UPC · Album
Greatest Hits of the Millennium: 70’s, Volume 3
Various Artists
Last verified:
731456483528 is the Universal Product Code (UPC barcode) for the release “Greatest Hits of the Millennium: 70’s, Volume 3” by Various Artists, released 1999-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include DEC719400149, DEC737900008, DESK99291210.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (118)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| One for You, One for Me | La Bionda | DEC719400149 |
| One Way Ticket | Eruption | DEC737900008 |
| Three Times a Lady | Commodores | DESK99291210 |
| Yes Sir, I Can Boogie (classic version) | Baccara | ES5379900182 |
| Oxygene, Part 4 | Jean Michel Jarre | FR45F1100080 |
| Oxygene, Part 4 | Jean Michel Jarre | FR45F7600200 |
| Oxygène, Part IV | Jean-Michel Jarre | FR45F8800010 |
| Don’t Let Me Be Misunderstood | Santa Esmeralda | FRZ037702220 |
| Voici les clés | Gérard Lenorman | FRZ087500620 |
| Voici les clés | Gérard Lenorman | FRZ087600620 |
| Video Killed the Radio Star | Buggles | GB1809101200 |
| Dreadlock Holiday | 10cc | GB7LE0900259 |
| Video Killed the Radio Star | Buggles | GBAAN0201052 |
| Video Killed the Radio Star | Buggles | GBAAN7900013 |
| Rapper’s Delight | The Sugarhill Gang | GBAJE0502805 |
| It’s a Heartache | Bonnie Tyler | GBAJE7700003 |
| Egyptian Reggae | Jonathan Richman & The Modern Lovers | GBAJE7700287 |
| Cokane in My Brain | Dillinger | GBAJE7700358 |
| Rapper’s Delight | The Sugarhill Gang | GBAJE7900032 |
| Love Is Like Oxygen | The Sweet | GBAKW0080259 |
| A Real Mother for Ya | Johnny “Guitar” Watson | GBBLY1300377 |
| Don’t Let Me Be Misunderstood | Santa Esmeralda | GBBXS0000739 |
| Dreadlock Holiday | 10cc | GBF080080438 |
| I Don’t Like Mondays | The Boomtown Rats | GBF080201458 |
| I Don’t Like Mondays | The Boomtown Rats | GBF087900002 |
| Whatever You Want | Status Quo | GBF087900008 |
| Whatever You Want | Status Quo | GBF087900010 |
| Whatever You Want | Status Quo | GBF089090022 |
| I Don’t Like Mondays | The Boomtown Rats | GBFO87900002 |
| Pop Muzik | M | GBGHQ7900001 |
| Rapper’s Delight | The Sugarhill Gang | GBUM71021600 |
| A far l’amore comincia tu (Liebelei) | Raffaella Carrà | ITM009900670 |
| You’re the Greatest Lover | Luv’ | NLA307800001 |
| Substitute | Clout | NLB120600001 |
| Weekend | Earth and Fire | NLC287900009 |
| Weekend Love | Golden Earring | NLC287900023 |
| I Remember Elvis Presley | Danny Mirror | NLQ820900002 |
| Does Your Mother Know | ABBA | SEAYD7901060 |
| I Will Survive | Gloria Gaynor | UKDNQ1507001 |
| I Will Survive | Gloria Gaynor | UKDNQ1509477 |
| Oh, Lori | Alessi | USAM17600076 |
| One for You, One for Me | La Bionda | USBI10000194 |
| Love Is Like Oxygen | Sweet | USCK30802604 |
| Egyptian Reggae | Jonathan Richman & The Modern Lovers | USGMP0800024 |
| I Feel Love (edit) | Donna Summer | USIR20300349 |
| Don’t Leave Me This Way | Thelma Houston | USM017600472 |
| Don’t Cry for Me Argentina | Julie Covington | USMC10111984 |
| Car Wash | Rose Royce | USMC10300494 |
| Car Wash | Rose Royce | USMC17605519 |
| Car Wash | Rose Royce | USMC17646466 |
| Don’t Leave Me This Way | Thelma Houston | USMO17600472 |
| Don’t Leave Me This Way | Thelma Houston | USMO17600547 |
| Three Times a Lady | Commodores | USMO17800028 |
| Three Times a Lady | Commodores | USMO17800521 |
| Three Times a Lady | Commodores | USMOI7800521 |
| Reunited | Peaches & Herb | USPR37802453 |
| I Will Survive | Gloria Gaynor | USPR39402008 |
| Don’t Bring Me Down | Electric Light Orchestra | USQX91702841 |
