UPC · Release
The Complete Lester Young Studio Sessions on Verve
Lester Young
Last verified:
731454708722 is the Universal Product Code (UPC barcode) for the release “The Complete Lester Young Studio Sessions on Verve” by Lester Young, released 1999-01-01 on Verve Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 141 tracks, each with its own ISRC. Tracks include USPR34600056, USPR34600057, USGR19906426.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (141)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Back to the Land | — | ||
| 2 | I Cover the Waterfront (12" LP take) | — | ||
| 3 | I Cover the Waterfront (Master take) | — | ||
| 4 | Somebody Loves Me | — | ||
| 5 | I've Found a New Baby | Lester Young-Buddy Rich Trio | T-070.266.574-4 | |
| 6 | The Man I Love | Lester Young | T-011.191.232-3 | |
| 7 | Peg O' My Heart | — | ||
| 8 | I Want to Be Happy | — | ||
| 9 | Mean to Me | — | ||
| 10 | Too Marvelous for Words (78rpm take) | — | ||
| 11 | Too Marvelous for Words (LP take) | — | ||
| 12 | 'Deed I Do | — | ||
| 13 | Encore | Lester Young | T-070.252.866-2 | |
| 14 | Polka Dots and Moonbeams | — | ||
| 15 | Up 'n' Adam | — | ||
| 16 | Three Little Words | — | ||
| 17 | Count Every Star (Master take) | — | ||
| 18 | Count Every Star | — | ||
| 19 | It All Depends on You | — | ||
| 20 | Neenah (alternate take) | — | ||
| 21 | Neenah (alternate take) | — | ||
| 22 | Neenah (Master take) | — | ||
| 2-1 | Jeepers Creepers | — | ||
| 2-2 | Thou Swell (USA 78Rpm take) | — | ||
| 2-3 | Thou Swell (Canada 78Rpm take) | — | ||
| 2-4 | September in the Rain | — | ||
| 2-5 | Undercover Girl Blues | — | ||
| 2-6 | Frenesi | — | ||
| 2-7 | Pete's Cafe | — | ||
| 2-8 | Little Pee Blues | — | ||
| 2-9 | A Foggy Day | — | ||
| 2-10 | In a Little Spanish Town | — | ||
| 2-11 | Let's Fall in Love | — | ||
| 2-12 | Down 'n' Adam | — | ||
| 2-13 | Lester Swings | — | ||
| 2-14 | Slow Motion Blues | — | ||
| 2-15 | Ad Lib Blues | — | ||
| 2-16 | Just You, Just Me | — | ||
| 2-17 | Tea for Two | Lester Young, The Oscar Peterson Trio | T-070.178.141-0 | |
| 2-18 | (Back Home Again In) Indiana | — | ||
| 2-19 | These Foolish Things | Lester Young, The Oscar Peterson Trio | T-900.163.042-8 | |
| 2-20 | I Can't Get Started | — | ||
| 3-1 | Star Dust | — | ||
| 3-2 | It Takes Two to Tango | — | ||
| 3-3 | On the Sunny Side of the Street | Lester Young, The Oscar Peterson Trio | T-070.918.068-6 | |
| 3-4 | Almost Like Being in Love | — | ||
| 3-5 | I Can't Give You Anything but Love | — | ||
| 3-6 | There Will Never Be Another You | — | ||
| 3-7 | I'm Confessin' (That I Love You) | Lester Young, The Oscar Peterson Trio | T-926.429.120-5 | |
| 3-8 | Willow Weep for Me | — | ||
| 3-9 | This Can't Be Love | — | ||
| 3-10 | Can't We Be Friends? | — | ||
| 3-11 | Tenderly | — | ||
| 3-12 | New D.B. Blues | — | ||
| 3-13 | Jumpin' at the Woodside | — | ||
| 3-14 | I Can't Believe That You're in Love With Me | — | ||
| 3-15 | Oh, Lady, Be Good! | — | ||
| 3-16 | Another Mambo | — | ||
| 3-17 | Come Rain or Come Shine | — | ||
| 3-18 | Rose Room | — | ||
| 3-19 | Somebody Loves Me | — | ||
| 3-20 | Touch Me Again | — | ||
| 3-21 | It Don't Mean a Thing (If It Ain't Got That Swing) | — | ||
| 4-1 | I'm in the Mood for Love | — | ||
| 4-2 | Big Top Blues | — | ||
| 4-3 | Mean to Me | — | ||
| 4-4 | That's All (alternate take) | — | ||
| 4-5 | That's All (master take) | — | ||
| 4-6 | Red Boy Blues | — | ||
| 4-7 | Pennies From Heaven | — | ||
| 4-8 | She's Funny That Way (breakdown) | — | ||
| 4-9 | She's Funny That Way (master take) | — | ||
| 4-10 | One O'Clock Jump | — | ||
| 4-11 | It's the Talk of the Town | — | ||
| 4-12 | I've Found a New Baby | — | ||
| 4-13 | I Guess I'll Have to Change My Plan | — | ||
