UPC · Album

The In Crowd: The Ultimate Mod Collection From the Original Style Movement 1958–1967

Various Artists

731452004925
100 tracksReleased 2001-01-01Universal

Last verified:

731452004925 is the Universal Product Code (UPC barcode) for the release The In Crowd: The Ultimate Mod Collection From the Original Style Movement 1958–1967 by Various Artists, released 2001-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEU240305564, FRM036203210, FRX452353604.

Format

7Number system
31452Manufacturer
00492Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe In Crowd: The Ultimate Mod Collection From the Original Style Movement 1958–1967
ISRC91 recordings
ISWC92 works
IPI40 songwriters

Track List (91)

Boom Boom
John Lee Hooker
Green Onions
Booker T. & the MG’s
Green Onions
Booker T. & the MG’s
The Twist
Hank Ballard and the Midnighters
Biff Bang Pow
The Creation
The Twist
Hank Ballard and the Midnighters
Twist and Shout
The Isley Brothers
It Will Stand
The Showmen
Anyway, Anyhow, Anywhere
The Who
Little Girl
The Graham Bond Organisation
That’s the Way It’s Got to Be
The Poets
All or Nothing
Small Faces
Bert’s Apple Crumble
The Quik
We Don’t Know
The Attack
Air Travel
Chris Farlowe
Green Onions
Booker T. & the MG’s
My Girl
The Temptations
The Twist
Hank Ballard and the Midnighters
Twist and Shout
The Isley Brothers
Kansas City
Wilbert Harrison
Green Onions
Booker T. & the MG’s
Boom Boom
John Lee Hooker
Everybody Needs Somebody to Love
Solomon Burke
What’cha Gonna Do About It
Doris Troy
Green Onions
Booker T. & the MG’s
Green Onions
Booker T. & the MG’s
Cool Jerk
The Capitols
Everybody Needs Somebody to Love
Solomon Burke
Boom Boom
John Lee Hooker
Time Is on My Side
Irma Thomas
Time Is on My Side
Irma Thomas
I Got You I Feel Good
James Brown
I Got You (I Feel Good)
James Brown and the Famous Flames
All or Nothing
Small Faces
I Got You (I Feel Good)
James Brown and the Famous Flames
(Love Is Like a) Heat Wave
Martha Reeves and the Vandellas
Mickey’s Monkey
The Miracles
Hi‐Heel Sneakers
Tommy Tucker
Anyway, Anyhow, Anywhere
The Who
Rescue Me
Fontella Bass
Rescue Me
Fontella Bass
Tell Mama
Etta James
Tell Mama
Etta James
Boom Boom
John Lee Hooker
My Girl
The Temptations
When the Lovelight Starts Shining Through His Eyes
The Supremes
How Sweet It Is (to Be Loved by You)
Earl Van Dyke, The Soul Brothers
My Girl
The Temptations
Heatwave
Martha Reeves and the Vandellas
My Girl
The Temptations
Dancing in the Street
Martha and the Vandellas
Too Many Fish in the Sea
The Marvelettes
My Girl
The Temptations
My Girl
The Temptations
Money (That’s What I Want)
Barrett Strong
(Love Is Like a) Heat Wave
Martha Reeves and the Vandellas
Leaving Here
Eddie Holland
Mickey’s Monkey
The Miracles
Can I Get a Witness
Marvin Gaye
Mickey’s Monkey
The Miracles
My Girl
The Temptations
Too Many Fish in the Sea
The Marvelettes
Dancing in the Street (stereo)
Martha Reeves & the Vandellas
Every Little Bit Hurts (single version)
Brenda Holloway
Devil With the Blue Dress
Shorty Long
Every Little Bit Hurts
Brenda Holloway
My Girl
The Temptations
(I’m a) Road Runner
Jr. Walker & the All Stars
Going to a Go‐Go
Smokey Robinson & The Miracles
(I’m a) Road Runner
Jr. Walker & the All Stars
Love’s Gone Bad
Chris Clark
Helpless
Kim Weston
Can I Get a Witness
Marvin Gaye
Put Yourself in My Place
The Elgins
Think
James Brown and the Famous Flames
If Somebody Told You
Anna King
Cool Jerk
The Capitols
Twist and Shout
The Isley Brothers
Green Onions
Booker T. & the MG’s
When the Lovelight Starts Shining Through His Eyes
The Supremes
Love’s Gone Bad
Chris Clark
Seesaw
Don Covay & the Goodtimers
The “In” Crowd
Dobie Gray
Piece of My Heart
Erma Franklin
Piece of My Heart
Erma Franklin
Piece of My Heart
Erma Franklin
Too Many Fish in the Sea
The Marvelettes
Boom Boom
John Lee Hooker
Boom Boom
John Lee Hooker
Finger Poppin’
Ike & Tina Turner
If Somebody Told You
Anna King

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

People also ask

What is UPC 731452004925?
UPC 731452004925 is the Universal Product Code (barcode) for "The In Crowd: The Ultimate Mod Collection From the Original Style Movement 1958–1967" by Various Artists, released on Universal.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 731452004925?
UPC 731452004925 contains 100 tracks, each with its own ISRC.
SourcesMusicBrainzNotesDiscogs3 sources

Verified on

What is UPC 731452004925?

731452004925 is a Universal Product Code (UPC) assigned to The In Crowd: The Ultimate Mod Collection From the Original Style Movement 1958–1967 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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