balázs Szokolay | T0315908554 |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T0315908554 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto - Allegro assai (excerpt) | Diane Elias, Robert Holzer, Gabriele Lechner, Michael Pabst, Zagrebačka filharmonija, Richard Edlinger | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | T3146383004 |
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin? | Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz | — |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T9215309436 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Bagatelle in A minor, WoO 59 “Für Elise” | Balázs Szokolay | T0315908554 |
Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace
Stefan Vladar, Capella Istropolitana, Barry Wordsworth
—
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
Stefan Vladar, Capella Istropolitana, Barry Wordsworth
—
Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo
Jenő Jandó, Takako Nishizaki
—
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
—
"ANDANTE IN F MAJOR, WOO 57 ""ANDANTE FAVORI"""
Balázs Szokolay
—
Balázs Szokolay
Balázs Szokolay
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto - Allegro assai (excerpt)
Diane Elias, Robert Holzer, Gabriele Lechner, Michael Pabst, Zagrebačka filharmonija, Richard Edlinger
—
Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo
Jenő Jandó, Takako Nishizaki
—
Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo
Jenő Jandó, Takako Nishizaki
—
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
Nicolaus Esterházy Sinfonia, Béla Drahos
—
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
—
Nicolaus Esterházy Sinfonia, Béla Drahos
Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo
Nicolaus Esterházy Sinfonia, Béla Drahos
—
Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Jenő Jandó
—
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
—
Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin?
Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz
—
Balázs Szokolay
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
—
Balázs Szokolay
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What is UPC 730099210522?
730099210522 is a Universal Product Code (UPC) assigned to The Very Best of Beethoven by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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