| 5-1 | I Didn't Know What Time It Was | — | ||
| 5-2 | Gigantic Blues | — | ||
| 5-3 | This Year's Kisses | Lester Young | T-070.179.869-7 | |
| 5-4 | You Can Depend on Me | — | ||
| 5-5 | Pres Returns | The Lester Young — Teddy Wilson Quartet | T-071.849.916-1 | |
| 5-6 | Prisoner of Love | — | ||
| 5-7 | Taking a Chance on Love | — | ||
| 5-8 | All of Me | — | ||
| 5-9 | Louise | — | ||
| 5-10 | Love Is Here to Stay | — | ||
| 5-11 | Love Me or Leave Me | — | ||
| 6-1 | St. Tropez (alternate take) | — | ||
| 6-2 | St. Tropez (master take) | — | ||
| 6-3 | Flic | — | ||
| 6-4 | Ballad Medley: A Ghost of a Chance / I Cover the Waterfront | — | ||
| 6-5 | Love Is Here to Stay | — | ||
| 6-7 | Perdido (incomplete take) | — | ||
| 6-8 | Waldorf Blues (alternate take) | — | ||
| 6-9 | Waldorf Blues (master take) | — | ||
| 6-10 | Sunday (master take) | — | ||
| 6-11 | You're Getting to Be a Habit With Me (alternate take) | — | ||
| 7-1 | You're Getting to Be a Habit With Me | — | ||
| 7-2 | Romping | — | ||
| 7-3 | Gypsy in My Soul | — | ||
| 7-4 | Please Don't Talk About Me When I'm Gone | — | ||
| 7-5 | They Can't Take That Away From Me | — | ||
| 7-6 | Salute to Benny | — | ||
| 7-7 | Ballad Medley: The Very Thought of You / I Want a Little Girl | — | ||
| 7-8 | Mean to Me | — | ||
| 7-9 | I Didn’t Know What Time It Was | Lester Young | T-070.902.666-3 | |
| 7-10 | Lady Be Good | Lester Young | T-010.770.254-4 | |
| 7-11 | Almost Like Being in Love | Lester Young | T-070.000.922-8 | |
| 7-12 | Three Little Words | Lester Young | T-070.180.019-2 | |
| 7-13 | I Cover the Waterfront | — | ||
| 7-14 | I Can't Get Started | — | ||
| 8-1 | (Back Home Again In) Indiana | — | ||
| 8-2 | Pennies From Heaven | Lester Young | T-070.165.305-5 | |
| 8-3 | A. B. Blues | Lester Young | T-071.849.857-7 | |
| 8-4 | Lullaby of Birdland | Lester Young | T-070.268.678-9 | |
| 8-5 | There’ll Never Be Another You | Lester Young | T-070.179.299-5 | |
| 8-6 | Tea for Two | — | ||
| 8-7 | [interview: Early Life / Birthplace / Music in New Orleans / Young's Father] | — | ||
| 8-8 | [interview: After New Orleans] | — | ||
| 8-9 | [interview: Pres's Instruments / Drums / Tenor Saxophone] | — | ||
| 8-10 | [interview: Count Basie] | — | ||
| 8-11 | [interview: Racial Tension] | — | ||
| 8-12 | [interview: Influences] | — | ||
| 8-13 | [interview: Composing and Reading Music / The Family Band / With Orchestra] | — | ||
| 8-14 | [interview: Recordings: Clarinet Dates] | — | ||
| 8-15 | [interview: Lady Day and Nobody's Business] | — | ||
| 8-16 | [interview: Philosophy on Music I] | — | ||
| 8-17 | [interview: Younger Saxophone] | — | ||
| 8-18 | [interview: Basie Then and Now] | — | ||
| 8-19 | [interview: Debunking] | — | ||
| 8-20 | [interview: Philosophy on Music II] | — | ||
| 8-21 | [interview: Pres's Sound: Sitting in With Fletcher Henderson] | — | ||
| 8-22 | [interview: Joining Henderson] | — | ||
| 8-23 | [interview: Early Pres: Oliver, Bronson, Basie] | — | ||
| 8-24 | [interview: Coleman Hawkins and Henderson] | — | ||
| 8-25 | [interview: Billie Holiday] | — | ||
| 8-26 | [interview: Recording Techniques] | — | ||
| 8-27 | [interview: Pres's Favorite Singers] | — | ||
| 8-28 | [interview: Philosophy on Music Vis-A-Vis Other Tenor Players] | — | ||
| 8-29 | [interview: Records New and Old] | — | ||
| 8-30 | [interview: Mahalia Jackson] | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 731454708722?
731454708722 is a Universal Product Code (UPC) assigned to The Complete Lester Young Studio Sessions on Verve by Lester Young. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 141 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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