UPC · Release
30 Jaar Radio 3 FM 1975-1984
Various Artists
Last verified:
731453502420 is the Universal Product Code (UPC barcode) for the release “30 Jaar Radio 3 FM 1975-1984” by Various Artists, released 1995-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include SEAYD8001020, USAM17900388, USMC17948997.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | The Winner Takes It All | ABBA | T-000006419-6 | |
| 2-2 | Matador | Garland Jeffreys | T-901992777-6 | |
| 2-3 | Pearly Dumm | — | ||
| 2-4 | Escape (The Piña Colada Song) | Rupert Holmes | T-070050931-4 | |
| 2-5 | Funky Town | — | ||
| 2-6 | This Ole House | Shakin’ Stevens | T-070928769-3 | |
| 2-7 | Every Little Thing She Does Is Magic | The Police | T-010041472-9 | |
| 2-8 | While You See a Chance | Steve Winwood | T-900235453-2 | |
| 2-9 | Heartbreaker | — | ||
| 2-10 | Girl Crazy | Hot Chocolate | T9000190205 | |
| 2-11 | I Won’t Let You Down | Ph.D. | T-010476588-9 | |
| 2-12 | Blue Monday | — | ||
| 2-13 | Moonlight Shadow | Mike Oldfield | T-010104537-7 | |
| 2-14 | Fame | Irene Cara | T-070233980-7 | |
| 2-15 | Dance Hall Days (remix) | Wang Chung | T-010303172-6 | |
| 2-16 | Somebody’s Watching Me | Rockwell | T-070145563-1 | |
| 2-17 | Only When You Leave | — | ||
| 2-18 | Talking Loud and Clear | Orchestral Manoeuvres in the Dark | T-011296460-9 |
Additional database matches (25)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Moviestar | Harpo | T-000.166.794-2 |
| Love Is All | Roger Glover | T-010.459.664-6 |
| All by Myself | Eric Carmen | T-900765682-8 |
| The Alternative Way | Anita Meyer | T-031.565.273-3 |
| Show Me the Way (live / remixed) | Peter Frampton | T-010460598-2 |
| Lookin’ Out for #1 | Bachman–Turner Overdrive | T-071000809-5 |
| Oh, Lori | Alessi | T-070242616-1 |
| Sunny | Boney M. | T-070.244.064-9 |
| Fantasy | Earth, Wind & Fire | T-070263021-4 |
| She's Not There | Santana | T-010.241.990-8 |
| Sultans of Swing | Dire Straits | T-010180249-6 |
| Girl Crazy | Hot Chocolate | T-011163608-8 |
| Show Me the Way | Peter Frampton | T-010460598-2 |
| Show Me the Way (live) | Peter Frampton | T-010460598-2 |
| Somebody's Watching Me | Rockwell | T-070145563-1 |
| She’s Not There | Santana | T-010.241.990-8 |
| Moviestar | Harpo | T-000166794-2 |
| Moviestar | Harpo | T-000166794-2 |
| All by Myself | Eric Carmen | T-900765682-8 |
| All by Myself | Eric Carmen | T-900765682-8 |
| Sunny | Boney M. | T-070244064-9 |
| Sunny | Boney M. | T-070.244.064-9 |
| Sunny | Boney M. | T-070.244.064-9 |
| She's Not There | Santana | T-010.241.990-8 |
| She’s Not There | Santana | T-010241990-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+51 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+26 more
Identifier Graph
People also ask
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What is UPC 731453502420?
731453502420 is a Universal Product Code (UPC) assigned to 30 Jaar Radio 3 FM 1975-1984 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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