UPC · Album
Modern 80’s: The Best of Discopop, Vol. 4
Various Artists
Last verified:
731454500821 is the Universal Product Code (UPC barcode) for the release “Modern 80’s: The Best of Discopop, Vol. 4” by Various Artists, released 1999-01-01 on Polystar (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include AUBM00599371, AUBM00600883, AUBM08641001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (90)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You’re the Voice | John Farnham | AUBM00599371 |
| You’re the Voice | John Farnham | AUBM00600883 |
| You’re the Voice | John Farnham | AUBM08641001 |
| Got to Be Certain | Kylie Minogue | AUMU08700130 |
| Bette Davis Eyes | Kim Carnes | DEC640000008 |
| Atlantis Is Calling (S.O.S. for Love) | Modern Talking | DEC731400128 |
| Atlantis Is Calling (S.O.S. for Love) | Modern Talking | DEC738600025 |
| Strangers by Night | C.C.Catch | DEC738800007 |
| Happy Song | Boney M. | DED168400016 |
| Miss You So | Bonnie Bianco | DEF088702010 |
| Flames of Love | Fancy | DEF088825360 |
| Flames of Love | Fancy | DEP551911248 |
| Flames of Love | Fancy | DEP551911875 |
| Sunshine Reggae | Laid Back | DKABA0002801 |
| Sunshine Reggae | Laid Back | DKABA8200001 |
| Sunshine Reggae | Laid Back | DKABA9760007 |
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | GB2DY2000070 |
| Together Forever | Rick Astley | GB5KW2103371 |
| Together Forever | Rick Astley | GB5KW2202506 |
| Japanese Boy | Aneka | GBABU8104003 |
| Got to Be Certain | Kylie Minogue | GBAHK0200208 |
| Especially for You | Kylie Minogue, Jason Donovan | GBAHK0200216 |
| Two Tribes | Frankie Goes to Hollywood | GBAHW0100372 |
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | GBAHW1200106 |
| Two Tribes | Frankie Goes to Hollywood | GBAHW9900024 |
| Together Forever | Rick Astley | GBARL0200183 |
| Together Forever | Rick Astley | GBARL0401373 |
| Japanese Boy | Aneka | GBARL8100014 |
| Japanese Boy | Aneka | GBARL8100070 |
| Together Forever | Rick Astley | GBARL8800081 |
| Together Forever | Rick Astley | GBARL9300136 |
| The Wild Boys | Duran Duran | GBAYE0400612 |
| Too Shy | Kajagoogoo | GBAYE0901454 |
| Only for Love | Limahl | GBAYE0901460 |
| Too Shy | Kajagoogoo | GBAYE8300069 |
| Only for Love | Limahl | GBAYE8300093 |
| Too Shy | Kajagoogoo | GBAYE8300270 |
| The Wild Boys | Duran Duran | GBAYE8400060 |
| Such a Shame | Talk Talk | GBAYE8400103 |
| The Wild Boys | Duran Duran | GBAYE8400114 |
| Such a Shame | Talk Talk | GBAYE8400128 |
| F.L.M. | Mel & Kim | GBAYE8700101 |
| Say I’m Your Number One | Princess | GBBTK0900039 |
| Got to Be Certain | Kylie Minogue | GBBTK0900055 |
| Especially for You | Kylie Minogue, Jason Donovan | GBBTK0900093 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| The Look of Love | ABC | GBF088200008 |
| Come On Eileen | Dexys Midnight Runners | GBF088200340 |
| Come On Eileen | Dexys Midnight Runners | GBF088200872 |
| Breakout | Swing Out Sister | GBF088690112 |
| Name and Number | Curiosity Killed the Cat | GBF088900038 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| The Look of Love | ABC | GBUM70601979 |
| Tainted Love | Soft Cell | GBUM72304240 |
| Somebody’s Watching Me | Rockwell | NLD910701710 |
| The Look of Love | ABC | USA371425902 |
| Let the Music Play | Shannon | USAT20903529 |
| Centerfold | The J. Geils Band | USCA20600378 |
| Centerfold | The J. Geils Band | USCA28100075 |
| Bette Davis Eyes | Kim Carnes | USCA28100081 |
| Bette Davis Eyes | Kim Carnes | USCA29701371 |
| THE TIDE IS HIGH (REMASTERED) | VARIOUS ARTISTS | USCH30100024 |
| The Tide Is High | Blondie | USCH38000024 |
| THE TIDE IS HIGH | VARIOUS ARTISTS | USCH38900009 |
| """THE TIDE IS HIGH (7\"""" EDIT)""" | BLONDIE | USCH39800019 |
| Centerfold | The J. Geils Band | USEM30100644 |
| Centerfold | The J. Geils Band | USEM38100071 |
| Bette Davis Eyes | Kim Carnes | USEM38900124 |
| Centerfold | The J. Geils Band | USEM38900192 |
| Maniac | Michael Sembello | USF078300090 |
| The Wild Boys | Duran Duran | USGMP0800023 |
| Somebody’s Watching Me | Rockwell | USM018400484 |
| Somebody’s Watching Me | Rockwell | USMO10000307 |
| Somebody's Watching Me | Rockwell | USMO18400484 |
| Maniac | Michael Sembello | USPR38302462 |
| Misled | Kool & the Gang | USPR38500050 |
| Maneater | Daryl Hall & John Oates | USRC10000831 |
| Maneater | Daryl Hall & John Oates | USRC10301821 |
| Maneater (edited version) | Hall & Oates | USRC10400906 |
| Maneater | Daryl Hall & John Oates | USRC10600303 |
| Maneater | Daryl Hall & John Oates | USRC18207933 |
| Nothing’s Gonna Stop Us Now | Starship | USRC18702968 |
| Nothing’s Gonna Stop Us Now | Starship | USRC19101841 |
| Cry Wolf | a-ha | USRH11600700 |
| Maniac | Michael Sembello | USUM70600581 |
| Cry Wolf | a-ha | USWB10102850 |
| Cry Wolf | a-ha | USWB10403936 |
| Cry Wolf | a-ha | USWB11001336 |
What other identifiers does this connect to?
Musical Works (ISWC)
+61 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+28 more
People also ask
Verified on
What is UPC 731454500821?
731454500821 is a Universal Product Code (UPC) assigned to Modern 80’s: The Best of Discopop, Vol. 4 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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