| Rich Girl | Daryl Hall & John Oates | USRC10000821 |
| Fire | The Pointer Sisters | USRC10201815 |
| Rich Girl | Daryl Hall & John Oates | USRC10301815 |
| Fire | The Pointer Sisters | USRC11200363 |
| Rich Girl | Daryl Hall & John Oates | USRC17607760 |
| Fire | The Pointer Sisters | USRC17803274 |
| Fire | The Pointer Sisters | USRC17807951 |
| Rich Girl | Daryl Hall & John Oates | USRC19206280 |
| Fire | The Pointer Sisters | USRC19901765 |
| Rapper’s Delight | The Sugarhill Gang | USRH10801704 |
| Don’t Leave Me This Way | Thelma Houston | USRHD0532275 |
| I Will Survive | Gloria Gaynor | USRHD0709323 |
| A Real Mother for Ya | Johnny “Guitar” Watson | USSE90321439 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10007521 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10008387 |
| Fantasy | Earth, Wind & Fire | USSM10011816 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM10015734 |
| I Want You to Want Me | Cheap Trick | USSM10022373 |
| Bright Eyes | Art Garfunkel | USSM10027521 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10102898 |
| Black Betty | Ram Jam | USSM10105935 |
| Black Betty | Ram Jam | USSM10211288 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM10702728 |
| Piece of the Rock | Mother’s Finest | USSM11200245 |
| What Can I Say | Boz Scaggs | USSM17500261 |
| What Can I Say | Boz Scaggs | USSM17500562 |
| I Want You to Want Me | Cheap Trick | USSM17600060 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM17700040 |
| Fantasy | Earth, Wind & Fire | USSM17700240 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM17700350 |
| Black Betty | Ram Jam | USSM17700459 |
| Black Betty | Ram Jam | USSM17700462 |
| Fantasy | Earth, Wind & Fire | USSM17700629 |
| Piece of the Rock | Mother’s Finest | USSM17700670 |
| Fantasy | Earth, Wind & Fire | USSM17700806 |
| I Want You to Want Me | Cheap Trick | USSM17700906 |
| Fantasy | Earth, Wind & Fire | USSM17700931 |
| Black Betty | Ram Jam | USSM17700982 |
| I Want You to Want Me | Cheap Trick | USSM17800205 |
| I Want You to Want Me | Cheap Trick | USSM17800361 |
| Don’t Stop ’Til You Get Enough | Michael Jackson | USSM17800764 |
| Don’t Stop ’Til You Get Enough | Michael Jackson | USSM17900003 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM17900012 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM17900814 |
| Don’t Stop ’Til You Get Enough | Michael Jackson | USSM17900816 |
| Don't Bring Me Down | Electric Light Orchestra | USSM17900870 |
| Black Betty | Ram Jam | USSM19602995 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM19801993 |
| Bright Eyes | Art Garfunkel | USSM19802018 |
| I Want You to Want Me | Cheap Trick | USSM19802599 |
| Fantasy | Earth, Wind & Fire | USSM19803683 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM19904260 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM19907681 |
| Don’t Leave Me This Way | Thelma Houston | USTB11700241 |
| Don’t Let Me Be Misunderstood | Santa Esmeralda | USTB11700244 |
| Cherchez la femme / C’est si bon | Dr. Buzzard’s Original Savannah Band | USTB11700249 |
| I Will Survive | Gloria Gaynor | USUM70604371 |
| I Will Survive | Gloria Gaynor | USUM72110529 |
| I Want You to Want Me | Cheap Trick | USWB19700127 |
| I Feel Love | Donna Summer | USWWW0125917 |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
Verified on
What is UPC 731456483528?
731456483528 is a Universal Product Code (UPC) assigned to Greatest Hits of the Millennium: 70’s, Volume 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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