UPC · Album
Birks Works: The Verve Big-Band Sessions
Dizzy Gillespie
Last verified:
731452790026 is the Universal Product Code (UPC barcode) for the release “Birks Works: The Verve Big-Band Sessions” by Dizzy Gillespie, released 1995-01-01 on Verve Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEU241095242, DEU241095243, DEU241095244.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (45)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Dizzy’s Business | Dizzy Gillespie | DEU241095242 |
| Hey, Pete | Dizzy Gillespie | DEU241095243 |
| Jessica’s Day | Dizzy Gillespie | DEU241095244 |
| Tour De Force | Dizzy Gillespie | DEU241095245 |
| Tour De Force | Dizzy Gillespie | USPR35600063 |
| Dizzy's Business | Dizzy Gillespie | USPR35602517 |
| Hey, Pete | Dizzy Gillespie | USPR35602518 |
| Jessica’s Day | Dizzy Gillespie | USPR35602519 |
| I Can’t Get Started | Dizzy Gillespie | USPR35602520 |
| Stella by Starlight | Dizzy Gillespie | USPR35602521 |
| Doodlin’ | Dizzy Gillespie | USPR35602522 |
| A Night in Tunisia | Dizzy Gillespie | USPR35602523 |
| The Champ | Dizzy Gillespie | USPR35602524 |
| Yesterdays | Dizzy Gillespie | USPR35602525 |
| Tin Tin Deo | Dizzy Gillespie | USPR35602526 |
| Groovin’ For Nat | Dizzy Gillespie | USPR35602527 |
| My Reverie | Dizzy Gillespie | USPR35602528 |
| Dizzy’s Blues | Dizzy Gillespie | USPR35602529 |
| Annie’s Dance | Dizzy Gillespie | USPR35602530 |
| Cool Breeze | Dizzy Gillespie | USPR35602531 |
| School Days | Dizzy Gillespie | USPR35602532 |
| Birks’ Works | Dizzy Gillespie Big Band | USPR35700129 |
| Jordu | Dizzy Gillespie Big Band | USPR35702501 |
| Umbrella Man | Dizzy Gillespie | USPR35702502 |
| Autumn Leaves | Dizzy Gillespie | USPR35702503 |
| Tangorine | Dizzy Gillespie | USPR35702504 |
| Over the Rainbow | Dizzy Gillespie | USPR35702505 |
| Yo no quiero bailar | Dizzy Gillespie | USPR35702506 |
| If You Could See Me Now | Dizzy Gillespie Big Band | USPR35702507 |
| Left Hand Corner (false start) | Dizzy Gillespie | USPR35702508 |
| Left Hand Corner (alt) | Dizzy Gillespie | USPR35702509 |
| Left Hand Corner (false start) | Dizzy Gillespie | USPR35702511 |
| Left Hand Corner | Dizzy Gillespie | USPR35702512 |
| Whisper Not (alt) | Dizzy Gillespie | USPR35702513 |
| Whisper Not (alt) | Dizzy Gillespie | USPR35702514 |
| Whisper Not | Dizzy Gillespie | USPR35702515 |
| Stablemates | Dizzy Gillespie | USPR35702516 |
| That’s All | Dizzy Gillespie | USPR35702517 |
| Groovin’ High | Dizzy Gillespie | USPR35702519 |
| Mayflower Rock (alt) | Dizzy Gillespie | USPR35702520 |
| Mayflower Rock | Dizzy Gillespie | USPR35702521 |
| Joogie Boogie | Dizzy Gillespie | USPR35702522 |
| I Remember Clifford | Dizzy Gillespie | USPR35702523 |
| You'll Be Sorry | Dizzy Gillespie | USPR35702524 |
| Wonder Why | Dizzy Gillespie | USPR35702525 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 731452790026?
731452790026 is a Universal Product Code (UPC) assigned to Birks Works: The Verve Big-Band Sessions by Dizzy Gillespie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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